Mika Katayama, Kakurenbo, Etching & Drypoint

HINO ATARU TOKI, color etching, signed in pencil, from the numbered edition 20, image 17 ½ x 14”, sheet 24 ¾ x 17 ½”, remnants of paper hinges on verso, otherwise in good condition.

UP, DOWN, AROUND, color etching, signed in pencil, from the numbered edition 30, image 14 x 17 ½”, sheet 19 x 24”, remnants of paper hinges on verso, some finger prints and soft handling creases

KATHE KOLLWITZ GERMAN, 1867-1945), ETCHING, DRYPOINT & AQUATINT, 1899, H 11", L 12", "AUFRUHR" ("REVOLT"):Signed in pencil lower right. Numbered 7/50 lower left. Framed.

REMBRANDT VAN RIJN (1606-1669), ETCHING & DRYPOINT, 4TH & FINAL STATE, H 4", W 6", "THE ANGEL DEPARTING FROM THE FAMILY OF TOBIAS":Plate signed and dated 1641; framed; references: B., Holl.. 43; H. 18

ETCHING & DRYPOINT "TRIUMPH OF MORDECAI" IN VERSO REMBRANDT VAN RIJN , 1641 (6 1/2" X 8 1/4" SIGHT SIZE

This is a vintage signed etching and drypoint print from artist Bernard Buffet (French, 1928 - 1999). An exclusively figurative artist, his works can be seen in the collections of the world's leading

Gene Kloss (American, 1903 - 1996), "Corn Husking - Taos Pueblo" c. 1960, etching / drypoint, edition 49/50, pencil signed along lower border, (Kloss, 481), framed and matted behind glass, wear consis

James Abbott McNeill Whistler (American, 1834-1903) "La Vielle Aux Loques", from "Twelve Etchings From Nature". Signed in the plate lower right, noted within the plate "Imp. Delatre Rue St. Jacques 71

Louis Icart reproduction "Lady with Peacock" etching & drypoint copyright notice upper left 1925 29" x 24"

Louis Icart "Lady with Peacock" etching & drypoint copyright notice upper left 1925. Pencil rigned LR, windmill mark LL, plate size approx 15"w x 18.5"h , frame size 28" w x 32"h

Louis Icart(1888-1950)"Intimacy," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ic

Louis Icart(1888-1950)"Mockery," 1928Etching, drypoint, and aquatint in colors on paperA proof aside from the edition of unknown sizeSigned in pencil in the lower margin, at right: Louis Ica

Robert Indiana(1928-2018)"American Dream II, Eat, Die, Hug, Err," 1996Etching, drypoint, and aquatint in color on wove paper, watermark ArchesEdition: XXXXVI/LSigned, titled, dated, and numb

Louis Icart (1888-1950)"Blue Alcove," 1929Etching, drypoint, and aquatint in colors on paperFrom the edition of unknown sizeSigned and numbered in pencil along the lower edge: Louis Icart /

SEYMOUR HADEN (BRITISH, 1818–1910), ETCHING, DRYPOINT AND PLATE TONE ON BUFF PAPER, 1865 H 4.25" W 7.5" OLD CHELSEA (Old Chelsea Church) Literature: Schneiderman 101

Title: Election Night Framed, under glass. Numbered 39/120 lower left. Sighed J Levine lower right. Frame: 19 x 25 inches Sight: 8 34 x 11 3/4 inches Condition: Good Artist Biography:

Käthe Kollwitz (German, 1867-1945) Etching, Drypoint And Aquatint on Paper, 1903, "Losbruch, from the Peasants Revolt", H 19" W 22.25" | Later Impression: 1921. Published by Alexander von der Bec

Louis Icart(1888-1950)"Sleeping Beauty," 1927Etching, drypoint, and aquatint in colors on paperSigned in pencil in the lower margin, at right: Louis Icart; inscribed "SW," possibly

SIR FRANK BRANGWYN (BRITISH, 1867–56), ETCHING, DRYPOINT & AQUATINT, PLATE SIZE: C. H 14", W 22" "ALBI, ITALY" Pencil size; plate size: 13.75" x 21.75"; framed, 24" x 31". Provenance: The Gordo

JAMES MCNEILL WHISTLER (American 1834-1903) "La Vieille aux Loques" Etching and drypoint on laid paper (later impression) fourth state of four. Plate: 8 1/4 x 5 3/4 inches; Sheet:10 x 7 5/8 inches; Fr

A religious historical heliogravure etching with drypoint on paper titled "Death of a Virgin" by Rembrandt Van Rijn. The Death of the Virgin is a 1639 print in etching and drypoint by Rembrandt, showi

18th C.Rembrandt Etching & Drypoint 1750 12" by 14" framed. 4.25" by 5.75" art Original (1641) Virgin & Child in the Clouds. Later 18th C.printing. Archivelly framed Shipping: Domestic: Flat-rate of $

AFTER PIERRE AUGUST RENOIR, ETCHING & DRYPOINT, H 4 3/4", W 3 1/2", "LE CHAPEAU EPINGLE":On paid paper. Signed in plate. Certificate from Park West Gallery.

(French, 1863-1951) signed in pencil and numbered 6/65 l.r., with stamp of publisher Pellet on lower edge Overall: 19-1/4"h x 13-7/8"w Sight: 8"h x 5-1/2"w Provenance: William Weston Gallery, London;