RUDOLF SCHWARZKOGLER - (1940 WIEN - 1969 WIEN) - 1.

RUDOLF SCHWARZKOGLER (1940–1969) | 2nd Action, Vienna, May 1965 | Photo by Ludwig Hoffenreich (1902–1975) Image no. 23 from the editon ‘Aktionen Wien 1965/66’, edited by Krinzi

RUDOLF SCHWARZKOGLER (1940–1969) | 3rd Action, Vienna, May 1965 | Photo by Ludwig Hoffenreich (1902–1975) Gelatin silver print, printed in 1973, double-weight matte paper, unique large for

1965 Gelatin silver print 62 x 50,5 cm Stamp of the artist on the verso Signature of Gunter Brus, Edith Adam amd Hermann Nitsch on the verso Stamp of Hoffenreich, Wien on the verso PROVENANCE: Private

brooch, "WIEN" 1940/'50s, yellow gold 585/000, signed: Wien, a lily-of-the-valley leaf made of nephrite (Gobi jade), 5 akoya pearls diameter = 3.5-5.1 mm, lenght = 61 mm, very fine cut work from Idar-

Effenberger, Rudolf Wilhelm Furtwängler und ich. Typoskript mit 2 Original-Aquarellen des Autors. Wien, Gesellschaft der Musikfreunde, o.J. (um 1950). 1 Bl., 18 S., 11 Bll. Gr.-8°. Pp. d. Zt

China. 1930/1940. Handarcarved soapstone wiseman statue.Extremely fine condition. 1.2 kg. - 25x11x8 cm

WERKSTATTE HAGENAUER WIEN Sculpture of two racehorses, Austria, after 1927 Carved and stained beech or maple, nickel-plated brass Base stamped wHw HAGENAUER WIEN 6 1/2" x 12" x 3"

1 Walking Liberty 1940. 2 Ben Franklins 1959 and 1962. 10 Kennedy 2 1966, 4 1967, 3 1968 and 1 1969. Weight 5.4 oz. PROVENANCE: A Private Charleston SC Estate.

SIX BOOKS 1.H.R.GIGER'S in N.Y.CITY, 1981 2. and 3.H.R.GIGER'S NECRONMICON 2, 1985and 1986. 3.H.R.GIGER'S ALIEN, FILMDESIGN, 20TH CENTURY FOX., 1979. 4.,5,6.H.R.GIGER'S NECRONMICON, INTRODUCTION BY CL

Barbara Rossi (American, b. 1940) Armour Defeat, 1969-70 etching, aquatint, and embroidery on satin 13 1/2 x 10 1/2 inches. Estimate $2,000-4,000

Earle B. Winslow (1884-1969) American circa 1940's 8" x 12" sight, 13 1/2" x 17 1/2" framed From a 40 year NYC collector's compilation.

Franz Hagenauer brass face-form relief sculpture depicting a female. Stamped 'Wien.' [21 x 16 1/2 inches].

Franz Hagenauer brass face-form relief sculpture depicting a male. Stamped 'Wien.' [21 x 16 1/2 inches].

ATELIER HAGENAUER WIEN African bust, Austria, after 1927 Carved and stained beech or maple, nickel-plated brass Base stamped wHw ATELIER HAGENAUER WIEN MADE VIENNA AUSTRIA 12 1/2" x 10" x 3 1/4"

Prae-Senufo, Elfenbeinkueste Stein. H 51,5 cm. Provenienz: - Galerie Sonnenfels, Wien. - Galerie Walu, Zuerich. - Rudolf und Leonore Blum, Zumikon. Publiziert: Blum, Rudolf (2007). Sammlung Rudolf und

19th C. "Cherubs with Flowers" Oil on Canvas Signed By "Daniel Hock" (1858-1934, Austrian Historical-scenes painter). The Paint Signed: "D.Hock.Wien 1895" - 51" x 27 1/2"

19th C. "Cherubs with Flowers" Oil on Canvas Signed By "Daniel Hock" (1858-1934, Austrian Historical-scenes painter). The Paint Signed: "D.Hock.Wien 1895" - 51" x 27 1/2"

Gary Bower (American 1940- )- Untitled- mixed media on canvas, 1969-70, signed and dated verso, very good condition. 58 x 46 1/2''

A collection of foreign and United States coins including two Swiss 2 Franc Pieces from 1886 and 1940, two Swiss 1 Franc Pieces from 1903 and 1968, one Swiss 1/2 Franc Piece from 1969, one Swiss 20 Ra

After Rudolf Frederick Tandler (American/Michigan, 1887-1940), "Elsah", reproduction print, signed and titled in plate, sheet 11 1/2 in. x 15 1/2 in., matted Provenance: Property of the Mobile Museum

Albert W. Wein (American, 1915-19991), modernist sculpture, bronze, on black marble base, signed lower right "Wien 1947", 19" h x 7 1/4" w x 5" d. Provenance: from a California estate.

"The Lovers" serigraph 16 x 11 1/2 inches. signed and dated 1969. framed 18 x 14 inches.

FRANZ HAGENAUER (AUSTRIAN 1906-1986) Mask, circa 1930 nickel-plated brass sheet height: 36 cm (14 1/8 in.) stamped FRANZ Hagenauer Wien Made in Austria 38 HANDMADE and with WHW stamp PROVENANCE Galeri

CLIVE BARKER (British b. 1940) A DRAWING, "Boots for Rio (Marlon Brando) #2," 1969, ink on paper, signed and dated in pencil L/R, titled L/L. 30" x 21 1/2" Provenance: Exhibited in “AN ART HISTO