TWO AUDOBON PRINTS

Two Audobon prints, Raven and crow.

Two bird prints. Together with a mixed media of goldfinch. largest 18 1/2" x 16"

DESCRIPTION: Two Audubon prints. Includes: 1) White Weasel Stoat No. 12 Plate LIX (59). 2) Velvet Duck No. 81 Plate 401. Each is an octavio edition printed and hand colored by J.T. Bowen. Matted in wo

Two Prints Keith Haring (American, 1958-1990) International Youth Year 1985, pencil signed and numbered 120/1000, the full sheet, The World Federation of United Nations Associations, New York, publish

MARY HEILMANN (American b. 1940) TWO PRINTS, "Mint Boy," and "Mint Print," 1998, aquatints on paper, each signed and dated L/R, "M Heilmann '98," and numbered L/L, "30/40," and "3/40;" 38" x 29", fram

ANTONI TÀPIES Two prints. Esperit Català II, color etching, aquatint and embossing on Guarro paper, 1974. 436x630 mm; 17¼x25 inches, full margins. Signed and numbered 75/75 in pencil, l

One of a fishing port, the other of New York City at dark. [14" x 19" - 17" x 21"]. Both with foxing, staining.

JACQUES CALLOT (French 1592-1635) TWO PRINTS, "Les Deux Pantalons" and "The Martyrdom of St. Sebastian," 17TH CENTURY, etchings on laid paper, "Les Deux Pantalons," circa 1616, the first state of two,

William Scott (British, 1913-1989) Angles Equal and Brown Field Defined (two prints from A Poem for Alexander), 1972 screenprints each signed, dated, and numbered out of 72 in pencil Largest: 22 7/8 x

DIEGO RIVERA (Mexican 1886-1957) A GROUP OF TWO PRINTS, FROM "Frescoes of Diego Rivera," MOMA, SIGNED, NEW YORK, 1933, comprising two color calotype prints on heavy paper, each plate signed and dated

"Secrets 2". Both pencil signed lower right, numbered 3/15 center, and titled lower left. Emma Amos (African-American, b. 1938). From a Wilton, CT home. - Dimensions: 20.5" high x 20.5" wide.

TWO PRINTS PERTAINING TO BOSTON19th Century1)"Perspective View of the Blockade of Boston". Label verso for Holman's Print Shop, Boston. Hand-colored watercolor and print, 9" x 27" sight. Framed 11" x

GEORGE TOOKER (1920-2011)Two prints. Window. Lithograph. 600x500 mm; 23x19 inches, full margins. Signed and numbered 93/175 in pencil, lower margin. 1994 * Self-Portrait. Lithograph. 215x195 mm; 8&#18

DIEGO RIVERA (Mexican 1886-1957) A GROUP OF TWO PRINTS, FROM "Frescoes of Diego Rivera," MOMA, SIGNED, NEW YORK, 1933, comprising two color calotype prints on heavy paper, each plate signed and dated

DIEGO RIVERA (Mexican 1886-1957) A GROUP OF TWO PRINTS, BOOKLET AND AN ORANGE CASE, FROM "Frescoes of Diego Rivera," MOMA, SIGNED, NEW YORK, 1933, comprising two color calotype prints on heavy paper,

GIOVANNI BATTISTA PIRANESI (Italian 1720-1778) TWO PRINTS, "Castel Sant'Angelo," 1754 and "Teatro Marcello," 1757, etchings on laid paper, Gerhard Wurzer Gallery, Houston, Texas, labels on reverse, fr

Artist: Fanakapan Title: High 5 (Two Prints) Year: 2018 Dimensions: 34 Comes with Letter of authenticity and guaranteed in perpetuity

each with printed signature lower right and printed Roman numeral verso; one numbered XI, the other III Condition: unframed 10 3/4 x 9 1/2 inches

"Flowers" - Silkscreen, (c) 1978 Leo Castelli Gallery - Poster Originals, Ltd No M 56, image - 24.5" high x 24.5" wide, appears to be in good condition, strong colors, framed behind glass, not examine

DIEGO RIVERA (Mexican 1886-1957) A GROUP OF TWO PRINTS, FROM "Frescoes of Diego Rivera," MOMA, SIGNED, NEW YORK, 1933, comprising two color calotype prints on heavy paper, each plate signed and dated

An etching titled "Jeremiah", pencil signed and numbered 26/90 and a woodcut titled "Eve of Sabbath" , which is also pencil signed and numbered 31/45. Dimensions: Sight for Jeremiah is 17 1/4" x 14 3/

Richard E. Bishop (1887-1975) Two Prints and One Book "Timberdoodle (Woodcock)," 1942 drypoint, 7 1/2 by 5 1/2 in. signed and dated "Richard E Bishop '42" in plate lower right Two Woodcocks print, 5 b

CORNELIUS BLOEMAERT II (Dutch 1603-1684) TWO PRINTS, "Lemons," 17TH CENTURY, two engravings on laid paper with later added coloring, from the book Hesperides sive de Malorum Aureorum Cultura et Usu Li

offset print of View of Savannah, The Template for American Urban Planning, 1734, Peter Gordon, London, 15-1/2 x 18-3/4 in. (sight), matted with gold composite frame, [fading, slight foxing, abrasions