Watercolor engraving, first half of 19th century

First half 19th century, watercolor on paper. Tulips and distlefink with "Mariah Dill (?) 1831". Foxing and tears along fold lines. 6.75"h. 5.5"w. And two framed together. Moon and stars on laid paper

First half 19th century, watercolor on laid paper. Spotted birds and flowers with "Amos W. Martin". Stains, glued in center. Tramp art frame, 9"h. 7"w.

First half 19th century, watercolor on paper. By the same hand. Flowers signed on back "Edith Martin", and a running horse on laid paper signed on back "Edith". Edge tears, foxing and some stains. Unf

Watercolor on paper, first half of the 19th century, a portrait miniature of a woman in profile. Family history as pictured verso. Dimensions:Sight is 3" x 2 1/2", the frame 5 3/4" x 4 3/4".

First half 19th century, watercolor and ink on paper. Bookplate type image of a striped bird and tulip with "Magdalena Miller". Light stains and foxing. Mahogany veneer frame (chip), 9"h. 7.5"w.

First Half 19th C Miniature Watercolor Painted Portraits of Husband & Wife - well executed, each seated in Federal style chair, gold-gilt wooden frames measure 5" x 6" x 1".

(first half 19th century) three botanical subjects, including: cinnamon tree; peaches; peonies, watercolor and gouache on paper, sheet, 16-1/8 x 21-3/8 in., silk mat with gilt liner, bamboo form woode

British School (First Half 19th Century) Group of Four Fine British and American Miniature Portraits of "Dandies" each watercolor each unsigned. Each glazed in an oval pendant with plated rolled gold;

American School (First Half 19th Century) "Pair of Portrait Miniatures of Aaron Burr (1756-1836) and His Wife Eliza Bowen Jumel (1775-1865)", ca. 1834-1840 each watercolor and gouache each unsigned. B

German/Austrian Schools (Fourth Quarter 18th/First Half 19th Century) Five Fine Portrait Miniatures each watercolor and gouache including Karl von Saar (1797-1853), "Dr. Richard Jonak von Freienwald (

AMERICAN SCHOOL (19TH CENTURY) FOLK ART DRAWING, watercolor on paper, cut-out, depicting a basket of fruit, no signature located. Housed under glass in a red-painted frame. First half 19th century. 5

Continental/American School (Fourth Quarter 18th/First Half 19th Century) Five Folk Art Portraits each watercolor/gouache including John Austin (1757-1820), Silversmith of Philadelphia and Charleston"

Alexander Wilson (American, 1766-1813), circa first half 19th century. A collection of four framed ornithological hand colored engravings from Alexander Wilson (American, 1766-1813) and Charles Lucien

American first half of 19th Century, in style of Jacob Maentel (1763-1863), Portrait of John Henry Meyer walking in an Indefinite Landscape, circa 1823, ink, ink wash and watercolor, 10 x 7.75 inches,

Two Antique Works of Art on Paper, the first a Victorian hand-colored engraving cutout of a Classical scene on a blue watercolor background, presented in a 19th century Regency wood frame, sight H.- 9

Tekke small rug, 3 x 8 Main carpet guls, Turkmenistan, first half 19th century. Another choice small format Tekke carpet that fits well into the Marsh Collection. The cherry red color sparkles as with

Tekke chuval, 25-guls, Turkmenistan, first half 19th century. Over the last ten years of Leigh Marsh's collecting life, he added some major acquisitions, many of which were Tekke and included importan

Tekke (?) torba, 12-guls, Turkmenistan, first half 19th century. A refined weaving with elegant style and spacious composition. The twelve guls are beautifully drawn, well-proportioned and tall giving

Yomut mafrash/kap, Turkmenistan, first half 19th century. Very similar to another fine mafrash in the Marsh Collection and possibly woven by weavers in the same region, this example displays three ver

Tekke torba, 6-guls, Turkmenistan, first half 19th century. This is another standout 6-gul torba with handsome proportions and unusually large guls. Expertly woven with soft wool and visually composed

Chodor chuval, Turkmenistan, first half 19th century.A grand statement of early Chodor weaving is this exemplary large chuval with unusually deep dimensions. Rows of beautifully drawn ertmen guls pres

Tekke torba, 12-guls, Turkmenistan, first half 19th century. Woven with a high knot count, this multiple-gul trapping is unusually fine among other Turkmen trappings. The single crested birds inside t

Tekke Torba, 6-guls, Turkmenistan, first half 19th century. This large torba displays many distinguishing features, including a bold kochak border, six solid-scale guls with double-crested birds, as w

Tekke mafrash/kap, 6-guls, Turkmenistan, first half 19th century. Well-balanced six major guls with crested birdheads and expertly drawn chemche secondary motifs with well-executed double kochak horn