MICHAEL REAFSNYDER (AMERICAN, B. 1969)

Michael ReafsnyderAmerican, b. 1969Foam MachineAcrylic on linenSigned, titled, and dated 2018 to verso. Heavy impasto in ultramarine, bright green and white, spread with palette knife. Ebonized frame.

FINSTER, Michael (American, b. 1969). Disruption of Paradise in a once peaceful world. 1993. Oil on wooden panel in artist’s painted frame. Signed, titled, and dated lower right. 24 x 24”.

FINSTER, Michael (American, b. 1969). Alien Life. 1991. Oil and acrylic on wooden panel in artist’s painted frame. 23 ¾ x 24”. Signed on recto and verso; numbered, dated, and titled.

FINSTER, Michael (American, b. 1969). “Reflections of Love”. 2000. Oil and acrylic on a full-length mirror. With original frame painted by Finster. 49 ¾ x 13 ½”. On the ver

FINSTER, Michael (American, b. 1969). “The Collection”. Circa 1995. A group of 6 copies of this limited-edition lithograph on thick paper, each being one of 700 copies (#s 21, 61, 63, 81,

FINSTER, Michael (American, b. 1969). Mystery, Babylon the Great, the Mother of Harlots and Abominations of the Earth. 2012. Oil on wooden panel. Signed and dated lower right. Inscribed by the artist

FINSTER, Michael (American, b. 1969). Love Birds. 2001. Oil on wooden panel. Signed and dated lower right and on verso. 21 7/8 x 15 ¼”.

FINSTER, Michael (American, b. 1969). Indian Heritage Totem Pole. 1990. Paint on wood. 18 ¾ x 10 ¾ x 5 5/8”. Signed, dated, and titled on the base.

FINSTER, Michael (American, b. 1969). Group of Five Cut-outs. 1990-94. Five painted cut-outs on painted bases, including “Loveiloons” (1994), “Demaray Serpant” (1990), “T

FINSTER, Michael (American, b. 1969). Angel Love. 2001. Oil on wooden panel. Signed and dated lower right and on verso. 22 ¼ x 15 ½”.

FINSTER, Michael (American, b. 1969). Jaboo Tribe. 1992. Paint on wooden panel, 11 7/8 x 12”. Signed on recto and verso; dated, titled, and numbered.

FINSTER, Michael (American, b. 1969). Two Paintings by Michael Finster. 1995/96. Including “The Ten Commandments” (1996) and “Color Blind Horse.” Both signed and inscribed on r

Finster, Michael (American/Georgia, b. 1969), Facial Foam Sculpture, 1994, paint and marker on foam filler affixed to board. Lower center reads "Facial Foam Sculpture, By Michael Finster, 3402nd Piece

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

Kara Walker (American, b.1969) 'I'll Be a Monkey's Uncle' Lithograph 1996, signed lower right, AP 3/10, depicting the figures of a girl and a monkey in black silhouette against a white background, mou

Kara Walker (American, b.1969) 'Scene of McPherson's Death' Offset Lithograph and Screenprint on Paper 2005, signed lower right, depicting a silhouetted figure superimposed over an illustration, TP 6/

Kara Walker (American, b.1969) 'An Army Train' Offset Lithograph and Screenprint on Paper 2005, signed lower right, 31/35, depicting silhouetted figures superimposed over a Civil War scene illustratio

James Ayers (American, b. 1969) Indian Warrior, 2003 oil on canvas signed James Ayers and dated (lower right) 24 x 20 inches

Angela Dufresne American, b. 1969 Crab Catching, Catching Crabs, with William Sidney Mount, or What Happens When the People then Fend for Themselves, 2010 Signed and dated '10 on the reverse Oil on ca

Flowerbed, 2002; C-print (framed); 18" x 23" (sight); Signed, dated and numbered 5/5; Provenance: Elizabeth Dee Gallery, New York (label on verso); Private Collection, New York

Delia Brown (American, b. 1969) Leisa in black floppy hat with marimekko pillows, 2003 watercolor signed D. Brown and dated (upper right) 16 x 12 inches. Estimate $1,000-2,000 Provenance: So

Natalie Featherston (American, b.1969) 'Good Enough to Eat' Oils on Panel (2) items, 2003, each signed, titled, and dated en verso, including 'Good Enough to Eat: Cupcake' depicting a realist image of

NOLAND, Michael (American, b. 1958). Mississippi Patriot. [1988]. Oil on canvas. Signed on the verso. Sight 26 x 48”. Frame: 27 ½ x 49 ½”. Minor wear to frame. Excellent conditio