Tommaso Conca (Italian 1734-1822), THE ADORATION OF THE

(Italian, 1822-1883) La Sala di Giove in the Palazzo Pitti, signed lower right "F. Maestosi", oil on linen, 35 x 47-1/8 in.; gilt wood and composition Regency style frame, 47-3/4 x 61 x 4 in. Provenan

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

After a model by Francesco Antonio Franzoni (Italian, 1734-1818) made for Pope Pius VI and in the collection of the Vatican Museum, Rome, Italy. With two supports with mythical winged rams and garland

Framed oil on canvas painting, Madonna della Seggiola (Madonna of the Chair), signed verso Antoine Sebastien Falardeau (Canadian/ Italian, 1822-1889), after Raphael (Raffaello Sanzio da Urbino, Italia

(Italian, 1822-1901) Julius II Consigning a Letter to an Emissary, 1890, signed lower right "S. Ussi 1890", oil on canvas, 31-1/8 x 26 in.; gilt wood frame, 37-3/4 x 32-1/2 x 1-7/8 in. Provenance: The

Three Piece Lot, to include Gaetano Gandolfi (Italian, 1734 - 1802), St. Peter kneeling in prayer, pen, brown ink and brown wash, 6 3/4" x 4 3/4", purchased at Charles Frank and Co., Chicago, July 22,

Tommaso Campajola(Italian, 19th/20th Century)"Abduction of the Sabine Women"patinated bronze sculpturesigned "T. Campajola"48 1/2 x 16 x 19 inches

Tommaso Barbi (Italian, 20th Century) Foglia Floor Lamp, c. 1970 Bottega Gadda, Italy brass unmarked H 72 1/2 x W 19 x D 20 1/4 inches Property from the Estate of Joyce Hoskin, Cincinnati, Ohio

Tommaso Campajola (Italian, 1890-1968), "Narcissus," patinated bronze, after the antique, with a cast signature on the back of the pelt, mounted on a stepped figured black marble base, Overall- H.- 14

After Tommaso Balestrieri (Italian, 1713-1796) Violin labeled "Thomas Balestrieri Cremonensis Fecit Mantuae Anno 1740" 23 1/2 x 8 1/2 inches (violin) 31 x 9 1/2 x 5 inches (case)

Chromed double handled cocktail serving tray with center of patchwork horn under glass. Retains original TB Made in Italy label. Fair condition with mild surface wear, wear to chrome. Measures approxi

Italian Mid Century Modern design serving tray by Tommaso Barbi. Crafted of burl wood veneer with a chromed upper rim. Elongated rectangle shape with elegant foot design. Good condition with mild surf

Italian TOMMASO BARBI Mixed Metal Egg Form Stacking Dishes. Modernist Sculpture. Brass and Chrome Plated elements. Marked Made in Italy TB, Breveatto. -- Dimensions: H: 7 inches: W: 5 inches: D: 5 inc

Tommaso Principe (Italian, b.1942) Oil on Canvas Undated, signed lower left, turn of the 19th century style depiction of street activity at La Place Bellecour, Lyon, France; gold painted frame; accomp

TOMMASO ARENA (Italian 20th Century) A PORCELAIN FIGURE, "Great Horned Owl," FOR PORCELLANE ARTISTICHE DI CAPODIMONTE, NAPLES, ITALY, LATE 20TH CENTURY, the realistically modeled and polychrome enamel

TOMMASO ARENA (Italian 20th Century) A PORCELAIN FIGURE, "Great Horned Owl," FOR PORCELLANE ARTISTICHE DI CAPODIMONTE, NAPLES, ITALY, LATE 20TH CENTURY, the realistically modeled and polychrome enamel

Description: A modernist bronze sculpture of a maiden by Italian Sculptor Tommaso Gismondi, whose woks can be found in the collections of the Vatican. Type: Sculpture Materials: Bronze Markings & Ins

Italian Carrara Marble "Venus Italica", second half 19th century, after the ca. 1812 sculpture by Antonio Canova (Italian, 1757-1822), now at the Pitti Palace, Florence, h. 40", w. 11", d. 9-1/4". Pro

(lot of 2) Large verde patinated bronze recumbent lions, after the originals by Antonio Canova (Italian, 1757-1822), 20th c., on an integral plinth base, approx 22"h, 45"w, 18.5"d Start Price: $2,000.

Large patinated cast-iron fountain, The Three Graces, modeled after the original 19th c. sculpture by Antonio Canova (Italian, 1757-1822), having three graduated tiers, over floral twined central colu

A PAIR OF CARVED ALABASTER RECUMBENT LIONS AFTER THE MODELS BY ANTONIO CANOVA (ITALIAN, 1757-1822) MADE FOR THE TOMB OF POPE CLEMENT XIII On plinth bases, 10cm wide, 34cm deep, 18cm high (3 1/2in wide

AFTER ANTONIO CANOVA (ITALIAN, 1757-1822), A PAIR OF BRONZE MODELS OF THE PUGILISTS CREUGAS AND DAMOXENOSITALIAN, LATE 19TH CENTURY Set on black marble bases Creugas 26.5cm high bases 17.5cm wideProve

AN ENGLISH CARVED GREEN MARBLE RECUMBENT LION After Antonio Canova (Italian, 1757-1822), circa 1830 height 9 1/4in (23.5cm); length 18in (46cm); width 5 1/2in (14cm) Footnotes: Provenance Stair & Comp

after ANTONIO CANOVA (Italian 1757-1822) A PATINATED BRONZE SCULPTURE, "Hercules And Lychas," cast by Delafontaine foundry, Paris, France, circa 1870-1900, the figural group with dark brown patination