Rembrandt van Rijn (after) - The Baptism of the Eunuch

Rembrandt van Rijn (1606-1669)The Baptism of the EunuchEtching with touches of drypoint, 1641, but a later impression of New Hollstein's final state (of four), on laid paper without watermark, platema

Rembrandt Van Rijn, After (Dutch, 1606-1669) The Baptism of the Eunuch 1641. Photogravure by Armand Durand (French,1831-1905) with his stamp on the verso. With Rembrandt’s signature on the plat

BAPTISM OF THE EUNUCH (B.98; HO.98; H.182), 1641, etching on thin unmarked wove paper, signed in the plate, sheet 7 3/8 x 8 3/4” with thin margins, frame 16 ¼ x 17 ¼” with Pl

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

REMBRANDT VAN RIJN (Dutch, 1606-1669)Young Man in a Velvet Capetching and drypointsheet: 4 x 3 3/8 in., frame: 12 3/4 x 9 5/8 in. Provenance: The Collection of Louis Joseph; by descent to the current

French School, circa 1830, after Rembrandt van Rijn King Uzziah stricken with leprosy oil on canvas, unlined 54.5 x 45cm (21 7/16 x 17 11/16in). Footnotes: The present work is a detail after Rem

Rembrandt van Rijn (Dutch 1606-1669) Landscape with a Cottage and a Large Tree Etching; 1641. Provenance: Dr. George Kofas collection, former professor of fine arts; University of Maryland overseas di

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar