Rebecca Jo Morales (b. 1962) California

YELLOW RUMPED WARBLER, 1997, gouache and watercolor on vellum, initialed lower right, signed, dated and titled in ink on frame verso, 6 ½ x 10 ¾”, frame 8 ¾ x 12 ½&rd

WATERFALL, 1997, 3-D acrylic painted wood construction, signed and dated lower right, overall 65” tall, 17” deep, various widths with four free elements, 46” wide as pictured. Proven

REFLECTIONS 2, 1989, 3-D acrylic painting on canvas construction, signed and dated and titled on verso, 60 x 60 x 4”. Provenance: Acquired directly from artist by current owner; Todd Grayâ€��

UNTITLED, 2004, iridescent acrylic painting on canvas, initialed and dated on verso, 20 x 30”. From the collection of Laurie Frank, Frank Picture Gallery Santa Monica.

UNTITLED PINKS, color pigment print on paper mounted to card, signed on verso of frame, sheet 18 ¼ x 22 ½”, frame 27 ½ x 31 ¾” with glass. From the collection of Laurie

VARIOUS, ten color screenprints and two color prints, all signed, eleven from numbered editions of 200, 275 & 300 or artist’ proofs, one with Edward Weston Graphics blind stamp, sheets 38 x 25&

MOVEMENTS (Arabesque #6), 2014, acrylic painting on linen, signed and dated on verso, framed 45 ½ x 45 ½”. Provenance: Susanne Vielmetter, Los Angeles Projects. From the collection

UNTITLED STARFISH, acrylic paint, flo-coat and flocking on canvas, signed and dated on verso, 24 x 24”. Provenance: Patricia Correia Gallery, Santa Monica.

DESCRIPTION: Stefan Baumann (California, B. 1962). Oil on canvas painting entitled "In the Valley". Signed on the lower left "Baumann". Gold frame with linen liner. Baumann's work has been featured in

LA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), "Ludlow", 2021, giclee print, pencil-signed by both artists and numbered "50/50" lower margin, 19 1/2

LA II (Angel Ortiz) (American/New York, b. 1967) and Paul Kostabi (American/California, b. 1962), "Orchard", 2021, giclee print, pencil-signed by both artists and numbered "42/50" lower margin, 19 3/4

Nong (b.1930 California) ''Reunion'' 1962 Oil and Encaustic on Board 20''x26'' Image. An intricate layered abstraction by this South Korean artist. Signed and dated l.r. Framed 24''x30''. Excellent co

Vivid iridescent blue oil on board by Venice, California artist Andy Moses. Born in 1962 he attended California Institute of the Arts from 1979 to 1981, studying with Michael Asher, John Baldessari, a

Brian Blood (California, Born 1962) An Old Squid Boat, Moss Landing, CA 2005 The well painted realist composition of a fishing trawler in port is initialed lower right front in umber pigment and displ

ANSEL ADAMS (B.1902-1984) Conservatory, Golden Gate Park, San Francisco, California 1962 Photo-Litho 5.5" x 7" Printed second half of 20th Century

Mary Jo Schwalbach (American, b. 1939), "Liston-Patterson," mixed media assemblage, depicting the boxing match between Floyd Patterson and Sonny Liston I on September 25, 1962, dated 1970, signed on l

(lot of 2) George Herms (American, b. 1935), Burpee Seed Collages, 1962, each unsigned, each with gallery label (Ota House, Marina Del Rey, California) affixed verso, each overall (with frame): 18" x

A Jalisco Terracotta Seated Figure West Mexico, Circa 1st Century B.C.-2nd Century A.D. Height 5 inches. Provenance:Howard Jacobs Collection, California, acquired between 1960-1962; thence by decent.

A Colima Terracotta Standing Figure West Mexico, Circa 1st Century B.C.-2nd Century A.D. Height 7 1/4 inches. Provenance:Howard Jacobs Collection, California, acquired between 1960-1962; thence by dec

A Jalisco Terracotta Kneeling Figure West Mexico, Circa 1st Century B.C.-2nd Century A.D. Height 5 3/4 inches. Provenance:Howard Jacobs Collection, California, acquired between 1960-1962; thence by de

Mora, Joseph Jacinto 1876 - 1947Sweetheart of the Rodeo - California Rodeo of SalinasOffset 194181 x 62 cmPrinter: Jo Mora Publications, MontereyCondition Details: (B-) tears and losses, colors somewh

JADED GARDEN, 1962, etching, signed and dated and titled and inscribed proof in pencil, plate 12 ¼ x 15”, sheet 14 ¼ x 16 ¼”, frame 18 ½ x 21” with glass.

Emmanuel Garibay (b. 1962) Black Saturday signed and dated 1998 (lower right) oil on canvas restored by the artist himself in timefor his 2013 retrospective 72" x 60" (183 cm x 152 cm) EXHIBITEDPinto

mother of pearl, gilder's clay, and moon gold leaf on panel in twelve panels Overall: 8'8" x 18'6" Provenance: Commissioned for a Private Collection (a Michael Smith installation), with copy of invoic