REMBRANDT VAN RIJN The Descent from the Cross: Second

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) Rembrandt Harmensz. van Rijn (Dutch, 1606-1669) The Descent from the Cross: Second Plate, 1633, fifth (final) state (B., Holl. 81; H. 103; BB. 33-C) etc

Rembrandt van Rijn (1606-1669), "Descent from the Cross", marked 1633, etching, framed frame: 34.5 x 28.5" We happily provide seamless shipping services on everything we sell. Please email us at shi

After REMBRANDT VAN RIJN (Dutch 1606-1669) "The Descent from the Cross, 1633" Etching (posthumous print). Sight: 20 x 15 5/8 inches; Frame: 40 1/2 x 35 3/4 inches. Annotated beneath image.

After Rembrandt van Rijn (Dutch, 1606-1669) The Descent from the Cross. Heliogravure by Armand Durand, a 20th Century impression. Together with a reproduction of a Rubens drawing Heliogravure: 22" x 1

The Descent from the Cross. Photogravure on laid paper, in perfect conditions. Paper size: 18 ½ X 23 ½ in. Reserve: $50.00 Shipping: Domestic: Flat-rate of $35.00 to anywhere within the cont

HAND PULLED ORIGINAL ETCHING. FRAMED IN A GORGEOUS CARVED SILVER WOOD FRAME WITH A DOUBLE MAT. Rembrandt (1606-1669). In this monumental Rembrandt The Descent from the Cross: Second Plate, 1633, Rembr

Artist: Rembrandt van Rijn Title: Our Lord on the Cross Between Two Theives Year: c. 1826 Dimensions: 3 3/4in. by 5 1/4in. Edition: From the rare limited edition Suite: A C

Rembrandt van Rijn (Netherlands, 1606–1669) . Christ Healing the Sick, Etching. B74; Second State, trimmed to plate; Tear on top edge and folds on sheet reparied on verso. 11 3/8" x 15 3/4".

REMBRANDT VAN RIJN (Dutch, 1606-1669)Young Man in a Velvet Capetching and drypointsheet: 4 x 3 3/8 in., frame: 12 3/4 x 9 5/8 in. Provenance: The Collection of Louis Joseph; by descent to the current

REMBRANDT VAN RIJN (Dutch, 1606-1669)Three Heads of Women, One Asleepetchingsheet: 5 1/2 x 3 7/8 in., frame: 12 1/2 x 9 3/4 in. Provenance: The Collection of Louis Joseph; by descent to the current o

REMBRANDT VAN RIJN Woman Bathing her Feet at a Brook. Etching and drypoint, 1658. 162x81 mm; 6½x3¼ inches, small margins. Usticke's second state (of 2); New Hollstein's second state (of 2).

Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paper

Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), printing with plate tone on cream laid paper without waterm

REMBRANDT VAN RIJNThe Netherlands, 1606-1669“Three Heads of Women, One Asleep”, 1637. Usticke's first state (of three), New Hollstein’s second state (of three), printed after the fir

Rembrandt van Rijn (1606-1669)Studies of the Head of Saskia and OthersEtching, 1636, but a later impression of New Hollstein's second state (of two), on thick cream laid paper without watermark, plate

DESCRIPTION: Rembrandt Van Rijn (Netherlands, 1606 - 1669). Etching. Beggar Man and Beggar Woman Conversing, 1630. Bartsch 164 second state. Lettered in plate lower left with artist's monogram. In sim

REMBRANDT VAN RIJN The Raising of Lazarus: Small Plate. Etching, 1642. 151x115 mm; 6x4½ inches, narrow margins. Biörklund's second state (of 2); Usticke's second state (e) (of 3); White and

** Rembrandt van Rijn (1606-1669)Beggar man and beggar woman conversingEtching, circa 1630, a good impression of New Hollstein's second state (of three), printing with plate tone and showing the scrat

** Rembrandt van Rijn (1606-1669)Old Beggar Woman with a GourdEtching, circa 1629, a good impression of New Hollstein's second state (of two) with slight signs of wear, on laid paper without watermark

REMBRANDT VAN RIJN The Goldsmith. Etching and drypoint, 1655. 80x58 mm; 3¼x2¼ inches, narrow margins. Biörklund's second state (of 2); Usticke's third state (of 3); White and Boon's sec

"Jews in the Synagogue", 1646 etching and drypoint on laid paper. [Overall: 2 13/16" x 5 1/16"]. Possibly second state (of three). Signed in the plate, just above the shoulder of the figure with cane

After Rembrandt van Rijn (Dutch, 1606-1669), "The Flight to Egypt", numbered "9", possibly second state (of 2), inscribed "Rembrandt", lower edge, 3.5"l x 2.5"w (image), velvet matting with hardwood f

Etching and drypoint. New Hollstein's second state (of 4), before the Basan rework, with burr on the back of the man with his back turned lower left. Ex-collection Ferdinando Salamon, L'Arte Antica, T