Prints & Multiples

Odilon Redon Prints & Multiples

Odilon Redon, La Tentation..., with extra suite First Image

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Odilon Redon, La Tentation..., with extra suite First Image

Odilon Redon, La Tentation..., with extra suite

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Odilon Redon, (French, 1840-1916 (1 of 10)

Odilon Redon, (French, 1840-1916 Odilon Redon (French, 1840-1916) "Apocalypse de Saint-Jean" "La Tentation de Saint-Antoine" nine lithographs on paper including three (out of thirteen) from "Apocalypse" and six (out of twenty-three)

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Odilon Redon "Antoine: Quel est..." Lithograph (1 of 4)

Odilon Redon "Antoine: Quel est..." Lithograph Odilon Redon (French, 1840-1916), "Antoine: Quel est Le But de Tout Cela?..." [Antoine: What is the purpose of all this?...], Lithograph, from the La Tentation de Saint-Antoine [The Temptation of Sain

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Odilon Redon (1840-1916) Le Jour Enfin Paraît... et dans le disque même du soleil, rayonne la face (1 of 1)

Odilon Redon (1840-1916) Le Jour Enfin Paraît... et dans le disque même du soleil, rayonne la face Odilon Redon (1840-1916)Le Jour Enfin Paraît... et dans le disque même du soleil, rayonne la face de Jésus-Christ (Plate 24), from La Tentation de Saint-Antoine (Mellerio 157)Lithograph, 1896, from

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Odilon Redon "Buddha" Lithograph (1 of 5)

Odilon Redon "Buddha" Lithograph Odilon Redon (French, 1840-1916), "L'Intelligence fut a moi! Je devins le Buddha" [Intelligence was Mine! I Became the Buddha], Lithograph, from La Tentation de Saint-Antoine [The Temptation of Saint

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REDON, Odilon (1840-1916) (1 of 5)

REDON, Odilon (1840-1916)Description française: REDON, Odilon (1840-1916) "Antoine: Quel est le but de tout cela?" (Plaque XVI), tiré de La Tentation de Saint-Antoine (1896) Lithographie Signée en bas à dr

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Odilon Redon Woman with Bonnet Lithograph (1 of 3)

Odilon Redon Woman with Bonnet Lithograph Odilon Redon (French, 1840-1916) "La Femme au bonnet Phrygien" Lithograph. Monogrammed lower right. Image Size: 9.25 x 6.5 in. Overall Size: 18.5 x 16 in. Unframed

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Odilon Redon (1840-1916, French) (1 of 6)

Odilon Redon (1840-1916, French)"L'intelligence fut a moi! Je devins le Buddha," 1896, plate 12 from "Tentation de Saint-Antoine" Lithograph on chine applique under glass Unsigned Chine: 12.125" H x 8.375" W; Sight: 12.625" H x

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Italian School. 16th century. Bassano Circle. (1 of 8)

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Master of Saint George and the Princess. Zaragoza, circa 1460-1470 (1 of 5)

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Spanish School. Zamora. Gil de Encimas Circle. First Third of the 16th century (1 of 8)

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Colonial School. Mexico or Peru. 17th -18th century. (1 of 7)

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Workshop of Francesco Solimena (Canale di Serino, 1657 - Barra, Naples, 1747) (1 of 11)

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17th - 18th century. Italian School. Copy of Bartolomeo Caravarozzi. (1 of 14)

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"Bishop Saint". Hispanic-Flemish. Anonymous. Circa 1500. White wooden sculpture, not polychromed. (1 of 8)

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Colonial School. Cuzco. Peru. 18th century.Colonial School. Cuzco. Peru. 18th century. "Assumption of Mary" Oil and brocateado (designs overlaid in gold leaf to represent brocade) on copper. 32,5 x 24 cm.

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Wooden table with a silver-plated top. Colonial School. Mexico. 18th century. (1 of 5)

Wooden table with a silver-plated top. Colonial School. Mexico. 18th century.Wooden table with a silver-plated top. Colonial School. Mexico. 18th century. Weight of the silver: 4.500 g. Measurements: 61 x 84 x 52 cm.

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Josefa de Ã“bidos Circle (Seville, 1630 - Ã“bidos, Portugal, 1684) (1 of 7)

Josefa de Ã“bidos Circle (Seville, 1630 - Ã“bidos, Portugal, 1684)Josefa de Ã“bidos Circle (Seville, 1630 - Ã“bidos, Portugal, 1684) "Christ Child with the Instruments of the Passion" Oil on canvas. There is a small patch on the back. It has a period carved, p

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NicolÃ¡s EnrÃquez (Mexico, 1704 - 1790) (1 of 6)

NicolÃ¡s EnrÃquez (Mexico, 1704 - 1790)NicolÃ¡s EnrÃquez (Mexico, 1704 - 1790) "True Portrait of Our Lady of Solitude of the Victoria of Madrid" Oil on copper. Signed. 32,5 x 26,5 cm. This is the True Portrait that depicts the sculptu

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Our Lady Immaculate. Carved, gilded and polychromed (1 of 13)

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Possibly Spanish School. First half of the 16th century. (1 of 8)

Possibly Spanish School. First half of the 16th century.Possibly Spanish School. First half of the 16th century. "The Annunciation" Oil on panel 41 x 31 cm. This very valuable and unusual panel represents the episode of the Annunciation in the luxurious pr

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Pair of large silver candlesticks. 17th - 18th century. (1 of 5)

Pair of large silver candlesticks. 17th - 18th century.Pair of large silver candlesticks. 17th - 18th century. With a 19th century French mark â€“ a swan â€“ which was used to mark pieces of silver that were imported to France from other countri

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