N. ENGEL PENCIL SIGNED PRINT OF HORSE & RIDER IN ORANGE 28 3/4" X 21 1/2" W/FRAME

N. ENGEL PENCIL SIGNED PRINT OF HORSE & RIDER IN ORANGE 28 3/4" X 21 1/2" W/FRAME

ARMORED HORSE, 1969, color woodblock print, signed and dated and numbered 57/65 in pencil, image 33 ¾ x 21 ¾”, full margins, frame 41 x 27 ½” with glass.

Eugene Larkin framed pencil signed & numbered 28/ 65 print "The Violinist" 26 3/4" x 37 1/2" O.D.

TITLED, 1967, color woodblock print, signed in pencil, from the numbered edition 20, image 30 x 21 ½”, sheet 34 x 24”, minor pale discoloration in margins, otherwise in good condition.

KIYOSHI, TOKIO (M.56), 1939, color woodblock print, signed in pencil and with boat seal center left, sight 15 ¼ x 11 ¾”, frame 21 ½ x 18” with glass.

TWO CAT WOMEN, color print, signed in pencil and inscribed HC 20/50 (hors commerce), published by Robert Bane with blind stamps lower left, sight 25 ½ x 28 ½”, frame 37 ¾ x 40 ¾”; Together wit

BAY VIEW, color block print, signed in pencil, sight 21 ½ x 27 ½”, frame 28 ½ x 33 ½” with glass, top piece of molding loose in frame. Note: Prentis was head of

K’O SZI HORSE & RIDERS, colored etching, signed and numbered 38/75 in pencil, image 8 ¾ x 10 ½”, handsomely frame 17 x 18 ½” with glass.

THE FLOWER IN DISTANT MEMORY 2, 1968, color woodblock print, signed in pencil, from the numbered edition 50, image 25 ½ x 17”, sheet 28 x 18 ¾”, natural discoloration, otherwise in good conditio

MUJER DIVINA, gelatin silver print, signed and numbered 5/25 in pencil, image 9 ½ x 7 ½”, frame 21 x 16 ¾” with glass.

Christian Jaccard TROPHEE, color block print, signed and numbered 1/5 in pencil, sheet 21 ¾ x 14 ½”, frame 24 ¼ x 17” with glass; Together with Philippe Visson LE TRAP

MEXICO (B), 1963, color woodblock print, signed in white, titled and dated and numbered 3/6 in pencil, image 18 x 23 ½”, sheet 21 ¼ x 26 ¾”.

DISCOLOURED WALL, 1975, color woodblock print, signed and numbered 50-16 (16/50) in pencil, image 12 ¾ x 10”, full margins, frame 21 x 17 ½” with non-glare glass.

GEORGE A. TICE (American, b. 1938)Porch, Monhegan Islandsilver gelatin printsigned George A. Tice in pencil lower rightplate: 19 1/4 x 12 7/8 in., frame: 28 1/2 x 21 3/4 in. Provenance:

WOMAN AMONG THE RUBBLE, 1945, gelatin silver print, signed in pencil on verso, image 11 ¾ x 15", sheet 12 1/8 x 15 ¾", framed 21 x 24”. Provenance: Leslie Sacks Fine Art Los Angeles.

Lot 12 Peter Max American (b. 1937) Friends lithograph pencil signed lower right with additional print, numbered PP image: 20 1/4 x 27 inches sheet: 28 1/4 x 34 1/4 inches Provenance: From a New Jerse

"Paris", depicting the Eiffel Tower viewed from the Trocadero, gelatin silver print, pencil signed on mount, numbered 21/100, in black metal box frame, OS: 28" x 24", SS: 19" x 12 1/4". Fine condition

TITLED, 2007, two color woodblock prints with gold leaf, each signed and numbered 6/50 & 8/50 in pencil, full sheets floated 13 ¼ x 9 ½”, frames 21 ¾ x 18 ¾” wi

Artist: Mel Ramos, American (1935 - ) Title: Marquet Mannequin Year: 1979 Medium: Lithograph, signed in pencil Edition: 500, HC Image Size: 23 x 16 inches Size: 28 x 21 in. (71.12 x 53.34 cm)

DARK CHANGE 5, 1970, color woodblock print, signed, dated, titled and numbered 1/60 in pencil, image 19 ½ x 14 ¾”, full margins, frame 21 ¾ x 17 ¼”.

DRESDEN, toned gelatin silver print, signed and titled and numbered 9/10 in pencil lower right verso, sheet 16 1/8 x 23 ¾”, frame 21 x 28” with glass.

Artist: Mel Ramos, American (1935 - ) Title: Bonnard's Bath Year: 1979 Medium: Lithograph, signed in pencil Edition: 500, HC Image Size: 16 x 24 inches Size: 21 in. x 28 in. (53.34 cm x 71.12 cm)

THE PROMINENT STUMP, 1995, toned gelatin silver print, signed and titled and numbered 1/10 in pencil lower right verso, sheet 16 x 23 ¾”, frame 20 ½ x 28” with glass.

DEATH VALLEY, 1994, toned gelatin silver print, signed and titled and numbered 2/10 in pencil lower right verso, sheet 16 1/8 x 23 ¾”, frame 20 ½ x 28” with glass.