Signed Thomas Brooks Washstand

Sweet small marble top 1/2 commode signed Thomas Brooks. Round corners, burl accents. Missing a small piece of trim on the back, a couple of rubs. 19" wide, 31" tall, 17" deep.

Thomas Brooks Lakeland Florida AP Signed 15/25. Frame measure23.5" x 27 1/4", Sight 21.5" x 35.5"

Oil on canvas, relined Thomas Brooks (1818-1891) - British painter and printmaker.Signed and dated ‘T. Brooks 1859.’ lower leftDimensions: 27.5 inches x 35.4 inches only canvas,mounted in gilt

Oil on Canvas. Coastal Scene. Signed lower left. English gallery labels affixed verso. From a New Jersey collection. - Dimensions: 25" high x 38" wide

Title: Thomas Brooks Florida Lithograph Gobblers FL Turkey Description:Large Thomas Brooks Florida Lithograph Cypress Gobblers FL Turkey Signature: Signed and dated as part of print lower

Thomas Aquinas Daly (b. 1937) Brook Trout signed "TA Daly" lower right oil on board, 14 by 10 in. Provenance: Estate of Martin F. "Bubba" Wood

Heavily forested landscape scene with brook and waterfall, oil on canvas, signed on reverse: Lois Leydon(?) Thomas. As is condition, some flaking and loss evident. Overall size: 24 1/2 x 18 in. Sight

Thomas Lynus-Gray (XIX-XX) "Landscape, brook with sheep," signed and dated lower right: "Lynus-Gray 96." watercolor on paper, 19th century. Image: 14.5" H x 25" W; frame: 26" H x 38" W x 2" D. Repaire

Sir Thomas Gainsborough (English, (baptised 1727 - 1788). The Brook by the Bay. Antique steel engraving on wove paper after the original by Master Engraver Joseph Clayton Bentley (English, 1809-1851).

Sir Thomas Gainsborough (English, (baptised 1727 - 1788). The Brook by the Bay. Antique steel engraving on wove paper after the original by Master Engraver Joseph Clayton Bentley (English, 1809-1851).

signed by Rich Brooks, Chuck Smith 5 x 5 x 6 in.

Blown Glass Vase, 2006, Blown multi colored vase by founder of Flame Run Gallery in Louisville. , Blown Glass Signed and dated 2006 on bottom Image: 28 x 12 in.; Frame: x in. Condition:

(1888-1976), active / lived in VT & MA, landscape with brook (Moss Glen Falls, Stowe, VT?), 16" x 12", signed lower right

(1888-1976), active / lived in VT & MA, landscape with brook, titled on verso "Moss Elm, near Stowe, VT?", 30" x 24", signed lower left, 1960

William Thomas Smedley 1895 (1858 -1920) w/c Original Illustration Art. Watercolor on board. Interior scene of a gentleman fisherman greeting a young woman at the brook. Signed W. T. Smedley 1895. mat

Sandor Bodo (American, 1920-). An oil on canvas horse racing scene Signed lower right and dated 1972. 30 in x 48 in. Provenance: C. Thomas and Alexandra Fuller Estate Collection of Willow Brook Farms,

A set of ten R. Lalique William cocktail glasses with red patina and rooster form. Signed on base. 5-3/4 in tall. Provenance: C. Thomas and Alexandra Fuller Estate Collection of Willow Brook Farms, Ca

A 19th Century jacquard coverelt. Berks County, 1838. Signed. 82 in x 66 in. Provenance: C. Thomas and Alexandra Fuller Estate Collection of Willow Brook Farms, Catasauqua, PA.

Pair of Orrefors Gunnar jam bowls, signed on bottom, 4 in and 4 1/2 in, Provenance: C. Thomas and Alexandra Fuller Estate Collection of Willow Brook Farms, Catasauqua, PA.

19th Century jacquard coverelt with star pattern. Not signed. 92 in x 63 in. Provenance: C. Thomas and Alexandra Fuller Estate Collection of Willow Brook Farms, Catasauqua, PA.

This lot includes a carved and polychrome painted cigar store Indian. Some refer to it as a trade sign. We are excited to have two in this sale. Both of these came from the same estate. The consignor'

Edgefield District, SC, Signed Thomas Chandler, Two Gallon JugKirksey's Crossroads, circa 1850, olive tone alkaline glazed ovoid stoneware, having a tooled spout, the front decorated with a kaolin sli

The engraved sea passport with no ship designation or date, circa 1801-1809, signed Thomas Jefferson, President and countersigned James Madison, Secretary of State. The provenance documents and most r

Oil on canvas, framed. Attributed to Thomas Hart Benton (1889 - 1975). The painting depicts industrial workers amidst machinery and urban architecture, reflecting Benton’s focus on everyday American