Virgin with Child, Flemish school of the XVII -XVIII centuries, follower of Rogier van der Weyden

Oil on board. Framed measurements: 81 x 61, table measurements: 70 x 50 cm

tempera and oil on panel; unsigned; accompanied by a letter of authenticity from Willem L. van de Watering, of Wouter Janssen Gallery, dated 7 March, 1997, stating that the present work is likely by a

Spanish school of the XVIII century - Virgin Mary with dormant ChildOil on canvas182 x 88 cm

Flemish school, ca. 1520. Attributed to the MASTER OF HALF FIGURES (active in the second quarter of the 16th century). "Virgin and Child. Oil on panel. Measurements: 56 x 39 cm; 82,5 x 65,5 cm (frame)

Flemish school, XVII century."The Adoration of the Magi".Oil on copper adhered to board.According to the model of "The Adoration of the Magi", Museo del Prado, Peter Paul Rubens, 1609-1629.Size: 65 x

Flemish school. Follower of EL BOSCO, XVI century."Temptations of St. Anthony"".Oil on panel (seamed).Measures: 75,5 x 106 cm.; 101 x 130 cm. (frame).The story of the Christian monk who decided to wit

Follower of Bernard van Orley (Flemish, ca. 1488-1541). Madonna and Child Old Master painting on panel. Mary, richly dressed in flowing garments, cradles the infant Jesus, who plays with her headwrap.

This lot consists of an very old oil on canvas Virgin and child painting dated to the 16th-19th century. The lot depicts mother with Jesus in her hands and two church servers. The painting could be on

17TH-18TH CENTURY ITALIAN SCHOOL King David. Oil on canvas . Cm 60,00 x 88,00. Coeval golden frame. Frame present

ITALIAN SCHOOL IN THE STYLE OF THE 15TH CENTURY, PROBABLY 19TH CENTURY ENTHRONED VIRGIN WITH THE CHILD SOURROUNDED BY SAINTS Tempera on chalk and gold ground, nimben and edges punched, partly contour

Dutch school; 17th century. "Portrait of a lady. Oil on panel. It presents faults and restorations. Measurements: 41 x 34,5 cm; 55,5 x 49 cm (frame). The delicacy of the stroke and a skill in the hand

Spanish school; 17th century. "Still life of hunting with cat, mushrooms and figs". Oil on canvas. Measurements: 85 x 133 cm; 107 x 154 cm (frame). In this canvas the author offers us a still life of

Flemish School, 17th Century The Crucifixion oil on canvas 105 x 72.5cm (41 5/16 x 28 9/16in). Footnotes: Provenance Possibly, the Collection of the Earls of Breadalbane and Holland, Taymo

Flemish school; 16th century. "Saint Jerome. Oil on panel. Measures: 64 x 48 cm. In this work the artist reveals an exceptional sense of drawing through which he has described the saint's anatomy, sho

Flemish School, 17th Century The Penitent Magdalene oil on canvas 79.2 x 139.5cm (31 3/16 x 54 15/16in). unframed This lot is subject to the following lot symbols: α α Buyers from within

FLEMISH SCHOOL, 18th CENTURY Still life with ceramic plate with fruit, vase of flowers and little monkey Oil on canvas, cm. 85x117. Framed PROVENANCE: Private collection, Rome.

Olive Green Cushion with gorgeous frame; measures 16" H x 77"W x 40" D

Flemish School, 17th Century Portrait of a family oil on canvas 60.2 x 84.3cm (23 11/16 x 33 3/16in). This lot is subject to the following lot symbols: * * VAT on imported items at a preferent

Flemish School, 17th century, Circle of Cornelis de Vos (1584-1651), octagonal portrait of a lady, presumably a noblewoman, attired in a black dress and large white lace collar. Heraldic device upper

Still Life—Flemish School, 17th century Oil on panel. Monogrammed lower right. 37.5 x 48.5 cm.

Flemish school; early 16th century. "Ecce homo". Oil on panel. Engatillada. It has faults, losses and repainting. It has an ebony frame from the 16th century. Measurements: 24.5 x 18 cm; 30.5 x 24 cm

Oil on copperProbably modeled after the work of José Joaquín Magón of the Parish of the Nativity Atlixco, Mexico. 41,5 x 31,5 cm

Flemish school; early 17th century. "Saint Hermenegild". Oil on canvas. Measurements: 104 x 125 cm. Saint Hermenegild was the son of the Visigoth king Leovigild. In 579 he confronted his father and ma

Garden of Eden, 1600-1625, Oil on copper, Based on a painting by Maarten de Vos (1532-1603) and a print by Johan Sadeler (1550-1600). We are appreciative of the 2018 assessment of this work by well-kn