Two Drawings by Antoine-Jean Gros

(French, 1771-1835) Comprising, an ink and paper of a battle scene and a pastel of a young woman with a necklace. Together with a photograph of a print after Antoine-Jean Gros, Napoleon on the Bridge

Jean Antoine Watteau (after), charcoal drawing, After Jean Antoine Watteau (French, 1684-1721), Two Studies of a Seated Woman, red and black charcoal on brown paper, signed "A. Watteau" lower right, m

Antoine-Jean Gros (after), Bonaparte, c. 1820, After Antoine-Jean, Baron Gros (French, 1771-1835) , based on "Bonaparte at the Bridge of Arcole", oil on canvas, signed "Ate Sage d'apres Gros" verso, u

AN IMITATOR OF ANTOINE-JEAN GROS (20th Century). Bataille d'Aboukir (Battle of Abukir), Oil on canvas. Framed. - 48" x 72"; frame: 63" x 87"

"Equestrian portrait of Prince Boris Yusopov. After the original by Antoine Jean Gros. Oil over print on canvas. Mounted in antique frame. Frame measures 34 1/4" h x 43" w x 3 1/2" d. Picture measures

Style of Antoine-Jean Gros, Portrait of a Woman in Lace Bonnet with Blue Ribbons, oil on canvas, 1Q, 19th c., unsigned, bears frame plaque attributing painting to Gros.(MALP7000)(TC) Measurements:31.5

French School, "Portrait of a General," 19th c., oil on canvas, attr.to Antoine Jean Gros (1771-1835), relined, inscribed verso "Inscribed on Reverse of Original Canvas", "a Monsieur F. Cotty te signa

Framed Antique French Miniature Oil of Napoleon Bonaparte at the Pont d'Arcole, after the original by Antoine-Jean Gros. Very well done, late 19th century, signed by the artist lower left.. Painted on

Philippe Ledoux France, 1903-1975 Designed by Philippe Ledoux, includes images of Napoleon Bonaparte based in paintings by Jean-Antoine Gros, Jacques-Loius David, Pierre Gautherot, and Emile Jean-Hora

ATTRIBUTED TO JEAN ANTOINE "WATTEAU" DRAWING. PROVENANCE: THE GLADE GALLERY, NEW ORLEANS, LA., WITH ORIGINAL BILL OF SALE. Height: 14 & 10 1/2 in. by Width: 11 & 8 in.

after Jean Antoine Houdon (French, 1741-1828), Two Plasterwork Models of L'Ecorche20th century, cast plaster with removable right arm, the first with metal pastille mark to underside of "Caproni Galle

after Jean Antoine Houdon (French, 1741-1828), Two Plasterwork Models of L'Ecorche20th century, Long Island City, New York, each with incised "Sculpture House" mark to base, one in antiqued finish num

After Jean Antoine Watteau, red sanguine drawing of three resting soldiers. Mat opening: 7-1/2in tall x 11-1/2in wide. Frame: 18-1/2in tall x 23in wide. | Philadelphia Metro area delivery, NYC curbsid

A GROUP OF FIVE FRENCH SÈVRES STYLE PORTRAIT BISQUE BUSTS, 20TH CENTURY, consisting of two pairs of busts after Jean Antoine Houdon (French 1741-1828) of Alexandre and Louise Brogniart, children of t

French (1768-1849). Two fine original drawings by the French natural history painter, depicting the Hooded Vulture and another species of bird. Both watercolor and gouache. One signed to the lower rig

French (1768-1849). Two fine original drawings by the French natural history painter, depicting the Albatross and another species of bird. Both watercolor and gouache. One signed to the lower right of

Two ink drawings: "Sammy's Bowery Follies" by Xavier de Callatay, signed and titled lower right, 9" x 11.5" sight with labels on reverse; along with "Chien" by Horace Vernet, 4" x 3.5" sight, Jean Lou

ANTOINE BAUDACE (?) INK ON PAPER, 2 PCS, H 16"-17", W 14"-22", MATADOR & SEATED MAN A selection of two ink drawings on paper. One depicting a matador with bull, the other a reclining man. Artist's sig

Red chalk drawing of peasant family in fields. Attributed to the 18th century French artisit, Jean-Antoine Watteau by Paris dealer noted on back of drawing. Purchased at Christies in 1992. Work size 6

France,1690-1743 Depicts a young woman with her back turned towards the viewer while a masculine figure stands to her left. Lancret was an avid follower of fellow artist Jean-Antoine Watteau, and upon

Sketch, after Jean Antoine Houdon's bust (late 17th century) of the elderly philosopher Voltaire. Charcoal and chalk stick on paper. Signed and dated lower left. Signature illegible. 16 x 12"; 23 1/4

Jean-Antoine Lepine, Empire mantel clock, 19th c., France, dark patinated and gilt cast bronze, the lamp-form case mounted with ormolu dragons and issuing two winged cupids framing a flame finial, rai

Mixed media diptych (two associated drawings) on brown wrapping paper, untitled composition, unsigned* (Jean-Michel Basquiat, 1960-1988). Each panel measures approximately 16 1/8 x 11 1/4 inches. Very

Printed in Lyon, Jean-Antoine Huguetan, 1644 on laid paper. "Le Parfaict Joaillier ou Histoire des Pierreries" with some illustrations and two folded inserts. Hardcover with tooled leather spine. Wear