Santos Chavez - Se Va a la Luna

Lot 1 Santos Chavez Chilean (1934-2001) Se Va a la Luna woodcut on paper pencil signed lower right, numbered 5/60 24 x 18 inches Provenance: from a private New York collection

Luis González Palma (Guatemalan, b. 1957), Canción de Cuna (La Luna)gelatin silver collage with applied oil paint (on two sheets mounted together), 1993, signed, titled, dated, and numbered to v

Rufino Tamayo (Mexican, 1899-1991) Perro Ladrándole a la Luna (Pereda 333), 1988 Lithograph on Arches paper ed. 31 of 40 24.75 x 35 (in) 30.75 x 40.75 x 1.75 (in) Framed Signed in pencil R Tamayo

RUFINO TAMAYO Hombre Contemplando la Luna. Aquatint and etching, 1947. 200x147 mm; 8x5 inches, full margins. Edition of 80. Signed in pencil, lower right. Published by The Quadrangle Press, New York.

Lot 90 Santos Chavez Chilean (1934-2001) Tu Eres Como El Cielo (1968) lithograph on rice paper pencil signed lower right 20 x 25 1/2 inches Provenance: from a private New York collection

Il Trovatore con la luna 1970 second version /// Giorgio De Chirico /// 6 color lithograph /// Edition: unnumbered from set of 99 /// Reference: Catalogo dell'opera grafica 1969-1977 Brandani N°84 //

Lot 87 Santos Chavez Chilean (1934-2001) Untitled (Sun) (1965) lithograph laid down to paper backing pencil signed lower right 20 1/2 x 15 inches Provenance: from a private New York collection

Félix R. Hidalgo, Philippines (1855-1913), Signed (lower left), oil on canvas, 31"x46" "Luz de la luna" , Provenance: Private Collection, Ojai, California U.S.A.

Tamayo, Rufino (Mexican, 1899-1991), Perro Ladrandole a la Luna, 1988, (Pereda #333), (Dog Barking at the Moon), lithograph printed in colors, 22.5 x 30.5 inches, pencil signed and numbered V/XL from

Rufino Tamayo (Mexican, 1899-1991), Perro y La Luna, lithograph in colors, pencil signed lower right, edition: 4/80, sheet: 24.5"h x 36"w, overall (with frame): 31"h x 41"w

Félix R. Hidalgo, Philippines (1855-1913), Signed (lower left), oil on canvas, 31"x46" "Luz de la luna" , Provenance: Private Collection, Ojai, California U.S.A.

Medium: Pencil on paper. Title: La Luna y mis entranas. Signature: Lower right. Dimensions: 17.75 x 12 inches. Lot note and provenance: Private collection, Florida. Issued with letter of authenticatio

planetario meccanico, struttura a vetri, poggiante su tripode decorato con delfini, nella parte superiore è presente la struttura che ospita la terra (mancante), la luna ed il sole. Nella base &#

DESCRIPTION: Lithograph in colors by Rufino Tamayo (Mexican, 1899 - 1991) entitled "Hombre Contemplando la Luna". Signed at lower right. "H.C." at lower left. CIRCA: Mid - Late 20th Century DIMENSIONS

Joan Castanyer (Blanes, Selva, 1903 - Antibes, France, 1972) "Composition" Ink drawing on paper. Signed and dated 1929. 22 x 13,3 cm. With the handwritten verses: "CUERNOS DE LA LUNA ANGELES DEL CIELO

Sergio Bustamante, Mexico (Born 1949). Papier Mache sculpture with pedestal, 'La Dama Luna'. Whimsical base with legs in heels under ruffled overlay. Set on top is round stepped plinth with a colorful

orné de 33 diamants taille marquise disposés en gradation, accompagnés de la vérification CISGEM n. 22444 pour deux diamants declarant le poids de 1.06ct co

ornée d'un diamant taille ancienne pesant 3,89 cts, accompagné de la vérification CISGEM n'22469IAAB attestant la couleur L, pureté SI1 A GOLD AND OLD CUT D

ornée d'une perle fine de mm. 8,06-9,63 dans un cadre en diamant taille ancienne, accompagnée de la vérification CISGEM n. 22447 de la 30/05/2022 attestant que la perl

An antique publication of La Véritable Magie Noire ou le Secret des Secrets, attributed to Mage Iroe-Grego and published in 1750. A notorious piece of occult literature, La Veritable Magie Noire co

MARIO GIACOMELLI (1925–2000) | ‘La grande luna’ (The big moon), Senigallia 1980 | Vintage silver print, RC paper, in original mount 42,8 x 46,8 cm, exellent condition From the series

Enrique Chagoya (Mexican/American, b. 1953), "Que Se Rompa La Cuerda," etching and aquatint, 1987, pencil signed and dated lower right, titled lower center, edition 19/40, gallery label (Paule Anglim,

Spanish Colonial Era santos, depicting La Piedad, wooden carving with painted and plaster accents, circa 19th century 14"h x 9"w x 6"d Provenance: An Olmos Park, Texas collection Please note: All t

Louis-Ernest Barrias (French, 1841-1905) La Nature se dévoilant à la Science (Nature Unveiling Herself Before Science), circa 1900 Bronze, gold patina, signed in cast "E. Barrias" and "Susse Fes. Ed