Richard Parkes Bonington, (British, 1802-1828), Ca

(British, 1802-1828) Portrait d'un homme debout en costume du XVIIe siècle, unsigned, oil on canvas, 8-1/2 x 6-5/8 in.; gilt wood and composition frame, crackle, cupping, original stretcher and t

(British, 1802-1828). Portrait of Lady Portland, oil on canvas, unsigned, attribution on label on frame, 22 x 18 in., framed

oil on wood panel; unsigned; pencil inscription to panel verso "[illegible] Bonington [illegible] petit [illegible]"; paper label verso "Papeterie, Reliure / Encadrements / Mayet / Rue du Petit Musc 3

Watercolor on paper depicting villagers within a landscape in the manner of Richard Parkes Bonington (1802-1828). Measures 6 1/2" (16cm) length by 3 1/2" (9cm) height plus 2" (5cm) frame and matting.

This is a beautiful vintage mirror with a lithograph of artist Richard Parkes Bonington (1802-1828-tuberculosis) original painting. Bonington was, after his death, considered one of the most prolific

Richard Parkes Bonington. (English, 1802 -1828). Column of St. Mark, at Venice. Hand Pulled Copper Plate Etching on Laid Paper after the original by master etcher Alfred Louis Brunet Debaines (French,

Richard Parkes Bonington. (English, 1802 -1828). Column of St. Mark, at Venice. Hand Pulled Copper Plate Etching on Laid Paper after the original by master etcher Alfred Louis Brunet Debaines (French,

Boats on a Canal oil on canvas 18 x 27.5 cm (7 1/8 x 10 7/8 in.) unframed CONDITION The painting is in fair age-appropriate condition. Overall craquelure. The canvas was previously trimmed and re-line

AFTER GILBERT STUART (American, 1755 - 1828). Geo. Washington Esq.r, circa 1798, Undated stipple engraving. Engraver: Willliam Nutter (British, ca. 1754-1802). Framed. Not examined out of frame. - 10.

Attributed to Richard Parkes Bonnington (1800-1828) Sketch , oil on fielded oak panel Fisherman and figures on a Beach looking out to sea with boats whilst a boy rides a donkey being led by a figure A

George Romney British, 1734-1802 Portrait of Mrs. Nicholas, ca. 1768-69 Oil on canvas 36 1/4 x 27 15/16 inches (92 x 71 cm) Provenance: Kerr Heirlooms from the North of Ireland Lewis & Simmons, London

Native American, Pacific Northwest, Bella Coola, British Columbia, ca. 1991 CE, made by Richard Dicks (active second half of 20th century). A beautiful, lidded, spruce bentwood box clad in gorgeous em

Richard Smith (British, 1931–2016), "Proscenium III," 1971, etching, pencil signed and dated lower left, edition 5/40, sheet (unframed): 31”h x 23”w. Provenance: Triton Museum (Santa Clara, CA)

**Originally Listed At $250** Richard Blome (British, 1635-1705). Hand-colored copper plate engravings, London: ca. 1686 to 1710. A trio of original 18th century hand-colored copper plate engravings f

seated figure beside a large sheath of wheat, image area 7" X 7 1/2", plus mat and frame, signed and dated 1828, well listed British artist, 1775-1862............Ramsay Richard Reinagle (1775 - 1862)

Robert Thew (British, 1758-1802) , "Shakespeare, King Henry the Eighth, Act IV. Scene II.", 1798, stipple engraving, after Richard Westfall (British, 1765-1836), published by J & J Boydell, London, sh

British/French School (Fourth Quarter 18th/First Quarter 19th Century) Two Portrait Miniatures of Noblemen each watercolor including the "Honorable Colonel Richard Hare, Viscount of Ennismore" and a "

Chinese Military Encampment near Hong Kong; circa 1845; watercolor on paper, matted and framed under acrylic; Provenance: The Kelton Collection, The Estate of Richard Kelton, Los Angeles, CA; 8 x 11 1

Untitled (Coastal Landscape); Oil on canvas (framed); 15" x 19"; Provenance: Christies, London, November 14, 1997, Lot 61; Christies, New York, May 29, 2001, Lot 77; Private Collection, Maryland

Alfred Augustus Glendening, Sr. (British, ca. 1840-1917) "Thames River with Swans" oil on canvas monogrammed and dated "'92" lower right, verso with "The Cooling Galleries, London/Toronto" label. Gilt

ARTIST: Simon Parkes (British, New York, Maine, born 1954) TITLE: Landscape - Afternoon Sun, Manana (titled on stretcher) YEAR: 2005 MEDIUM: oil on canvas CONDITION: Very good. No visible inpaint unde

George Lance (British, 1802-1864) "Now Reigns Here a Very Very Peacock" oil on canvas unsigned, with "Owen Edgar Gallery" label en verso. Framed. 68" x 52", framed 75" x 59" Provenance: Owen Edgar Gal

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

Robert Alexander Hillingford (British, 1828-1904) Napoleon's retreat signed 'R.Hillingford' (lower right) oil on canvas 33.6 x 43.2cm (13 1/4 x 17in). Footnotes: Provenance Anon.