Prints & Multiples

Stephen Lack Prints & Multiples

Stephen Lack, Pale Day, Monotype Etching First Image

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Stephen Lack, Pale Day, Monotype Etching First Image

Stephen Lack, Pale Day, Monotype Etching

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Stephen Lack, Pale Day, Monotype Etching (1 of 3)

Stephen Lack, Pale Day, Monotype Etching Artist: Stephen Lack, Canadian (1946 - ) Title: Pale Day Year: 1994 Medium: Monotype Etching, signed in pencil Edition: 1/1 Image Size: 16 x 22 inches Size: 22.5 x 27.5 in. (57.15 x 69.85 cm)

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Stephen Lack, Toxic Beach, Etching (1 of 1)

Stephen Lack, Toxic Beach, Etching Artist: Stephen Lack, Canadian (1946 - ) Title: Toxic Beach Year: 1995 Medium: Etching, signed and numbered in pencil Edition: 1/1 Image Size: 16 x 22 inches Size: 22.25 x 30 in. (56.52 x 76.2 cm)

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Noniko Kiyotsuka (Kiyozuka) (b. 1940) Japanese (1 of 1)

Noniko Kiyotsuka (Kiyozuka) (b. 1940) Japanese A SHORT DAY, color etching, signed in pencil, from the numbered edition 30, image 16 x 18 ½”, sheet 21 x 26”, pale discoloration in margins, otherwise in good condition.

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Charles Bragg (1931-2017) Californian (six) (1 of 6)

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Stephen J. Ferris etching "After a Good Day's Sport" (1 of 1)

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JEAN EMILE LABOUREUR (FRANCE, 1877-1943) (1 of 4)

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Stephen Day, "Big Evening Sky"Stephen Day (New Mexico / Colorado, b. 1954), "Big Evening Sky", 2008, oil on panel

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T. A McCormack (New Zealand, 1883-1973) (1 of 1)

T. A McCormack (New Zealand, 1883-1973)Windy Day drypoint etching title inscribed and signed 160 x 135mm Provenance: Gifted by the artist to Frank and Lyn Corner in 1960.

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Print, Radcliffe Bailey (1 of 5)

Print, Radcliffe Bailey Radcliffe Bailey (American, 1968-2023), "Until I Die/in Dat Returnal Day," 1997, etching and aquatint in colors with xerography and chine colle, pencil signed and dated lower right, edition 18/25, ima

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AFTER RAPHAEL, 'HOURS OF DAY & NIGHT', 6 ETCHINGS (1 of 18)

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Luigi Conconi, Italian 1852-1917, "Portfolio of 42 Prints", etchings and monotypes on paper (1 of 12)

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(18) Stephen Gooden (British, 1892-1955) Etchings (1 of 3)

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James Rosenquist (American, 1933-2017) A pair of works (1 of 2)

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Hall’s Lilliput Bank. Cromwell, CT: J.E. (1 of 3)

Hall’s Lilliput Bank. Cromwell, CT: J.E.Hall’s Lilliput Bank. Cromwell, CT: J.E. Stephens, 1870s. The teller at the entrance to the painted cast iron mechanical bank. Pale green finish. Lacks trap.

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SIR FRANK BOWLING, OBE RA (1934 - ) Ahaahead! (1 of 1)

SIR FRANK BOWLING, OBE RA (1934 - ) Ahaahead!SIR FRANK BOWLING, OBE RA (1934 - ) Ahaahead! Color etching and aquatint, with monotype and extensive hand-coloring, 2013. 762x560 mm; 30x22 inches (sheet) . Unique proof, aside from the edition of 30

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JOSEPH BOHLER (B. 1938) CITYSCAPE WATERCOLOR (1 of 11)

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Jim Dine Blue Vase Etching 1993 Signed Color Edition of 56 (1 of 15)

Jim Dine Blue Vase Etching 1993 Signed Color Edition of 56 Artist: Jim Dine Title: Blue Vase Medium: Etching, Heliogravure, Power-Tool, and Monotype with Hand-Coloring on Zerkall Copperplate Warm White Paper Image Size: 22" x 18.5" Frame Size: 42" x 33" x 1.5

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Jim Dine (born 1935); Blue Vase; (1 of 1)

Jim Dine (born 1935); Blue Vase;Jim Dine (born 1935) Blue Vase (Carpenter 75), 1993 Etching, heliogravure, power-tool, and monotype with hand-coloring on Zerkall Copperplate Warm White paper, signed in pencil, dated and numbered 33/

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Peter Milton (b. 1930) Pennsylvanian (1 of 1)

Peter Milton (b. 1930) Pennsylvanian DAY LILIES (M.96), 1975, resist-ground etching and engraving and direct photographic transfer, signed in pencil, numbered 104/160, image 20 x 32”, sheet 25 ½ x 27 ¾”, soft handling creases and s

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Ellen Day Hale, 'King Street, Charleston' (1 of 8)

Ellen Day Hale, 'King Street, Charleston'(American, 1855-1940) etching, signed in pencil l.r.c., also titled on verso, unframed but matted Overall: 8-1/2"h x 9-1/2"w Sight: 3-1/4"h x 5-1/4"w

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