Rembrandt van Rijn (After) - Saint Paul in Meditation

Artist: Rembrandt van Rijn (After) Title: The Crucifiction Year: c. 1880 Dimensions: 4.5in. by 6in. Edition: From the rare limited edition of 500 Publisher: A.

Artist: Rembrandt van Rijn (After) Title: Descente De Croix Year: c. 1880 Dimensions: 4.5in. by 6in. Edition: From the rare limited edition of 500 Publisher: A.

Artist: Rembrandt van Rijn (After) Title: The Crucifiction Year: c. 1880 Dimensions: 4.5in. by 6in. Edition: From the rare limited edition of 500 Publisher: A.

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (after) Title: Christ Disputing with the Doctors Year: 1880 Dimensions: 8.5in. by 11in. Edition: From the rare limited edition Publisher:

Framed oil painting on canvas, The Abduction of Europa, after a 1632 painting by Rembrandt van Rijn (Dutch, 1606-1669 presently housed in the J.Paul Getty Museum, signed at lower left W. Orth, No. 25,

Rembrandt Harmensz van Rijn (1606-1669) The Little Jewish Bride (Saskia as Saint Catherine) (Bartsch, Hollstein 342, Hind 154, New Hollstein 169), 1638 Etching with drypoint on laid paper, New Hollste

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat