Zéphirin Kouassi know as Zéphirin (1955-1991, Côte d'Ivoire) Untitled (Conference

This lot includes an original acrylic on canvas by Haitian artist Frantz Zephirin. Zephirin is a self taught artist who specializes in contemporary art. His artworks are characterized by bright colors

Figuren-Paar, "yassoua ni bla" Baule, Côte d’Ivoire Mit Sockel / with base Holz. H 30 - 32 cm. Provenienz: - lt. Sammlungsblatt: Jean-Michel Huguenin, Galerie Majestic, Paris, 1991. - Sandr

Maske, "tankagle" Dan, Côte d’Ivoire Ohne Sockel / without base Holz. H 19,5 cm. Provenienz: - lt. Sammlungsblatt: Galerie l'Accrossonge, Claude Lebas, Paris, 1991. - Sandro Bocola (1931-20

Maske, "jagbwe" Mau, Côte d’Ivoire Mit Sockel / with base Holz, Textil, Metall, Echthaar. H 23 cm. Provenienz: - lt. Sammlungsblatt: Jean-Michel Huguenin, Galerie Majestic, Paris, 1991. - S

Maske, "jagbwe" Dan-Yacouba, Côte d’Ivoire Mit Sockel / with base Holz, Aluminium. H 27 cm. Provenienz: - lt. Sammlungsblatt: Jean-Michel Huguenin, Galerie Majestic, Paris, 1991. - Sandro B

Maske Dan, Côte d’Ivoire Mit Sockel / with base Holz, Kupfer, Leder. H 16 cm. Provenienz: - lt. Sammlungsblatt: Jean-Michel Huguenin, Galerie Majestic, Paris, 1991. - Sandro Bocola (1931-20

20 x 16 in. From the Yvonne and Glenn Stokes collection.

Mundy Hepburn, glass light sculpture, 1991, Mundy Hepburn (American, b. 1955), Untitled, (2) hand-blown argon gas filled glass elements, electrified white painted wood pedestal, signed to interior of

This lot includes an original acrylic on board by Haitian artist Frantz Zephirin. His artworks are characterized by bright colors, intricate patterns and figures that depict animals morphed with human

Guro, Cote d'Ivoire style, decorative standing female figure wearing bracelets on her left wrist, well carved but of very light wood, 18.5"h. Provenance: Sold to benefit the acquisitions fund of a Cal

Gu Wenda (b. 1955)Untitled (Pseudo Characters)Ink on paper45-1/2 x 30 i

Joe Andoe (b. 1955): Untitled Oil on linen, 1998, signed 'Joe Andoe' upper right. 45 x 36 in., unframed. Winston Wachler Fine Art, NY.

Beatrice Caracciolo (b. 1955): Untitled Mixed media on paper mounted on canvas, 1999, signed 'Beatrice Caracciolo' and dated on the reverse, with label from the artist and Charles Cowles Gallery, NY.

Joe Andoe (American, b. 1955) Untitled (Horse Head) , 2002 oil on linen signed Joe Andoe (upper left) 40 x 30 inches Property from a Western Institution to benefit the Acquisitions Fund

Joe Andoe (American, b. 1955) Untitled (Horse Head), 1995 oil on canvas signed Joe Andoe (lower right) 23 3/4 x 19 3/4 inches.

JOSEPH DELANEY (1904 - 1991) Untitled (Still Life with Flowers and Chinese Plate). Oil on canvas board, 1940. 762x559 mm; 30x22 inches. Signed and dated in oil, lower left.Provenance: acquired at Swan

William Kentridge (South African, b. 1955) Untitled (Boat/Plate) charcoal and pastel on paper signed Kentridge (lower right) 6 3/4 x 9 3/4 inches. Provenance: Greg Kucera Gallery, Seattle, Washington

Sandu Darie (Cuba 1908 - 1991) Untitled Collage & Ink on Paper 29.1 x 9-1/4 inches. 74 x 23.5 cm. signed Circa 1950's. Provenance: COA Pedro de Oraa, Cuba

Senufo, Cote d'Ivoire, agriculturist's staff, awarded to the champion agriculturalist in the village, this is a lovely example of classic Senufo carving, with typical Senufo matching protrusions at bi

Sandu Darie (Cuba 1908 - 1991) Untitled Collage & Ink on Paper 15 x 10 inches signed Circa 1950's. Provenance: COA Pedro de Oraa, Cuba

Sandu Darie (Cuba 1908 - 1991) Untitled Collage & Ink on Paper 15-1/4 x 9-1/4 inches signed Circa 1950's. Provenance: COA Pedro de Oraa, Cuba

1966 lithograph on paper signed and numbered 3/45 Provenance: Harcourts, San Francisco Condition: framed floating under Plexiglas Light rippling to paper along bottom edge. 30 x 22 1/8 inches sheet; 3

Charles Loloma(Hopi, 1921 - 1991)Untitled (Katsina Drawing)colored pencil on boardsigned lower right: Loloma13 7/8 x 11 7/8 in. (35.24 x 30.16 cm.)

Dan, Cote d'Ivoire, figural carved wood feast ladle, the handle decorated with a female head and breasts, the scoop showing extensive signs of use, probably circa 1930-1950, possibly by the noted Dan