Medardo Rosso (1858 - 1928) - La ruffiana (seconda versione), 1883

Jose Clemente OrozcoMexican, (1883-1949)Pulquería (Échate la Otra), 1928lithograph, ed. 25/100signed and numbered in pencil lower margin, framed.Together with Diego Rivera and David Alfaro Siqueiros

José Clemente Orozco (Mexican, 1883-1949) Pulquería (Échate la Otra), 1928 Lithograph on Fabriano paper ed. 33 of 100 13.5 x 17 (in) 21.5 x 25.5 x 0.75 (in) Framed Signed in pencil JC O

(French, 1858-1928). Oil on canvas, signed "Leon Huber" lr, 21 1/2 x 25 1/2 in., framed.

Julio le Parc (Argentinian, b. 1928) La Longue Marche (four prints), 1974-1975 lithographs each signed and numbered out of 200 in pencil Largest: 26 x 29 1/2 inches.

Clovis Francois Auguste Didier (French, b. 1858) La journee d'ete oil on canvas signed Cl. Didier (lower left) 40 x 33 inches. Provenance: Julian Beck Nineteenth Century Painting and Sculpture, New Yo

Edmund Henry Osthaus (GERMAN/AMERICAN, 1858-1928), "Two Saint Bernard, Two Spaniel, and Terrier," oil on canvas, signed lower left of face and dated 1897, 60" x 60", original gilt wood frame with beve

Edmund Osthaus (German/American, 1858-1928) Two Hunting Dogs watercolor signed Edmund Osthaus (lower left) 14 x 21 inches inches Property from the Collection of Kristin Masterson After completing his

Ritratto di gentiluomo Olio su tela, cm 60X46 Il dipinto si attribuisce a Cristofano Allori (Firenze, 1577-1621) e si riconosce quale autoritratto del pittore, di cui è nota la versione custodita a

(attivo a Milano durante la seconda meta' del XVII secolo) Fiori Olio su tavola, cm 35X25 (3) Provenienza: Milano, collezione Giuseppe Bertini Pensando all'attribuzione di queste affascinati nature mo

Edmund Osthaus (American 1858-1928) gouache and watercolor on paper, signed lower left, matted and framed. 15 x 21 in, 26 x 32 in, framed  

Edmund Osthaus (American 1858-1928) Gouache and watercolor on paper, signed lower left, matted and framed. 12 x 17.5 in, 26 x 32 in, framed Condition: Some fading and toning overall, with spots of fox

(American, 1858-1928) signed l.r. Sight size: 25-1/2"h x 35-1/4"w

Edmund Osthaus (American 1858-1928) gouache and watercolor on paper, unsigned , matted and framed. 14 x 21 in., 26 x 32 in. framed.  

Edmund Osthaus (American 1858-1928) Gouache and watercolor on paper, signed lower right, matted and framed. 12 x 18 in. 26 x 32 in, framed.   

Edmund Osthaus (American, 1858-1928), Portrait of a Saint Bernard, watercolor on paper, signed lower right, sight: 19.75"h x 13.75"w, overall (with frame): 24"h x 19.25"w

Henry Siddons Mowbray (BRITISH, 1858–1928) oil on canvas, Portrait of a Man Reading signed 'H. Siddons Mowbray' (upper right) 10 3/4 x 10. Provenance: Bonhams Nov. 2016 John G. Hagan, Wellesley, Mas

ARMAN (1928-2005) La mort de Justine, 1975 Inclusion de violon brisé dans un torse de mannequin en résine, sculpture signée. Œuvre unique Haut.: 63 cm Provenance : Collection particulière, Paris

(Italian, 1822-1883) La Sala di Giove in the Palazzo Pitti, signed lower right "F. Maestosi", oil on linen, 35 x 47-1/8 in.; gilt wood and composition Regency style frame, 47-3/4 x 61 x 4 in. Provenan

Charles-Desire Hue (French, 1825-1883) La Brouille Momentanee, 1877 oil on board signed (lower left), titled and dated (verso) 21 5/8 x 15 1/2 inches. This lot is located in Chicago. Property from the

William Ousley (American/Louisiana, 1866-1953), "West Fork of Calcasieu River, LA", 1928, oil on canvas, signed lower right, titled lower center, signed, titled, dated and inscribed en verso, 17 1/2 i

Edouard Manet (French, 1832-1883). “La Femme a la Mantille / Fleur Exotique” - c. 1868, etching and aquatint on laid paper, second state of two, but presumably from the edition of 350 published fo

Albert Marquet (1875-1947), "Audierne, la jetée", 1928, watercolour on paper, signed and dated, 17x25 cm; Notice of inclusion in the digital catalogue raisonné in preparation by the Wildenstein

Paul-Emile Pissarro (French, 1884-1972) La Lavandiere, 1928 oil on canvas signed Paulemile Pissarro and dated (lower left) 18 1/4 x 22 inches. Lelia Pissarro has kindly confirmed the authenticity of t

Twilight at Old Lyme by Charles Vezin ( 1858-1942) dates 1928. Charles had his first art lesson at age 41 and saw his paintings exhibited widely including at the National Academy of Design, the Carneg