SAMUEL THOMAS GEORGE EVANS (british 1829-1904) MO

THOMAS HILL (BRITISH-AMERICAN, 1829-1908 YOSEMITE LANDSCAPE, oil on canvas, of impressive size, an atmospheric view of Half Dome at twilight from the Merced River, signed lower right on boulder. House

Thomas Worsey (British, 1829-1875) A mossy woodland floor with primroses signed and dated 'Tho Worsey 1864' (lower left) oil on canvas 16 1/8 x 13in (41 x 33.1cm)

GEORGE SMITH (BRITISH 1829-1901) The Love Letter, 1874 oil on panel 42.4 x 53.5 cm (16 3/4 x 21 in.) signed and dated lower right George Smith 1874 PROVENANCEChristie`s New York, February 18, 1993, l

George Frederic Watts, OM, RA (British, 1817-1904) Design for a mural oil on panel 25 x 61cm (9 13/16 x 24in). Footnotes: Provenance Lilian Mackintosh (later Chapman), Watts's adopte

George Derville Rowlandson (British, 1861-1928) , "Sisters", 1904, oil on canvas, signed and dated lower left, 48 1/8 in. x 36 1/4 in., framed Provenance: Estate of Arley D. Cathey II, El Dorado, AR,

William James Grant (British, 1829-1866) The bridge of sighs oil on panel, circular 13 x 13cm (5 1/8 x 5 1/8in). Footnotes: The subject of this work is taken from Thomas Hood's poem The Bridg

Original "Coming Ashore" by Thomas Luny (British, 1759-1837) Signed and dated 'Luny 1829' (lower left) oil on panel. 8 3/4" x 11 3/4". Previously sold at Christies 2001. Information on back of paintin

British Army George P. Regent medal by Thomas Wyon and on reverse is the seated figure of Victory with the words "Wellington" and Waterloo" below w/ date June 18, 1815. Around the rim it is inscribed,

British, 1817-1904Study for the Head of Noah for "Noah Building the Ark" from Dalziel's Bible Gallery Black and white chalk on brown paper14 1/2 x 11 5/8 inches (36.8 x 29.5 cm)Frame 24 3/4 x 21 5/8 i

JAMES FAIRMAN (BRITISH/AMERICAN, 1826-1904) HUDSON RIVER LUMINIST PAINTING, oil on panel, expansive view of the river at sunset, various vessels plying the waters, including an unusual paddlewheeler,

Portrait of George Banks, ESQProvenance: Joseph Sartor GalleriesOil on canvasNo apparent signature, verso inscribed with dates of George BanksImage: 23.5 x 18.5 in.; Frame: 31 x 25.5 in. Carved gilt w

GEORGE II BRITISH ARMORIAL STERLING SILVER HOT WATER / TEA KETTLE WITH STAND AND BURNER, late Baroque / early Rococo style, tea kettle with ribbed melon-form well having a spout and a hinged

Rogers, John (American, 1829 – 1904). The Traveling Magician. New York, 1878. Fine unglazed plaster sculpture of an itinerant magician producing a rabbit from a hat. A father and son watch enrapture

Edwin Long (British, 1829-1891) Study for Ruth Gathering Wheat oil on canvas monogrammed EL (lower left) 52 x 42 inches. The authenticity of this lot has kindly been confirmed by Mark Bills, Director

James Hayllar, RBA (British, 1829-1920) A wandering minstrel in a quiet square signed with monogram and dated '18HJ58' (lower right), titled, signed, and inscribed with artist's address (on a label at

Leslie A. Wilcox, British, 1904-1982. Oil on canvas harbor scene depicting the American Clipper ship "Ringleader" preparing to leave China with a cargo of tea. Unsigned, with attached artist and title

(British, 1904-1983) Francis Bacon on Primrose Hill, signed, gelatin silver print 13-1/2 x 11-1/2 in.; unframed Provenance: Phillips de Pury, New York, NY, 2010. This lot is accompanied by copy of ori

James Hayllar, RBA (British, 1829-1920) The welcoming party signed 'J. Hayllar' (lower left) oil on canvas 50.8 x 74cm (76.5 x 29 1/8in).

Attributed to Edwin Long (British, 1829-1891) A Spanish lady with her maid bears monogram twice and date (lower left) oil on canvas 64.5 x 76.8cm (25 3/8 x 30 1/4in).

Bronze copy of famous John Rogers' "Travelling Magician" sculpture. John Rogers (1829-1904) was a machinist from Manchester, N.H., who turned his hobby of sculpting into a very financially successful

WILLIAM STEPHEN COLEMAN (1829-1904) FOR MINTON & CO. SET OF TEN ‘NATURALIST SERIES’ PLATES, CIRCA transfer-printed earthenware, over-painted with enamel colour, printed maker’s marks

ROMNEY, George, (British, 1734-1802): Portrait of Juliana Donovan, Countess of Anglesey, with pearls in her hair, blue dress, and red shawl, Oil/Canvas, unsigned, canvas size 25.25" x 20", ornate fram

Patten, George (British, 1801-1865), self portrait of the artist, standing three quarters length, showing the artist with a brush and palette with one of his works in the background, image measuring 4

Eloise Harriet Stannard (British, 1829-1915) Titled: Still Life Apricots and FruitsOil on canvas.Signed lower right.Dated 1870Housed in gold giltwood frame. Provenance: Gallery label for Richard Green