Merritt Mauzey, "Cotton Gin"

Haystacks and Powerlines, oil on masonite, 12 x 16, signed lower left: Mauzey

Rev. Johnnie Swearingen. Cotton Gin. 1978. Signed and dated. Oil on canvas. Minor paint crazing on gin building, otherwise excellent condition. Provenance: Webb Gallery. Image is 24"w x 20"h. Frame is

SMITH, Frog, (American, 1896-1993): Lovett Moses Cotton Gin, Branford, Florida, Watercolor and Gouache, sight size 13.5" x 21.5", inscribed lower right "Drawn from Memory, the Cotton Gin as it was in

Frog Smith. (1896-1993). Cotton Gin. Signed. Paint on found artist board. Excellent condition. Size with frame is 27.5" w x 19" h. Est. $3,000-5,000. Ship: $85

Zelle Manning. Mr. Josh Hayes Is Going To Cotton Gin. 2016. Signed, dated and titled. Oil on canvas. Excellent condition. This is the only painting that Zelle created in 2016. Size with frame is 35"w

Michel Bayne. Cotton Gin, #5. Signed and titled. Large 5 gallon jar decorated on all sides. Mint condition. 18" h. Est. $500-800. Ship: $100

Cotton Gin, 1950, watercolor on paper, 13 1/2 x 20, signed lower right: Bud Biggs ‘50

Merritt Mauzey (Texas, 1898-1973) Boatright's The lithograph from a very low edition of prints, a nice dark impression, is signed by the artist in pencil below the image lower right and titled lower l

Metal in construction, has a great original look, shows some minor wear and the side of the top bin have come unsoldered. The 3 separate stages were belt driven, displays well, not marked, 11.5"x7.5",

COTTON GIN / MANGLEWest Timor, Indonesia, Late 19th- early 20th century. Flanking figural standard posts, carved wood gear turn crank, tenon construction. 13.5" height

Granite Top Table made from Machinery Bases from the old Clover Cotton Gin Co. in Massachusetts Granite top sits on top of plywood support that is bolted to the table. This is a very heavy piece. One

After Clementine Hunter (1887-1987, Louisiana), "Cotton Gin," 20th c., oil on canvas wrapped on board, by Frank Hunter, initialed on right, presented in a wood frame, H.- 7 3/8 in., W.- 9 1/2 in., Fra

Merritt Mauzey "Mellow the Earth" lithograph. Titled, numbered and signed in pencil to lower edge. Site: 10.75"H x 14.25"W; Frame: 17"H x 20.25"W. PROVENANCE: The Estate of Leonard E. Walley, Dallas.

Snubbing Post, ed. 20, lithograph, 11 1/4 x 16 3/4, signed across bottom: Snubbing Post, Ed. 20, Merritt Mauzey

WPA (Work Progress Administration) Cotton Gin Model with moveable parts and dovetailed edges, stamped 'Objective Teaching Materials Project - W.P.A. - N.Y.C'; used condition wear/worn, nicks to wood,

American antique cotton gin. Dimensions: 8” x 16 1/2” x 13 1/2”

Dimensions: H 16.25" x W 23" x D 21" Condition: Great rustic antique patina. Wear consistent with age and use.

This collection of stereoviews are originals from the epoch . They come mainly from collectors in the U.S.A. and constitute wonderful testimonies of past time that tend to be unique. Their scarcity, c

Winner shall receive the exact .925 sterling silver medal shown here. (SJ/B)

Clementine Hunter (American/Louisiana, 1886/87-1988) "The Cotton Gin" oil on board monogrammed lower right. Framed. 22" x 28", framed 23" x 29"

Clementine Hunter (American/Louisiana, 1886-1988), "Cotton Gin", oil on board, monogrammed lower right, 16 in. x 24 in., matted. Note: This work has been authenticated by renowned Clementine Hunter ex

Important American inventor (1765-1825) remembered for developing the cotton gin. Scarce ALS signed “E. Whitney,” one page, 7.5 x 9.75, March 15, 1804. Letter to attorney Samuel M. Hopkins

Almarie Little (1923-2002, New Orleans), Four Paintings, "Dixie Watermelon Delight," "Cotton Field Conversation," "Dixie Wedding," "The Early Cotton Gin," 20th c., three acrylics on canvas board and o

Leonard GoodOklahoma / Wisconsin, (1907-2000)Coal Yard, 1935watercolor on papersigned and dated lower right, framed.This scene depicts a coal loading station and cotton gin, Norman, Ok.11 x 13 i