African American Art 2023-04-06 Auction - 213 Price Results - Swann Auction Galleries in NY - Page 2
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WINFRED REMBERT (1945 - 2021) Doll's Head Baseball.KENNETH VICTOR YOUNG (1933 - 2017) Untitled.ERNIE BARNES (1938 - 2009) Daddy.
Done
New York, NY, United States
Auction Details

African American Art

Our April 6 African American Art auction features an exciting range of scarce and significant art from the Harlem Renaissance to the contemporary. We are thrilled to offer an outstanding painting by the great Ernie Barnes ? his 1973 acrylic on canvas painting, Daddy, captures the essence of his expressive figuration of the early 1970s. Bidders will also have the opportunity to explore two excellent works by Winfred Rembert in his unique medium of painting on carved and tooled leather -?Doll?s Head Baseball?and?Jeff?s Pool Room, both depicting?scenes from his life growing up in the Jim Crow South.? The post-war period is headlined by a significant, six foot 1971 painting by Kenneth Victor Young featuring his quintessential colorful floating orbs, as well as early examples by Norman Lewis and Beauford Delaney from the 1950s.
Auction Curator:
Nigel Freeman
Nigel Freeman
Director of African American Fine Art
Lot Number: Lowest
24
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FREDERICK D. JONES (1914 - 2004) Twins.: FREDERICK D. JONES (1914 - 2004)Twins.Watercolor on wove paper, 1958. 247x158 mm; 9¾x6¼ inches. Signed in watercolor, lower right.Provenance: Robert Henry Adams Fine Art, Chicago, with
0025: FREDERICK D. JONES (1914 - 2004) Twins.Est. $2,000-$3,000
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HUGHIE LEE-SMITH (1915 - 1999) The Ribbon.: HUGHIE LEE-SMITH (1915 - 1999)The Ribbon.Oil on linen canvas, circa 1960. 457x610 mm; 18x24 inches. Signed in oil, lower right recto. Titled in pencil on the stretcher bars, verso.Provenance:
0027: HUGHIE LEE-SMITH (1915 - 1999) The Ribbon.Est. $120,000-$180,000
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JAMES LESESNE WELLS (1902 - 1993) Carousel.: JAMES LESESNE WELLS (1902 - 1993)Carousel.Oil on linen canvas, 1962. 406x559 mm; 16x22 inches. Signed and dated in oil, lower right.Provenance: acquired directly from the artist, private collection,
0028: JAMES LESESNE WELLS (1902 - 1993) Carousel.Est. $10,000-$15,000
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WALTER WILLIAMS (1920 - 1998) Sunflowers.: WALTER WILLIAMS (1920 - 1998)Sunflowers.Color woodcut on thin imitation Japan paper, 1959. 431x558 mm; 17x22 inches, full margins. Artist's proof, aside from the edition of 200. Signed, titled, dated
0031: WALTER WILLIAMS (1920 - 1998) Sunflowers.Est. $3,000-$5,000
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WALTER WILLIAMS (1920 - 1988) Fighting Cock #3.: WALTER WILLIAMS (1920 - 1988)Fighting Cock #3.Color woodcut on thin imitation Japan paper, 1964. 502x629 mm; 19¾x24¾ inches, full margins. Signed, titled, dated, numbered 135/200 and
0032: WALTER WILLIAMS (1920 - 1988) Fighting Cock #3.Est. $2,000-$3,000
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SAM MIDDLETON (1927 - 2015) New York.: SAM MIDDLETON (1927 - 2015)New York.Collage, gouache and ink on cream wove paper, 1964. 533x787 mm; 21x31 inches. Signed and dated in ink, lower right.Provenance: private collection, Netherlands.
0034: SAM MIDDLETON (1927 - 2015) New York.Est. $5,000-$7,000
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WILLIAM MAJORS (1930 - 1982) Burning Bush.: WILLIAM MAJORS (1930 - 1982)Burning Bush.Etching printed in brown on cream wove paper, 1967. 502x400 mm; 19¾x15¾ inches, full margins. Signed, titled, dated and numbered 43/100 in
0036: WILLIAM MAJORS (1930 - 1982) Burning Bush.Est. $2,000-$3,000
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HARTWELL YEARGANS (1915 - 2005) The Red Skirt.: HARTWELL YEARGANS (1915 - 2005)The Red Skirt.Color woodcut on thin Japan paper, 1966. 384x295 mm; 15x11 inches, full margins. Signed, titled, dated and numbered 6/20 in pencil, lower margin. A very
0037: HARTWELL YEARGANS (1915 - 2005) The Red Skirt.Est. $1,000-$1,500
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JOHN BIGGERS (1924 - 2001) Victim.: JOHN BIGGERS (1924 - 2001)Victim.Lithograph on cream wove paper, 1965. 457x406 mm; 18x16 inches, full margins. Signed, dated, titled, and numbered 3/10 in pencil, lower margin. A very good impression
0039: JOHN BIGGERS (1924 - 2001) Victim.Est. $3,000-$5,000
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MAVIS PUSEY (1928 - 2019) Impact on Vibration.: MAVIS PUSEY (1928 - 2019)Impact on Vibration.Color lithograph on wove paper, 1968. 838x572 mm; 33x22 inches, full margins. Artist proof, aside from the edition of 40. Signed, titled and inscribed
0041: MAVIS PUSEY (1928 - 2019) Impact on Vibration.Est. $2,000-$3,000
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MAVIS PUSEY (1928 - 2019) Demolishment.: MAVIS PUSEY (1928 - 2019)Demolishment.Color lithograph on wove paper, 1970. 721x702 mm; 28x22 inches, full margins. Artist's proof, aside from the edition of 30. Signed, titled and inscribed "A/P" in
0042: MAVIS PUSEY (1928 - 2019) Demolishment.Est. $4,000-$6,000
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MERTON SIMPSON (1928 - 2013) Confrontation #23A.: MERTON SIMPSON (1928 - 2013)Confrontation #23A.Oil on cotton canvas, 1969. 1016x762 mm; 40x30 inches. Signed, titled and dated in ink, verso.Provenance: Merton Simpson Gallery, New York, with the
0043: MERTON SIMPSON (1928 - 2013) Confrontation #23A.Est. $8,000-$12,000
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WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.: WILLIAM T. WILLIAMS (1942 - )HKL Portfolio.Set of four color screenprints on Rives BFK paper, 1970. Each 413x295 mm; 16¼x11 inches, full margins. Each signed and numbered 31/144 in pencil,
0044: WILLIAM T. WILLIAMS (1942 - ) HKL Portfolio.Est. $6,000-$9,000
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ROMARE BEARDEN (1911 - 1988) Untitled (Landscape).: ROMARE BEARDEN (1911 - 1988)Untitled (Landscape).Collage, oil and graphite on fiber board, circa 1970s. 203x254 mm; 8x10 inches.Provenance: the estate of the artist; collection of Jerry Geben and
0046: ROMARE BEARDEN (1911 - 1988) Untitled (Landscape).Est. $10,000-$15,000
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ALFRED L. BRIGHT (1940 - 2019) Black Hole.: ALFRED L. BRIGHT (1940 - 2019)Black Hole.Oil on cotton canvas, circa 1970. 457x610 mm; 18x24 inches. Signed in oil, lower right.Provenance: estate of the artist; private collection.Painter and
0047: ALFRED L. BRIGHT (1940 - 2019) Black Hole.Est. $2,000-$3,000
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