MORITA SHIRYŪ (1912-1999) Kotobuki (Longevity) Showa era (1926-1989), dated 1973

ITŌ TAKASHI (1895-1944) Two Woodblock Prints Showa era (1926-1989), dated 1929 and 1933 Two ōban yoko-e woodblock prints, each signed Takashi and sealed Itō Takashi, published by Watana

SAWADA TETSURO (1935-1998) Showa era (1926-1989), dated 1987 and 1988 Four screenprints of various sizes and formats; the first a large horizontal format, titled AFTER GLOW III, edition number 123/135

YOSHIDA HIROSHI (1876-1950) Three Ōban Tate-e Woodblock Prints Showa era (1926-1989), dated 1935 and 1937 The first, entitled Sugi namiki (Criptomeria [cryptomeria] Avenue), dated 1937; the secon

KAWASE HASUI (1883-1957) Showa era (1926-1989), dated 1948 An ōban tate-e woodblock print titled Shirasagijō (Shirasagijo Castle), signed Hasui and sealed Kawase, published by Watanabe Sh&#3

ELIZABETH KEITH (1887-1956) Showa era (1912-1926), dated 1922 An ōban yoko-e woodblock print titled in the block Lama Temple Peking., signed in pencil Elizabeth Keith and sealed E.K. 1922, publis

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 A large woodblock print entitled Hansen, yoru (Sailboats: Night), from the series Seto Naikai shū (Inland Sea), signe

KAWASE HASUI (1883-1957) Taisho (1912-1926) or Showa (1926-1989) era, 1923-1931 Comprising an aiban tate-e and two oban tate-e prints (each framed); the first entitled Uchiyamashita, Okayama, from the

YOSHIDA HIROSHI (1876-1950) Taisho (1912-1926) or Showa (1926-1989) era, 1926 An ōban yoko-e print entitled Tateyama Betsuzan (Mount Betsu of the Tate Mountain Range), from the series Nihon Arupu

TWO LACQUER POWDERED-TEA CADDIES The first by Kōsen, the second by Ikkō Taisho (1912-1926) or Showa (1926-1989) era, 20th century The first of hira-natsume (squat tea-caddy) form decorated i

ONE BY SHINSAI (DATES UNKNOWN) AND ONE BY UCHIDA SOKAN (1883-1984) Two Lacquer Natsume (Tea Caddies) Taisho (1912-1926) or Showa (1926-1989) era, 20th century The first decorated in gold and shell hir

SAITO KIYOSHI (1907-1997) Showa era (1926-1989), 1948 A large woodblock print entitled Profile, edition number 22/60, dated 1948, signed Kiyoshi Saito, with label stating self-carved self printed KIYO

TSUCHIYA KŌITSU (1870-1949) Showa era (1926-1989), 1932 A dai ōban yoko-e print entitled Yoru no Asakusa (Asakusa at Night), signed Kōitsu, published by Doi Sadakazu 19 7/8 x 14 1/2in (

KAWASE HASUI (1883-1957) Showa era (1926-1989), 1922 An aiban yoko-e print entitled Nagato-kyō Kayagafuchi (The Kayagafuchi Rapids in Nagato Gorge), from the series Nihon fūkei senshū

YOSHIDA TOSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the rect

OKABE SŌFU Mon (Gate) Showa era (1926-1989), 1964 Brushed in ink on paper, sealed Sō, inscribed on a label the reverse Mon, Okabe Sōfu, July, 1964, framed 40 3/8 x 52 1/4in (104 x 135cm

YOSHIDA TŌSHI (1911-1995) Mendocino, Sunrise Showa era (1926-1989), 1982 A very large print entitled in Japanese Mendoshino no yoake with both Japanese and English titles written in pencil on the

IMAIZUMI NARIYUKI (SEISHI, ACTIVE CIRCA 1910-1950) A Black Lacquer Four-Case Inrō Taisho (1912-1926) or Showa (1926-1989), 20th century Of lenticular profile with applied cord runners, decorated

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Toko Shinoda, framed and glazed 19 3/4 x 13 7/8in (61.3 x 35.

SHINODA TOKO (1913-2021) Showa (1926-1989) or Heisei (1989-2019) era, 20th/21st century Ink on paper, signed in pencil at the bottom right Shinoda Toko, framed and glazed 19 3/8 x 13 3/4in (49.2 x 34.

WADA WAICHISAI II (1877-1933) A Long-Handled Bamboo Basket Showa era (1926-1989) circa 1930 The conical basket woven in madake and rattan with mat plaiting, twining, wrapping and knotting, with a cyli

KAWASE HASUI (1883-1957) Two Woodblock Prints Showa era (1926-1989), 1940 and 1952 Two ōban tate-e prints, the first entitled Chōsen Chiizan Sen'in-ji (Chunum Temple, Chiri Mountain, Korea),

Alexander Semeonovitch Liberman (Russian-American, 1912-1999) Initialed and dated "AL" `80. 37 1/2"h

KAWASE HASUI (1883-1957) Taisho era (1912-1926), 1925 An ōban tate-e print entitled Shiba Zōjōji (Zōjō-ji Temple in Shiba), from the series Tōkyō nijūkei (20 Vi