Old Master Through Modern Prints 2022-11-03 Auction - 482 Price Results - Swann Auction Galleries in NY - Page 13
MAURITS C. ESCHER Bond of Union.MARTIN SCHONGAUER The Crucifixion.REMBRANDT VAN RIJN Christ Receiving the Children and Healing the Sick (The Hundred Guilder Print).
Done
New York, NY, United States
Auction Details

Old Master Through Modern Prints

This season?s installment of our semiannual auction of fine Old Master through Modern Prints boasts several stellar private collections, each appearing at auction for the first time, including a European single-owner collection of more than 100 outstanding Rembrant etchings, a New York private collection of iconic prints by M.C. Escher and an American collector?s selection of Old Master prints studded with engravings by Martin Schongauer and Albrecht Dürer. Among the nineteenth century offerings are a group of scarce etchings by James A. M. Whistler and Edouard Manet, Impressionist prints by Mary Cassatt, Edgar Degas, Camille Pissarro, Pierre-Auguste Renoir?s Les Deux Baigneuses, 1895, a unique etching printed in red, as well as show-stopping fin de siècle works by Henri Toulouse-Lautrec, Paul Gauguin and James Ensor.
Auction Curator:
Todd Weyman
Todd Weyman
Vice President of Swann Galleries
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PAUL CÉSAR HELLEU La Visage encadré, Madame Helleu.: PAUL CÉSAR HELLEULa Visage encadré, Madame Helleu.Color drypoint, circa 1900. 280x400 mm; 11x15¾ inches, full margins. Signed in pencil, lower left. A very good impression of this
0292: PAUL CÉSAR HELLEU La Visage encadré, Madame Helleu.Est. $2,000-$3,000
ODILON REDON Béatrice.: ODILON REDONBéatrice.Color lithograph on Chine appliqué, 1897. 332x295 mm; 13x11 inches, full margins. Edition of 100. Printed by Auguste Clot, Paris. Published by Vollard, Paris. From
0293: ODILON REDON Béatrice.Est. $8,000-$12,000Lot Passed
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FRANZ VON STUCK Die Sinnlichkeit.: FRANZ VON STUCKDie Sinnlichkeit.Etching, 1889. 215x172 mm; 8½x6 inches, full margins. Signed in pencil, lower right. A very good, dark impression. Von Stuck (1863–1928) was educated in
0294: FRANZ VON STUCK Die Sinnlichkeit.Est. $1,500-$2,500
AUGUSTE RODIN Le Printemps.: AUGUSTE RODINLe Printemps.Drypoint, 1882-88. 148x100 mm; 5¾x4 inches, full margins. A superb, richly-inked impression. Delteil 4.
0295: AUGUSTE RODIN Le Printemps.Est. $1,000-$1,500Lot Passed
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AUGUSTE RODIN Henri Becque.: AUGUSTE RODINHenri Becque.Drypoint on Japan paper, 1883-87. 159x203 mm; 6¼x8 inches, full margins. Fourth state (of 4). Proof, aside from the edition of 100 from L'Estampe Originale. Signed in
0296: AUGUSTE RODIN Henri Becque.Est. $2,000-$3,000
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JAMES ENSOR Cathédrale, deuxième planche.: JAMES ENSORCathédrale, deuxième planche.Etching on imitation Japan paper, 1896. 236x178 mm; 9½x7 inches, wide margins. Signed and dated in pencil, lower right, and counter-signed and
0297: JAMES ENSOR Cathédrale, deuxième planche.Est. $8,000-$12,000
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FRANK W. BENSON Bound Home.: FRANK W. BENSONBound Home.Etching, 1918. 227x276 mm; 9x10 inches, full margins. Edition of 150. Signed in pencil, lower left. A very good impression of this scarce, early etching. According to Paff,
0298: FRANK W. BENSON Bound Home.Est. $3,000-$5,000
FRANK W. BENSON Elisabeth.: FRANK W. BENSONElisabeth.Etching, 1918. 252x202 mm; 10x8 inches, full margins. Edition of 150. Signed in pencil, lower left. A very good, richly-inked impression of this extremely scarce etching.A
0299: FRANK W. BENSON Elisabeth.Est. $3,000-$5,000Lot Passed
CHILDE HASSAM The Steps.: CHILDE HASSAMThe Steps.Etching, 1915. 275x195 mm; 11x7¾ inches, full margins. Signed with the artist's cypher and inscribed "imp" in pencil, lower right. A very good impression of this extremely
0300: CHILDE HASSAM The Steps.Est. $8,000-$12,000Lot Passed
CHILDE HASSAM Girl in a Modern Gown.: CHILDE HASSAMGirl in a Modern Gown.Etching and drypoint, 1922. 278x174 mm; 10¾x6¾ inches, full margins. Signed with the artist's cypher and inscribed "imp" in pencil, lower right. A very
0301: CHILDE HASSAM Girl in a Modern Gown.Est. $3,000-$5,000Lot Passed
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JOHN SLOAN Anshutz on Anatomy.: JOHN SLOANAnshutz on Anatomy.Etching, 1912. 191x229 mm; 7½x9 inches, full margins. Eighth state (of 8). Edition of 80 (from an intended edition of 100). Signed, titled and inscribed "100 proofs"
0302: JOHN SLOAN Anshutz on Anatomy.Est. $1,500-$2,500
JOHN SLOAN Fourteenth Street, the Wigwam.: JOHN SLOANFourteenth Street, the Wigwam.Etching, 1928. 249x178 mm; 9¾x7 inches, full margins. Seventh state (of 7). Edition of 110 (from an intended edition of 100). Signed, titled and inscribed
0303: JOHN SLOAN Fourteenth Street, the Wigwam.Est. $2,000-$3,000Lot Passed
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JOHN SLOAN Easter Eve, Washington Square.: JOHN SLOANEaster Eve, Washington Square.Etching and aquatint, 1926. 253x200 mm; 10x7 inches, full margins. Third state (of 3). Edition of 60 (from an intended edition of 100). Signed, titled and
0304: JOHN SLOAN Easter Eve, Washington Square.Est. $1,500-$2,500
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JOHN SLOAN Night Windows.: JOHN SLOANNight Windows.Etching, 1910. 131x174 mm; 5¼x6 inches, full margins. Fifth state (of 5). Edition of 110 (from an intended edition of 100). Signed, titled and inscribed "100 proofs" in
0305: JOHN SLOAN Night Windows.Est. $5,000-$8,000
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EDWARD HOPPER Night Shadows.: EDWARD HOPPERNight Shadows.Etching, 1921. 175x210 mm; 7x8¼ inches, full margins. Edition of approximately 500. Signed in pencil, lower right. Published by The New Republic, New York. A
0306: EDWARD HOPPER Night Shadows.Est. $25,000-$35,000
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JOHN MARIN The Lobster Fisherman.: JOHN MARINThe Lobster Fisherman.Etching, 1948. 225x177 mm; 8x7 inches, full margins. Edition of 125. Signed in pencil, lower right. Printed by David Strong, New York. Published by Twin Editions, New
0307: JOHN MARIN The Lobster Fisherman.Est. $1,500-$2,500
MARSDEN HARTLEY Grapes.: MARSDEN HARTLEYGrapes.Lithograph, 1923. 248x310 mm; 9x12¼ inches, full margins. Signed and dated in pencil, lower right. A superb, richly-inked impression of this early, very scarce
0308: MARSDEN HARTLEY Grapes.Est. $2,500-$3,500Lot Passed
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MARSDEN HARTLEY Apples in Basket.: MARSDEN HARTLEYApples in Basket.Lithograph on light tan wove paper, 1923. 34x465 mm; 13¼x18½ inches, full margins. Edition of approximately 25. Signed and dated in pencil, lower right. A
0309: MARSDEN HARTLEY Apples in Basket.Est. $2,000-$3,000
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ROCKWELL KENT Imperishable.: ROCKWELL KENTImperishable.Wood engraving on imitation Japan paper, 1927. 170x255 mm; 6¾x10¼ inches, full margins. Edition of 100. Signed in pencil, lower right. A superb impression of this
0310: ROCKWELL KENT Imperishable.Est. $2,000-$3,000
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ROCKWELL KENT Godspeed.: ROCKWELL KENTGodspeed.Wood engraving, 1931-32. 136x175 mm; 5¼x6 inches, full margins. Edition of 150. Signed in pencil, lower right. A superb, evenly-printed impression. Burne-Jones 84.
0311: ROCKWELL KENT Godspeed.Est. $3,000-$5,000
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ROCKWELL KENT Home Port.: ROCKWELL KENTHome Port.Wood engraving, 1931. 165x188 mm; 6½x7 inches, full margins. Edition of 150. Signed in pencil, lower right. A very good, evenly-printed and dark impression. Burne-Jones 62.
0312: ROCKWELL KENT Home Port.Est. $3,000-$5,000
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ROCKWELL KENT End of the World Series.: ROCKWELL KENTEnd of the World Series.Group of 3 (of 4) lithographs, 1937. Each approximately 310x257 mm; 12¼x10¼ inches, full margins. Each signed in pencil, lower right. Commissioned by
0313: ROCKWELL KENT End of the World Series.Est. $3,000-$5,000
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GUSTAVE BAUMANN Road to Town.: GUSTAVE BAUMANNRoad to Town.Color woodcut, 1917. 245x285 mm; 9x11¼ inches, full margins. First edition (of 2). Signed and titled in pencil, lower margin (the combined intended editions were 225,
0314: GUSTAVE BAUMANN Road to Town.Est. $4,000-$6,000
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GUSTAVE BAUMANN Rose Farm.: GUSTAVE BAUMANNRose Farm.Color woodcut, 1919. 240x290 mm; 9½x11 inches, full margins. First edition (of 2). Signed and titled in pencil, lower margin (the combined intended editions were 225,
0315: GUSTAVE BAUMANN Rose Farm.Est. $3,000-$5,000