REISS (AMERICAN 1886-1953) "White Dog"

Winold Reiss (American, 1886-1953). Original mixed media interior architectural design rendering on board. Titled, "Lugene, Inc., 604 Madison Avenue, New York (interior)," produced circa 1945-1946. Pe

Winold Reiss (American, 1886-1953), Giant walking through a village, wood or linocut, pencil signed, 7"h x 6"w (sight), framed

(1886-1953 American) Cubist Art Deco style figure in landscape, unframed tempura on illustration board, initialed lower left, approximate image size 16" x 12".

This is an outstanding authentic original work of art pastel and ink titled "Native American Woman and Blankets," by the astounding Winold Reiss (1886-1953) from circa 1920. The artwork features a pas

bronze with brown patination; signed in casting, Susse Freres, Paris foundry inscription, further inscribed "Cire Perdue" ; The Estate of Barry Tarlow, Los Angeles; 4 3/4 inches wide; 7 3/4 inches hig

Burlington Northern Collection print, "Chief Wades in the Water" -562157-

Paul Moro (Italian/American, 1886-1953) At the Spring, 1925 oil on canvas signed Moro P (lower left) 11 x 14 inches. Estimate $200-400 Property from the Collection of M. Anthony Greene, Atlanta, Georg

McFee, Henry Lee (American, 1886-1953), Modernist Interior Still Life, undated, 1920s or 1930s, pencil drawing on paper, signed lower left, 12.5 x 11.5 inches, matted and framed 23 x 21 inches. Proven

Lester David Boronda (American, 1886-1953), Roses at Versailles, 1959, oil on board, signed and dated verso, board: 7"h x 9"w, overall (with frame): 11.5"h x 13.25"w. Provenance: Deaccessioned from th

Henry Lee McFee (American, 1886-1953) Oil on Board 1950, signed lower right, dated and having gift inscription verso, in a wood frame Property from: a Private Collector, Chicago (Kenwood), Illinois He

Henry Lee McFee (American, 1886-1953), "Mexican Landscape with Adobe Huts", circa 1930, oil on canvas board, canvas board: 12"h x 16"w, overall (with frame): 19.5"h x 23.5"w. Provenance: Inherited by

Overall with frame 24-1/4" high x 20-3/4" wide. Winold (Fritz Winold) Reiss (1886 - 1953) was active/lived in New York, Montana, Nevada / Germany. Winold Reiss is known for Indian portrait and mural p

Antique American pastel painting. Pastel on board. Framed. Signed. Image size, 8 by 9.

James Casebere (American, b. 1953) White & Black House , 1993 photolithograph signed, dated, and numbered 18/24 in pencil (verso) 19 x 22 inches.

Michael Gross (American, b. 1953), Dog Peeing, 1997, ceramic and metal, 14.5"h x 5"w x 13"d Provenance: Ann Nathan Gallery, Chicago, Illinois

Maximilien Louis FIOT (1886-1953) France dog bronze sculpture. 11 1/2” H x 21 5/8” W x 8 1/4” D. ANY INVOICE OVER $ 2,000.00 WE WILL ACCEPT PAYMENTS ONLY THROUGH CHECK OR BANK WIRE T

Feintuch, Robert (American, born 1953), White Clock, 1989, cement, plaster, pigment, on honeycomb panel, 48 x 48 inches, signed on reverse, Provenance: acquired from the artist

Mark Milloff (American, b. 1953) "Dog and Bear Meeting", 1981, pastel on paper, 3 panels. Size: 33" x 70" (84 x 178 cm).

LINDEN FREDERICK (American, b. 1953)Hot Dogs2000, oil on boardsigned Linden lower right; titled, signed, and dated verso6 x 6 in., frame: 11 1/2 x 11 1/2 in.

American, b. 1953. Black, white and gray-scale lithograph and silkscreen on wove paper. Signed, dated 2003 and numbered, 18/108 in pencil. Framed, 27"h. 51"w.

Feintuch, Robert (American, born 1953), Second White Clock, 1989, cement, plaster, pigment, on honeycomb panel, 48 x 48 inches, signed on reverse, Provenance: acquired from the artist

Korean War Korean War Rare Blood Chit [Korean War.] Blood chit for American aviator, ca. 1953. White canvas decorated with American, United Nations, and Korean flags, and text in an older Korean spell

Clifton Wheeler (American, 1883-1953). "The White Barn". Oil on canvas. Sight: 23 1/4" x 31 1/4". Frame: 29 1/4" x 37 1/4". Composition depicts a landscape with barn in background. Signed lower right.

Feintuch, Robert (American, born 1953), Third White Clock, 1990, cement, plaster, pigment, on honeycomb panel, 48 x 48 inches, signed on reverse, Provenance: acquired from the artist