MIGUEL COVARRUBIAS Rumba. Lithograph, 1942. 235x340 mm; 9¼x13¼ inches, full margins.

MIGUEL COVARRUBIAS Rumba. Lithograph, 1942. 235x340 mm; 9¼x13¼ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A very

PIERRE BONNARD (AFTER) Les Fleurs. Color lithograph, 1942. 650x400 mm; 25x15¾ inches, full margins. Artist's proof, aside from the edition of 80. Initialed and inscribed "T/T" in pencil, lower ma

MABEL DWIGHT Staten Island Shore (Bathers II). Lithograph on cream wove paper, 1931. 237x334 mm; 9x13 inches, full margins. Edition of 25. Signed in pencil, lower right. Printed by George Miller, New

LARRY RIVERS Untitled. Color lithograph and screenprint on heavy wove paper, 1973. 227x303 mm; 9x13 inches (sheet), full margins. Signed, dated and numbered 160/300 in pencil, lower right. Printed by

MAVIS PUSEY (1928 - 2019) Bridge Workers. Color screenprint on Arches paper, 1968. 234x336 mm; 9x13 inches, full margins. Signed, titled and numbered 13/17 in pencil, lower margin.

KEITH HARING (1958-1990) Keith Haring: Into 1984/Tony Shafrazi Gallery. Color offset lithograph. 880x580 mm; 34¾x22¾ inches, full margins. Signed and dated "86" in silver ink, lower center.

ROBERT RIGGS (1896-1970)The Pool. Lithograph. 370x495 mm; 14½x19½ inches, full margins. Edition of 40. Signed and titled in pencil, lower margin. Circa 1933.A very good impression of thi

GEORGE TOOKER (1920-2011)Two prints. Window. Lithograph. 600x500 mm; 23x19 inches, full margins. Signed and numbered 93/175 in pencil, lower margin. 1994 * Self-Portrait. Lithograph. 215x195 mm; 8&#18

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

JOSÉ CLEMENT OROZCO Las Masas. Lithograph, 1935. 330x425 mm; 13x16¾ inches, full margins. Edition of 120. A superb, dark impression of this scarce lithograph.According to Hopkins, "In one sp

MARC CHAGALL (AFTER) Romeo and Juliet. Color lithograph, 1964. 640x993 mm; 25¼x39 inches, full margins. The deluxe edition, before letters. Signed and numbered 50/200 in pencil, lower right. Prin

MARTIN LEWIS Veterans. Lithograph, 1935. 250x342 mm; 9¾x13½ inches, full margins. Edition of only 8. Signed in pencil, lower right. A very good impression of this extremely scarce, first-kno

THOMAS HART BENTON The Race. Lithograph, 1942. 225x337 mm; 8x13¼ inches, wide margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb,

MARC CHAGALL Bateau-Mouche Au Bouquet. Color lithograph, 1960. 390x300 mm; 15x11¾ inches, full margins. Artist's proof, aside from the edition of 25. Signed and inscribed "epreuve d'artiste" in p

GRANT WOOD February. Lithograph, 1941. 227x303 mm; 9x11¾ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impressi

GRANT WOOD March. Lithograph, 1939. 228x302 mm; 9x11⅞ inches, full margins. Edition of 250. Signed in pencil, lower right. Published by Associated American Artists, New York. A superb impression

BENTON SPRUANCE The Homecoming. Lithograph, 1935. 230x350 mm; 9x13¾ inches, full margins. Edition of 28 (from an intended edition of 30). Signed and dated in pencil, lower right margin. A very go

JOAN MIRÓ (after)Sur Quatre Murs.Color lithograph, 1951. 260x792 mm; 10¼x31¼ inches, full margins. Edition of 400. Signed and dated in pencil, lower right. Published by Maeght, Paris. A

LOUIS LOZOWICK Under the Bridge. Lithograph, 1930. 357x203 mm; 14x8 inches, full margins. Signed, dated and numbered 2/20 in pencil, lower right. Printed by George Miller, New York. A very good impres

RENÉ MAGRITTE (after)Le Fils de l'Homme.Color lithograph, 1973. 777x595 mm; 30x23½ inches, full margins. Signed, titled, annotated and numbered 110/150 by Georgette Magritte, the artist's wi

THOMAS HART BENTON Ten Pound Hammer. Lithograph, 1967. 350x250 mm; 13¾x9¾ inches, full margins. Edition of 300. Signed in pencil, lower right. A very good impression of this scarce lithograp

GEORGE BELLOWS Dance in a Madhouse. Lithograph, 1917. 471x624 mm; 18½x24 inches, full margins. Edition of approximately 77. Signed "Geo. Bellows" and initialed "E.S.B." by the artist's wife, Emma

HOWARD COOK New York Night. Lithograph, 1931. 253x305 mm; 9x12 inches, full margins. Edition of 35 (from an intended edition of 75). Signed, dated and dedicated "To George Miller, in deep appreciation

GEORGE BELLOWS Artists Judging Works of Art. Lithograph, 1916. 370x485 mm; 14½x19 inches, full margins. Second state (of 2). Edition of approximately 52. Signed, titled and inscribed "No. 35" in