NICHOLAS NOHOUN, PASTEL, 1977, 22 1/4" X 34",

David Herskovitz MOTHER & CHILD, 1959, pastel on paper, signed and dated upper right, sight 18 ¼ x 23 ¾”, frame 22 ½ x 28” with glass; Elizabeth Turner Leigh-Taylor PENSIVE WOMAN, 1968, pastel

Mark Maggiori (born 1977) Texas Cowboys signed with initials and inscribed 'MM / Texas' (lower right) pencil on paper 9 1/4 x 13 in., paper 10 3/4 x 14 in. framed 18 1/2 x 22 1/2 in. Footnotes: Pro

William S. Schwartz (American 1896-1977)- ''Lithograph #34'' (Lunch Room)''- lithograph, 1929, inscription in lower left margin describes it as ''impression #22''. 14 1/2 x 12''

French School(19th century)Portrait of a Lady and Gentleman (a pair)oil pastel on papersight 14 3/4 x 10 3/4in (37.5 x 27.5cm); frame 22 1/4 x 13 1/2in (56.5 x 34.5cm)

Charles Spindler Style Marquetry Panel, 22 1/4" x 34 1/4", "Canal Scene".

PERHAPS WE COULD ENDURE (73-06, full page illustration page 208), color screenprint with bright fresh colors, signed in pencil, from the edition of 97, sheet 22 ¼ x 34 ¼”.

VIC GUHRS (B. 1945). African Elephant in a Landscape, 1977, 22" x 34-1/4" oil on canvas (framed size: 29" x 40-1/2") signed/dated lower right. We found a Buffalo, a 24" x 36" that sold at Christie's f

FAMILY DINNER, oil painting on canvas, signed lower left, 22 ¼ x 34 ¼”, framed 29 x 41 x 2 ½”.

BARTELL, George (1933 – 2013). De Tomaso Mangusta / Powered by Ford. 1969. Poster with imagery of a vehicle speeding by leaving behind a ray of light on a dark field. 22 ¼ x 34”. Line

Likely Rome, early 18th century, having polychrome decoration. Overall 28 1/2" x 38", Rabbet 22 1/4" x 31 3/4", Molding 3 1/2".

HAGOKOMO, color lithograph, signed and titled and numbered 10/35 in pencil, sight 22 ¼ x 16 ¾”, frame 33 x 27” with glass.

American Two-Drawer Stand, set on turned legs, 28 ½" high, 22 ¼" x 15 ¾". Top drawer edge chip; surface wear.

TWIST, archival pigment print, signed and numbered 2/20 on artist’s certification, sight 17 ¼ x 25 ¾”, frame 22 ¼ x 30 ¾” with Plexiglas.

Kandinsky TIRANT SUR LE VIOLET (Maeght R 57), quadrichromie lithograph on Lana Wove paper, with Maeght stamp lower left corner, sheet 22 ¼ x 14 ¾”; Chagall LE JONGLEUR (Maeght R 36

Title: Beggars Banquets Album Cover Printing Date: 1968 Medium: Lithograph Size/Format: 22 ¼" x 11 ¾"  In 1968, one of the Rolling Stones’ best-known controversies kept their classic album 'Begga

TIRANT SUR LE VIOLET (Maeght K.57), 1929, four of the same color lithographs on Lana wove paper, three with blind stamps lower left, three sheets 22 ¼ x 14 ¾” and one trimmed lower

BOY AND GIRL WITH GREEN BACKGROUND, a pair of oil paintings on canvas, each signed, 22 ¼ x 17” & 16 ¾ x 12 ¾”, frames 25 ¼ x 19 ¾” & 23 x 19”

Bronze & Stone Figural Table Lamp, Base Marked "France" 22 1/4" x 15" x 8 3/4".

French Bleached Bakery Cart w/ Bifold Doors 62 3/4"H x 61 1/4" x 22 3/4"

2pc. Lot of French Wicker Gathering Baskets 14 3/4"H, 34" x 22" / 14 3/4"H, 32 1/2" x 22 1/2"

2pc. Lot of Floral Paintings - O / C and O / B 23 3/4" x 35 3/4" / 22 1/4" x 16 3/4"

Jack Levine (American, 1915–2010) grouping of 2 artworks, both pieces 16 3/4 x 22 1/4 inches, one artist proof signed lower right, one edition 67/100. Crack in glass on artist proof. Provenance: Mat

Kwagiulth Serigraph signed Francis Dick, 8 3/4" x 22 1/4", "Long Beach" #1/140.

Mauricio Lasansky THE VISION, color etching, signed in pencil, numbered 10/50, image 24 x 21 ¾”, sheet 26 ¼ x 22 ¾”, old paper and linen hinges, some skinning on verso upper right and left corn