Papuan Gulf Elema Tapa Bird Eharo Mask, PNG

Papuan Gulf Elema Tapa Bird Eharo Mask. Wood, bark cloth, raffia, lime, charcoal and ocher pigments. Provenance: Ex. collection of Anthropologist Dr. William H. Davenport, New Haven, Connecticut. Size

Ca. early 20thC. Tapa, cane, pigments, chicken feathers. Very good original condition as shown with no major loss or apparent repairs. Elema conical style masks are worn by initiates during festivals

Spirit Boards in the Style of the Papuan Gulf Gope Boards. Late 20th Century, PNG. With ornate raised designs accented with kaolin clay and organic pigments. Size: Ranging from: 29.5'' x 8'' x 1.5'' (

A PAPUA NEW GUINEA GOPE BOARD (BULL-ROARER). Elema people, Urama Island, Papuan gulf Papua New Guinea, circa 1900-1950. 55.5cm length x 5.7cm width. Provenance: Original purchase receipt from Tribalhu

A Senufo bird sculpture; and a Papuan Gulf gope board Length: 37 1/2in and 38 1/2in

Large New Guinea Mask With Bird Head Nose Decorated With Shells. Tag Reads: A Sacred Mask TumbamerisHaus Tambarin, Chambri Lake, PNG. Approximately 23.625H x 9.8125W x 5.5625D in.

Early 20th century basket weave fiber mask of an ancestral spirit. Exceptionally woven in multiple dimensional detail with a wide shoulder and neck opening. Protruding eyes and lips, with a bird headd

Among the tribes of Papua New Guinea warriors are awarded gope boards for each act of bravery they perform in battle. The boards are often made from the remains of an enemy's canoe. Gope boards have a

Elegant and dramatic bird mask with down-curving beak, Koulango, Cote d'Ivoire, finely carved from a hard and fine-grained wood, the back quite patinated and ringed by an old cloth pad, 14"h

(American, b. 1942). Oil on masonite, signed "Christensen" lr, 16 x 12 in., framed

John Stezaker (British, born 1949) Mask XX ('Bird Mask'), 2006 Collage comprised of a found postcard and a found gelatin silver print; mounted, signed, titled, and dated in pencil on the reverse, fram

Carved Tlingit bird mask. Carved cedar and straw. Early, possible original paint. Circa 1930. H 9-1/2" L 19-1/2" W 7-1/2". Condition: Excellent condition. Link for high-res images: https://www.dropbox

Sepik Latmul Tambaran Woven Plant Fiber Gable Mask, Papua New Guinea, early to mid 20th Century. Provenance: Private Collection of Shirley and David Rowen, Beverly Hills, California. Size: 44'' x 35''

African Ibibio Bird Mask. Carved wood. Exhibited: Merton Simpson Gallery, New York, "Simpson & Stone: A Special Selection of African and Oceanic Art from the Allan Stone Collection, May 17 - July 28,

Pre-Columbian gold Tairona Tumbaga figural finial depicting a seated male figure with a parrot / bird mask, decorative motifs and loops. 4.5" H x 1.25" W x 2.25" D. Comprised of approx 79.81% gold (eq

Simon Dick (b.1951 Kwakwaka'wakw) ''Blue Heron'' 2009 Painted Cedar Mask 10''x40''x9''. Polychrome painted and carved u-form bird mask with applied copper and abalone eyes. Signed and dated on interio

Bobo Bird Mask, Bobo -Ule (Red Bobo also called Tara Peoples) Upper Volta, Wood, pigment and fiber, 40 inches high, Boca Raton Museum of Art prior to 2002

Estate / Collection: Property from the Collection of Rosa and Aaron Esman MASQUE OISEAU (BIRD MASK) Gold and nickel plated brass multiple with wood and Plexiglas mount, 1968, incised signature, incise

WOODEN CARVED FIGURAL RATTLES, BIRD & MASK. PACIFIC NORTHWEST.10" L & 14" L

A Bobo type bird mask of oustanding age and quality. From the Rosen collection, as pictured and exhibited herein this book. Height: 11". Width: 58". Book available online.

An Aztec-style three-piece 14K suite comprised of two earrings and a brooch/pendant. Each featuring bird masks holding drops of stylized forms. Brooch: approx. 2-1/4in long. Approx. 15.4 total dwt. |

A 19th century Chinese display table. Hardwood construction with shaped inset Marble top and carved skirt on tall intricately carved legs with shaped lower shelf, birds masks and paw feet. Original da

River Inlet "Bird Dancer" Mask attributed to Tom Smith 1977, 11 5/8" high.

Pre-Columbian, Peru, Moche IV, ca. 100 CE to 500 CE. Bichrome terracotta stirrup vessel depicting a sitting drummer, most likely a shaman, wearing a bird head mask with tear rolling down his cheeks, h