Washington Hall West Point Etching by Elizabeth O'Neill Verner (South Carolina, 1883-1979)

Washington Hall West Point New York Ethcing on Paper Signed l.l. 13 x 9.25 inches (sight) 20 x 16 inches (frame) Overall good condition.

Chapel West Point, New York Etching on Paper Signed l.r. 13 x 9.25 inches (sight) 20 x 16 inches (frame) Overall good condition.

ELIZABETH O'NEILL VERNER CHARLESTON SOUTH CAROLINA ETCHING ON PAPER DETAILS: - ARTIST: Elizabeth O'Neill Verner - BIRTH: American, South Carolina, (1883-1979) - TITLE: POSTERN GATES, CHARLESTON - MED

Elizabeth O'Neill Verner South Carolina (1883-1979) "Ravenel Doorway, Charleston" etching, frame, signed & titled: lower margins, in pencil. Sight 5"x7". In frame 10 1/4"x12 1/2"x1". Weight 1 pd 10 oz

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). "Rivals"-1930, etching. Pencil signed, titled and numbered 32/100 lower margin. Provenance: From the Lifetime Collection of Bi

Elizabeth O'Neill Verner (American/South Carolina/Charleston, 1883-1979). Three etchings "Bedon's Alley", "High Battery", and "Sword Gate". Pencil signed and titled lower margin. Provenance: From the

Elizabeth O’Neill Verner (America/South Carolina 1883-1979), "Eveleigh Gates, Charleston", undated, architectural landscape etching depicting the entrance to the George Eveleigh House, titled a

Elizabeth O’Neill Verner (America/South Carolina 1883-1979), "Ravenel Doorway, Charleston", undated, etching - second state, architectural landscape print depicting the entrance to the Daniel R

(American/South Carolina, 1883-1979) Three etchings: Postern Gate, inscribed "Elizabeth O'Neill Verner", 3-3/4 x 2-3/4 in.; High Battery Steps, inscribed "Elizabeth O'Neill Verner", 2-1/2 x 2 in.; Cho

(American/South Carolina, 1883-1979) Two Etchings: St. Michaels Gate, signed "Elizabeth O'Neill Verner, etching, plate 5 x 7 in.; gilt wood frame, 14 x 11-1/2 in.; Catfish Row, signed "Elizabeth O'Nei

(American/South Carolina, 1883-1979) Two works: Bit of Legare Street/Charleston, signed lower right "Elizabeth O'Neill Verner", etching, impression size 4-7/8 x 3-3/4 in.; On South Battery/Charleston,

(American/South Carolina, 1883-1979) Contentment, signed lower right "Elizabeth O'Neill Verner", etching, image size 4 x 3 in.; period wood frame, 9-1/2 x 8-1/2 in. Provenance: To Benefit WNC Bridge F

(Charleston, South Carolina, 1883-1979) State Street Charleston, signed lower right "Elizabeth O'Neill Verner", etching, sight 2-1/2 x 2-1/4 in.; period gold painted wood frame, 9-1/2 x 7-3/4 in. - Pr

(Charleston, South Carolina, 1883-1979) Old Tavern, Charleston, 1925, edition 76/80, signed lower right "Elizabeth O‘Neill Verner" and titled lower left, drypoint etching on wove paper, 6-7/8 x 5 in

(Charleston, South Carolina, 1883-1979) In the By-ways, Charleston, No. 40, signed lower right "Elizabeth O‘Neill Verner" and titled lower left, etching on cream paper, 9-1/2 x 5-15/16 in. (plate) 1

(Charleston, South Carolina, 1883-1979) High Battery Steps, Charleston, signed lower right "Elizabeth O‘Neill Verner" and inscribed with title, etching on paper, 2-1/2 x 1-15/16 in. (plate); black m

(Charleston, South Carolina, 1883-1979) Live Oak, Middleton Place, signed lower right "Elizabeth O‘Neill Verner" and inscribed with title, etching on paper, 2-1/2 x 1-15/16 in. (plate); black modern

(American/South Carolina, 1883-1979) Two etchings; 38 Church Street, inscribed lower left "IMPVH", 4 x 3 in.; St Philips Steeple, 1926-27, inscribed "Elizabeth O'Neill Verner", 5-1/4 x 2-1/4 in.; both

(Charleston, South Carolina, 1883-1979) Graphite on paper pencil drawing of Ravenel Doorway, an etching was produced depicting this very location as well. The work is framed nicely with exhibition pan

(Charleston, South Carolina, 1883-1979) Original drypoint etching titled, "From The Rectors Piazza Charleston." Pencil signed lower right and titled lower left. Very good condition throughout and nice

(South Carolina, 1883-1979) Original rrypoint etching titled ÒSt. Phillips Gate CharlestonÓ Signed lower right. Good condition throughout. H4 3/4" W3 3/8"

(American/South Carolina, 1883-1979) Two etchings: Crest of the Hill, Brevard, NC; 1922, inscribed lower right "EONV", 2-5/8 x 2-1/8 in.; Long Leaf Pine Swamp, 1928, 2-1/2 x 5-1/4 in.; unframed, both

(Charleston, South Carolina, 1883 - 1979) Original drypoint etching framed for display during the period of creation. The work depicts the First Presbyterian Church of Charleston, South Carolina. The

(American/South Carolina, 1883-1979) In Saint Andrew's Parish, signed lower right "Elizabeth O'Neill Verner 30/80", inscribed lower left "In St. Andrews Parish", etching, 8-3/4 x 6-5/8 in.; modern gil