THREE QUEZAL ART GLASS SHADES

Each signed Quezal, H. 4 1/2 in. (11.5 cm)

comprising a pair of lily form iridescent shades and a bell form example, each signed at the rim. Lily form: 5" high, 5 3/8" diameter. Several small chips to rim of bell form, as shown.

Each signed "Quezal" inside rim. 5-1/4"h x 5"dia.

Three Quezal Art Glass Shades. Floriform with vertical ribs, creamy white with iridescent sheen. All are signed "Quezal" at the fitter. First quarter 20th century. Good condition, minor nicks to the f

Three Quezal Art Glass Decorated Shadesearly 20th centuryeach shade signed "Quezal"3 1/4 x 4 inches

Early 20th century Each signed: Quezal Each bell-form gold iridescent glass shade with white swirl motif, 3 pieces Each: 6" H x 4.25" Dia.; fitter rim: 2.25" Dia.

Three Quezal Art Glass Lamp Shades. Including a near pair and another, each an iridescent calcite exterior with green and gold pulled feather design and iridescent gold aurene interiors. Each marked o

Lot of three. Signed Quezal. Art Glass shades. Consists of one pair and one single. The pair- green and gold pulled feather design. Acid signed on base rim. 4-1/4" high. Base rim 2" outer dimensions.

A Set of Three Quezal Art Glass Lamp Shades. Iridescent calcite exteriors with green and gold pulled feather design, bearing gold aurene interiors, all marked on the fitter rims 6" x 1 3/4" inner rim

Set of three Quezal Pulled Feather Art Glass Shades Very nice decoration and highly iridescent inside, signed Quezal, very slight roughness on fitter rim, circa 1910. Size: 6.25" high, 4 1/2" diameter

Each signed: Quezal Each with a pulled blue feather on white ground with fluted rim and iridescent yellow interior, 3 pieces Each: 6" H x 4.5" W x 4.5" D Provenance: The Estate of Harry J. O'Connor II

To include a low shade, a ribbed shade, and a tall shade, all signed "Quezal". From a Mamaroneck, NY estate. Dimensions: Low shade: 4.5" h, Ribbed shade: 4.5" h. Tall shade: 5.5" h.

Group of three assorted art glass shades including Steuben and Quezal. All 2 1/4" fitters. Left shade is Steuben, 5 1/2" tall x 4 3/4" diameter. Center shade is pulled feather and gold threaded Quezal

Consists of one Quezal, two bell shaped and unsigned, one Steuben with crack, all four shades have gold iridescence, three in good condition, Steuben has crack, 5.25" tallest, 2.25" fitter

A set of three Quezal Glass Lamp Shades Early 20th century Each signed QUEZAL. height of each 6in; diameter at rim 4 1/4in If you would like to receive more detailed photos, please let us know. We do

First quarter 20th century. Two signed "Quezal". Heart and vine and threading, 5.25"h. 2.25" fitter, and dome shaped with pulled feather and chip on fitter. 4.25"h. 2.25" fitter. Together with an unsi

Austrian Art Nouveau three-armed brass chandelier, circa 1900, the stylized, pierced Jugendstil / Art Nouveau manner frame with three pendants holding globular Quezal iridescent glass shades with pull

unsigned, with lilypad base, three favrile glass shades.19 5/8" high, 6 1/2" diameter. Some gilt wear, older fabric wrapped cord, slight denting at arms. Provenance: Property from a New Haven County C

THREE THREADED ART GLASS TABLE LAMP SHADES, early 20th century. Two signed Quezal, with leaf decoration, one, gold favrile, unsigned - Tallest, H: 5 1/2 in.

AN ASSORTED GROUP OF TWENTY-SIX AMERICAN ART GLASS SHADES Early 20th century Including three groups of four, a pair, and two single Quezal shades, a pair of Steuben waisted pulled feather shades, a pa

Art Nouveau patinated brass chandelier with three lights mounted with mottled and swirling iridescent favrileQuezal glass shades, all marked "Quezal". 32" H x 12.5" diameter; shades: 3.5" H x 4.5" dia

A Steuben De Vilbiss Blue Aurene perfume bottle with atomizer, a Loetz type vase in green/blue with a ribbed texture, and a Quezal shade in iridescent gold.  Dimensions: Diameters range from

All three signed under base "Quezal." 11 1/2"h

iridescent wavy design on green & white field, opalescent style iridescent interior, 4 1/2" with 2 1/4" fitter, signed, excellent......Two former employees of Louis Comfort Tiffany's glassworks, Marti