SINKING OF THE TITANIC, OFFICIAL EDITION, THOMAS H RUSSELL, 1912, FRED S MILLER

SINKING OF THE TITANIC, OFFICIAL EDITION, THOMAS H RUSSELL, 1912, FRED S MILLER, goes over the history and stories of the Titanic. See images for damage, smells strongly of cigar smoke. 320 pages.

Thomas Hart Benton (1889-1975), black ink lithograph, 'Running Horses', 1955, signed in plate Benton ‘52, and pencil signed lower right in margin, Thomas H. Benton. From an edition of 100. Plate

Pablo Picasso ceramic plate, 'Trois Sardines'. Inscribed in clay, I113 108/200 and stamped 'Madoura Plein Feu, Edition Picasso'. H 15-1/4" W 12-1/2". Condition: Excellent condition. Link for high-res

1. The Cotton Plantation Record and Account Book, No. 1 Suitable for a Force of 40 hands, or under, By Thomas Affleck. Fifth Edition. New Orleans: Published by B.M. Norman, 14 Camp Street 1854. A dail

CHARLES EAMES (USA, 1907 - 1978) & RAY EAMES (USA, 1912 - 1988) for HERMAN MILLER. "Lounge Chair", design 1956. Edition 1984. Black leather upholstery. Black polished aluminium base and wooden frame.

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller ESU 200 Zeeland, Michigan, 1950s zinc-plated steel, birch plywood, laminate unmarked 47"w x 16"d x 32 3/4"h

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller FSW-6 half-height screen Zeeland, Michigan, circa 1950 ash plywood, canvas unmarked 58"w x 6"d x 34 1/8"h

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller ESU 400, first series Zeeland, Michigan, 1950s zinc, masonite, laminated plywood 47"w x 17"d x 58 1/2"h

Charles and Ray Eames (American, 1907-1978; 1912-1988) for Herman Miller Mid Century Modern "DTW 1" dining table, 1960, with original label on bottom. 29" H x 54" W x 34" D. Provenance: Property from

Vintage Charles & Ray Eames lounge chair and ottoman. Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller. chair: 33"w x 35"d x 32"h; ottoman: 26 1/2''w x 22''d x 18"h

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller ESU-200 storage unit Zeeland, Michigan, circa 1950 zinc-plated steel, birch plywood, laminate unmarked 47"w x 16 3/4"d x 33"h

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Herman Miller, 670 & 671 lounge chair and ottoman, USA. 1960s, rosewood, leather, each with rectangular black tag, 33''w x 36''d x 32.5''h; ottoma

Francisco Zuniga, (Mexican, 1912-1998), Madre con nino de pie, bronze, signed and numbered, edition of 3, 24.5"h x 10"w x 7"d Provenance: Catalogue Note: We are grateful to Mr. Ariel Zuniga for his as

Rare early counter top cigar store Indian. Attributed to Thomas Brooks. New York, circa 1870. H 33-1/2" Base 10" x 9-3/4". Condition: Inspected under UV light. Fine original condition with an historic

Thomas Ware - Family portraits. Paint on wood panel. Never framed. Vermont. Circa 1825. Provenance: Fred Giampietro. Pam Boynton. Parents: H 21-1/4" 18-1/2". Boy: H 20-5/8" W 15-5/8". Condition: Untou

After Francisco Zuniga (Mexican, 1912–1998), "Soledad de Pie," 1970, bronze sculpture, bears signature and dated back center, edition A/P, overall: 60.5"h x 23"w x 19.5"d

Andy Warhol (1928-1987) Golden Mushroom. Color on silk screen, signed on reverse, from the original edition of 250. 206/250. Condition: Excellent condition: Refer to high-res link. H 35" W 23". Copy a

Pierre-Auguste Renoir (French, 1841-1919), Enfants jouant à la Balle, lithograph in colours, circa 1900, from the edition of 200, MBM watermark to left margin, H.58.5cm W.41cm Provenance: Christie'

Louis Vuitton steamer trunk. F.W. Wickes. Newport, RI. H 23" W 41-1/4" D 22-1/4". Condition: Minor imperfections Estate of Thomas and Stephany Haines-Forsyth Wickes Copy and paste link for high-res im

After Thomas Cole - American, 19th century, oil on canvas with a fine original frame. Excellent untouched condition. Frame size H 34-/12" W 46-1/2" Sight size H 23-1/4" W 35-1/4". Please refer to this

Fine chandelier with glass crystals and enameled floral metal work. Circa 1920. H 38-1/2" W 18" D 19-1/4". Condition: Needs cleaning. Minor losses. Estate of Thomas and Stephany Haines-Forsyth Wickes.

After Thomas Cole - American, 19th century, oil on canvas with a fine original frame. Excellent untouched condition. Frame size H 34-/12" W 46-1/2" Sight size H 23-1/4" W 35-1/4". Please refer to this

Thomas Hart Benton(1889-1975)"After the Blow", 1946Lithograph on paperFrom the edition of 250Signed in pencil in the lower margin, at right: Benton; Associated American Artists, New York, pub.Image: 9

Thomas Hart Benton (American, 1889-1975), "Huck Finn," 1936, stone lithograph, pencil signed lower right, signed in plate lower left, from an edition of 100, printed by George C. Miller, published by