Max Liebermann SANSONE E DALILA. 1912 Xilografia.

(Venezia, 1628 - 1679) Sansone e Dalila Olio su tela, cm 107X130 Provenienza: Collezione privata Ricondotto al catalogo di Pietro Negri da Giorgio Fossaluzza, il dipinto recava un'attribuzione ad Anto

Lithograph, 1912 Signed in pencil lower left 30 x 37cm. (11 7/8 x 14 5/8in.) All lots in this sale have been imported from outside the EU and are under Temporary Admission, therefore the buyer must pa

Ernst Oppler German Impressionist painter listed, 11 x 10", possibly a self-portrait, Signed Lower Left: E. Oppler.Back in Munich Oppler joined the Munich Secession. In 1904 Max Liebermann invited Ern

ATTRIBUTED TO MAX LIEBERMANN (GERMAN 1847-1935) Garden near Noordwijk (Holland), pastel on paper 35 x 41 cm (13 3/4 x 16 1/4 in.) framed dimensions: 54 x 60 cm (21 1/4 x 23 5/8 in.) signed lower left-

Artist: Max Liebermann Title: Women Plucking Geese (Study) Framing Dimensions: 12.5 x 15.5 Signature: Signed Style Fine Art- Realistic Material & Techniques: Oil on Board Max Liebermann. This painting

Self-Portrait in a Field,Charcoal on paper, 30X39 cm.Signed.Provenance: The art collection of the poet Nathan Zach.

(1847 Berlin - 1935 ebenda) Studie mit Pilgerin zum Gemälde "Papst Leo XIII. erteilt den Pilgern in der Sixtinischen Kapelle den Segen". Darstellung einer stehenden Frau in Dreiviertelfigur

(1847 Berlin - 1935 ebenda) Holländische Allee in Laren Die impressionistische Landschaft spiegelt die zwei Seelen Liebermanns wider, der als Bürger in Berlin, als Maler jedoch in Holland le

(1847 Berlin - 1935 ebenda) "Leiden". Originaltitel Blick auf einen Kanal mit Dampfer-Lastkahn vor einer Brücke mit Figuren und pittoresken kleinen Häusern. 1900 entstandene, impressionistische Ansi

Figures on the Beach,Charcoal on paper, 12X18 cm.Signed.Provenance: The art collection of the poet Nathan Zach.

Badende JungenKaltnadel auf festem Van Gelder Zonen-Velin. 1915.19 x 23,6 cm (33,2 x 44,3 cm).Signiert „MLiebermann“. Auflage 30 num. Ex.Schiefler 167 Vc.Exzellenter, kräftiger Druck, m

Max Lieberman [German 1847-1935], Oil/c Painting Gathering at Dinner Table. Oil on Canvas, Signed. size: 19 x 27. Askart: Max Liebermann (1847 - 1935) was active/lived in Germany. Max Liebermann is kn

Louis Richard Max Meyer (1856-1912) Tacoma, Washington and Mt. Rainier signed 'Max Meyer' (lower right) and titled (on the presentation plaque) oil on canvas 18 1/2 x 28 1/4 in. framed 24 x 33 1/2 in.

Max Ingrand (1908-1969)Pair of sconcesGlass, metal and nickel-plated brassModel created in the 1960sH 60 × L 7,5 × W 15 cmBibliography:- P-E. Martin Vivier, Max Ingrand, Ed. Norma, similar m

Max Ingrand (1908-1969)Pair of sconcesGlass, metal and nickel-plated brassModel created in the 1960sH 60 × L 7,5 × W 15 cmBibliography:- P-E. Martin Vivier, Max Ingrand, Ed. Norma, similar m

J. & E. Stevens, Connecticut, circa 1912 Put a coin in the slot atop the tree and press the coin lever. The Boy Scout raises the flag and coin drops in the bank.

Important okimono Japon, e?poque Meiji (1868-1912) Bronze a? patine brune, vieille femme debout sur un tertre, ve?tue d’un kimono fin. Au revers, le cachet Masatsune. H. 58 cm. Large okimono in bron

FRANCISCO ZUNIGA (1912-1998) Madre e Hija 1969 conté crayon on paper, signed and dated 'Zuniga 1969' lower left 21 3/4 x 27 5/8in (55.2 x 70.2cm) Footnotes: This work is listed in the artist's on

Charles Eames (Saint Louis 1907 - 1978) e Ray Eames (Sacramento 1912 - Los Angeles 1988))Lotto composto da quattro sedie della serie "Aluminium Group". Produzione ICF, Italia, anni 60 (disegno del 195

J. & E. Stevens Company Connecticut - Circa 1912 Put a coin in the slot atop the tree and press the coin lever and the Boy Scout raises the flag and coin drops in the bank. Material: Cast Iron

TSUKIOKA YOSHITOSHI (1839-1892) A Group of Six Woodblock Prints Meiji era (1868-1912), 1883 Six ōban tate-e prints, all from the series Yoshitoshi musha burui (Yoshitoshi's Courageous Warriors),

TSUKIOKA YOSHITOSHI (1839-1892) Meiji era (1868-1912), 1882 An ōban tate-e print triptych entitled Nise Murasaki inaka Genji (False Murasaki and a Rural Genji), circa 1882, published by Akiyama B

TSUKIOKA YOSHITOSHI (1839-1892) Meiji era (1868-1912), 1886 An ōban tate-e vertical diptych entitled Shunkan sōzu Kikaigashima ni oite tamatama Yasuyori no shamen senbō kito no zu (Shun

Made by E. P. Lehmann German - Circa 1912 This is one of Lehmann’s more scarce toys. It works very well and could use a good cleaning. Material: Tin