Richard Haas, 'Brooklyn Bridge,' Etching/ Aquatint, c. 1994 - Appraisal Value: $40K*

Framed Richard Haas Brooklyn Museum Etching 33/180. A beautiful etching and aquatint by Richard Haas (American, b. 1936), of the venerable facade of the Brooklyn Museum, that is framed in gold wood wi

Jack Bilander (Polish/American, 1919-2008) etching and aquatint on paper of the Brooklyn bridge; signed, inscribed, and numbered 63/250. Provenance: From the Estate of Nina Moinester. [Sight: 9 15/16"

JOHN TAYLOR ARMS Cobwebs (Brooklyn Bridge). Etching printed in dark brownish black, 1921. 245x192 mm; 9x7½ inches, full margins. One of only 10 artist's proofs, aside from the edition of 75. Sign

Brooklyn Bridge, c. 1937, 10x16, gouache on board, signed lower left, Provenance: Private Collection, very good condition

RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/60, H 12 1/2", W 21", 'FOLSOM STREET VARIATIONS I':Black. Signed and dated "RD 86", numbered 7/60. Paper size 25" x 33". Black variation

RICHARD DIEBENKORN (USA, 1922-93), ETCHING & AQUATINT, 1986, #7/35, H 19 1/2", W 30", 'FOLSOM STREET VARIATIONS II':Grey. Color etching and aquatint. Numbered 7/35. Paper size 26 1/2" x 40", in shades

Frank Stella (American. b. 1936) Swoonaire (from Imaginary Places), 1994 etching, aquatint, relief, screenprint and lithograph in colors on TGL handmade paper signed, dated, and inscribed P.P.I. in pe

HOWARD COOK Queensboro Bridge. Etching and aquatint, 1930. 277x184 mm; 10x7¼ inches, full margins. Edition of 40 (from an intended edition of 50). Signed, dated, numbered 21/50 and inscribed "imp

Max Kuehne (German/American 1880-1968) Brooklyn Bridge with View of Manhattan, c.1911, oil on canvas board, signed lower right, dated 11 (?) framed. Dimensions: 15 x 17.5 in. image size, 19 x 21.5 in.

Sam Francis Untitled (SFE-114) 1994etching and aquatint in colors image: 11.75 h × 35.75 w in (30 × 91 cm) sheet: 22.75 h × 45.5 w in (58 × 116 cm) Signed and number

Edgar Degas (French, 1834-1917). “Mary Cassatt au Louvre” - c. 1879/80, etching, aquatint, drypoint, and electric crayon on Japan, impression from the cancelled plate. Reference: Adhemar, Cachin 5

Richard Diebenkorn (1922-1993) American, Original Etching, Aquatint and Drypoint 1/60 printed in colors on Rives BFK wove paper.Abstract geometric piece in primary colors. Titled “Red Yellow Blu

Riallaro (Black and White), from Imaginary Places series, 1994; Intaglio, relief color etching, aquatint, relief and collagraph (framed); Signed, dated and numbered 5/20; 46" x 32 1/4" (sheet); Publis

Joan Miro (SPANISH, 1893-1983) Etching And Aquatint On Arches Paper With Collage, C. 1979, Personatge I Estels V, H 35.8'' W 24.9'' Signed in pencil, numbered 5/50, published by Maeght Editeur, Barcel

Frank Stella (b. 1936) Spectralia 1994 Mixed media, lithograph, screenprint, etching, aquatint, relief, engraving in colors on TGL handmade paper, with the blindstamp of the publisher Tyler Graphics,

Artist: Arms, John Taylor Jr. (American, 1887 - 1953) Title: Gates of the City Date: c. 1919 Medium: etching and aquatint on paper Dimensions: plate size 8.375 x 7.75 inches Edition: edition

Joan Miró (Spanish, French, 1893-1983) 'El Pi de Formentor (a) (D. 942; C. 217)' 1976 Etching and Aquatint in colors on Guarro paper 39 of 50; 41 x 35.37 (in) Signed in pencil Miró, lower right Prin

Sam Francis (American / California 1923-1994), "Untitled SFE- 031", 1985, aquatint etching on paper, abstract paint splatter with blue splashes, pencil signed to lower right, numbered 20/23 to lower l

DONALD JUDD, (AMERICAN, 1928-1994), AQUATINT ON PAPER, C. 1980, 27/150, H 24 1/4", W 29 1/2":SIGNED AND NUMBERED 27/150; STYRIA STUDIO, PUB. BLIND STAMP ; PAPER: 29 1/4" X 34 1/4".UNFRAMED.

Pablo Picasso (1881-1973) LA CÉLESTINE (CRAMER 149) Seven etchings and aquatints, 1971, on Richard de Bas laid paper with La Célestine watermark, with added signature and number 21/50 in pen

Rich honey brown colour, well carved citron fruit with vines and flowers. 18th/19th C. H. 9.5 cm (3 3/4 in), without stand 7.9 cm (3 1/8 in.) Provenance: Richard C. Pearce (1892-1972) purchased the No

Yellow jade body with a russet skin. Carved as a reclining buffalo with a fitted wood stand. 18th to 19th C. H. 7 cm (2 3/4 in). Provenance: Richard C. Pearce (1892-1972) purchased the Northern Miners

Of two peaches carved with leaves along the side and a climbing monkey. 18th to 19th C. H. 7 cm (2 3/4 in). Provenance: Richard C. Pearce (1892-1972) purchased the Northern Miners publication in 1916

JOHN MARIN Brooklyn Bridge, No. 6 (Swaying). Etching, 1913. 272x222 mm; 11x9 inches, full margins. Edition of approximately only 12. Signed in pencil, lower right. Published by Alfred Stieglitz, 291 F