PETER CLARK - Elegance

No Reserve! Artist: PETER CLARK Print Title: Elegance Medium: Sheet-fed Gravure Printing Date: 1940's Printed in Great Britain Image size approx. 9 x 6.5 inches Shipping: Domestic: Flat rate of $15.00

British, b. 1944 Untitled (Ring) Patinated aluminum Diameter 66 1/4 inches (168.2 cm), depth 11 inches (27.9 cm)

Peter Clark (City of Plymouth School of Art 1937-1939) Roberta with Fred Astaire, original poster design, gouache and poster paint on card, signed - 76 x 51 cm

Peter Clark (b.1947), Lunesdales, oil, signed and dated Nov 96, 10.5cm x 21.5cm, framed

Peter Clark (City of Plymouth School of Art 1937-1939) Eat More Honey, original poster design, gouache and poster paint on card, signed P Clark - 76 x 51 cm

Peter Clark (City of Plymouth School of Art 1937-1939) Egypt Cunard, original poster design, gouache and poster paint on card, signed - 76 x 51 cm

Peter Clark (City of Plymouth School of Art 1937-1939) America Cunard, original poster design, gouache and poster paint on card, signed - 76 x 51 cm

Lot Of 7 Ink Drawings by English Artist, Peter H. Clark” Drawings Are on Paper & From The 1940's-'50s. Most Signed and Dated. Topics include a) portrait of Frederick Chopin b) three sheets with

Peter Keating "Rural Elegance" Framed Print . Pencil signed and numbered 81/300 . Measures about 37.5"x30.5"

"The Wire" Dominic West, Seth Gilliam, Wood Harris, Frankie Faison, Wendell Pierce, Glynn Turman, Andre Royo, Michael Kenneth Williams, Clarke Peters, Robert Wisdom , Clark Johnson, Sonja Sohn, Larry

WW2 Multi Signed Patrick Bishop Book Titled Battle of Britain- a Day by Day Chronicle. Signed on a Limited Edition 5 of 20 bookplate by Tom Neil, WF Clark, Alan Kellow, Peter Hairs, Bob Doe and the au

U.S. General Mark Clark at St Peter's Basilica, Rome Italy, June 1944, sepia-tone photo print. Created in the early 1990's for The American Heritage Galleries. Printed on heavy cardstock. In original

U.S. General Mark Clark at St Peter's Basilica, Rome Italy, June 1944, sepia-tone photo print. Created in the early 1990's for The American Heritage Galleries. Printed on heavy cardstock. In original

U.S. General Mark Clark at St Peter's Basilica, Rome Italy, June 1944, sepia-tone photo print. Created in the early 1990's for The American Heritage Galleries. Printed on heavy cardstock. In original

Fairy Lamp, Decorated Webb Burmese Shade, 4.75" x 4", Set On Clear Clark Base And Candle Insert, Dr. Peter And Grace Jochimsen.

[PHOTO-BOOKS] LARRY CLARK "TULSA" Grove Press, 2000, JOEL-PETER WITKIN, Phaidon Press, 2007, DUANE MICHAELS, Museum of Modern Art, Oxford, 1984. Three books sold together.

UMBRELLA MAN, 2017, hand-painted acrylic sculpture, hand-signed in pigment by the artist lower right, a unique work, with registration stamp and copyright on right side, approximately 150 additional p

TWO HEARTS, Version III #247, 2017, acrylic sculpture hand-painted in Peter Max Studio, hand-signed in pigment lower right by the artist, a unique work, overall with base 11 x 12 ½ x 4 ½

FLAG WITH HEART Series (see Hanson pages 118-119), 1990, extensive acrylic painting over color screenprint, signed upper left, full sheet floated 40 x 54”, frame 49 x 63” with Plexiglas. C

BOUQUET ON BLACK, 2010, acrylic painting on canvas, signed upper right, 24 x 20”, artist’s copyright stamp and date on verso, artist’s inventory number #321037, framed, in good studio condition.

ABSTRACT/ DOCUMENT/ CURRENCY/ CARBON, 1997, mixed oil-based media on wood panel, signed and dated on verso, 64 ½ x 20”. Provenance: Hosfelt Gallery, San Francisco.

STATUE OF LIBERTY, 2014, acrylic painting on canvas, signed upper right, with artist’s stamp and date on verso, inventory number M338613 on verso, 16 x 8”, framed, in good studio condition.

NEW YORK CITY, 2000, gelatin silver print, signed and dated and inscribed in pencil on the verso, sheet 16 x 20”, frame 21 ½ x 25 ½”. Provenance: Peter Fetterman Gallery, Santa M

FLOWER STILL LIFE, 1982, acrylic painting on canvas, signed and dated upper right, inscribed and dated and copyright in marker on verso, 24 x 18”, frame 30 ½ x 24 ½”. Provenance: acquired direct