Iatmul over-modelled skullProv: Jan Kusters

(Flemish, 1599-1663) Capriccio of a Busy Mediterranean Port, with figural groups possibly representing the Seven Deadly Sins, unsigned, oil on canvas, 42-7/8 x 80-3/8 in.; gilt wood frame, 50-3/8 x 87

Pierre Jan van der Ouderaa (Belgian, 1841-1915) Foor in de Oude Buers te Antwerpen signed and dated 'P.VANDER OUDERAA/Antwerpen 1892' (lower right) oil on canvas 138 x 203.5cm (54 5/16 x 80 1/8in).

1st century AD. A large bronze walking stag with head held up and antlers curving up; cast mark to the top of the tail with hole in centre; head detaches and with crenellated edges for securing. For a

Jan Gossaert Mabuse (Netherlands, France, 1478 - 1532) Portrait of a young man, traditionally identified as John Colet, Dean of Saint Paul's (1467-1519), half-length, in a brown coat. Colet was a huma

Jan Tarasin, (Polish, 1929-2009), Counting Things, 1981-1983, oil on canvas, signed and dated lower left; signed, titled and dated on verso, 25.5" x 36.5" Provenance: Gallery Vienna, Chicago, Illinois

Oil on canvas. Military Scene. Signed lower left. From a New Rochelle, NY collection. - Dimensions: 20.75" high x 32.5" wide

olio su rame, W. 28 - H. 20 Cm

Obserwater, (Observer), oil on canvas, 24 x 30 in (60.9 x 76.2 cm), signed verso, dated 1971-1972, PROVENANCE: Property of a private collector, New York, obtained directly from the artist after being

olio su rame, W. 28 - H. 20 Cm

The Touch of Lovers, "Ulotny Dotyk Kochankow", oil on canvas, 39 1/4 x 27 3/4 in (99.7 x 70.5 cm), signed , titled and dated verso , PROVENANCE: Private collection, Philadelphia, PA

Jan Exnar (Czech, b. 1951) Fluktus #10, 2015 Cast glass 35 x 31 x 11 inches (88.9 x 78.7 x 27.9 cm) Signed by the artist A large, deep blue unique example of Exnar's work. PROVENANCE: Commissioned dir

Herman van Swanevelt (Woerden circa 1600-1665 Paris), and Jan Asselijn (Dieppe 1610-1652 Amsterdam) A wooded landscape with a huntsman and his dogs resting on a rock oil on canvas 90.2 x 117.5cm (35 1

Jan Frans Verhas (Belgian, 1834-1896) On the dunes signed and dated 'Jan Verhas 88' (lower right) oil on canvas 75 x 54cm (29 1/2 x 21 1/4in). This lot is subject to the following lot symbols: *

Born in the Zeeland village of Middelharnis, Jan van Os was first apprenticed to the decorative painter Aert Schouman in The Hague. His early specialisation was in seascapes, but after turning to the

Jan Dobkowski, Polish, born 1942, oil painting on canvas, A Womans Lesson in Sensitivity, 1975, 1976. Signed, titled in Polish, Kobieca Lekcja Wrazliwosci, dated and inscribed on the backside. Jan Dob

PROBABLY ITALIAN WORKSHOP OR SCHOOL OF JAN GOSSAERT (MABUSE) Around 1478 Duurstede (Utrecht)? - 1 October 1532 Antwerp VIRGIN WITH CHILD, IN THE BACKGROUND 'FLIGHT TO EGYPT' IN FRONT OF A WIDE IDEAL L

Jan Müller (1922-1958): 2 Imaginary Circle Path Oil on canvasboard, 1956, titled, dated and inscribed 'Jan Muller' and 'variation on Path Theme' on the reverse, with label from Zabriskie Gallery,

Nudes. Signed lower right. S.R. Guggenheim 628.61 typed label on the reverse. According to the consignor, both Mullers were purchased directly from the artist's wife, Dody (Dolores) Muller after her h

Petrus Jan (Johannes) Schotel (Dutch, 1808–1865) The Rescue Party Oil on canvas 30 3/4 x 39 in. (78.1 x 99.1cm) PROVENANCE: Trumbauer Estate, Philadelphia Main Line. Private Collection, Pennsylvania

A RUBY AND DIAMOND FLOWER BROOCH The realistically modelled rose with mystery-set calibré-cut ruby petals, with brilliant-cut diamond highlights and a collet-set marquise-cut diamond to the centre,

George Washington Signed Full Indenture Deed Document dated 28th of January 1794 for a land transfer in Stokes County North Carolina. George Washington (February 22, 1732 - December 14, 1799) a Foundi

Jan Dobkowski, Polish, born 1942, oil painting on canvas, Gentle Kiss, 1972. Signed, titled, dated and inscribed on the backside. Jan Dobkowski is known for Painting, graphic artist. Jan Dobkowski stu

Jan van Che?mi?ski (Polish, 1851-1925), Bavarian Military Officersoil on canvas, signed at lower right, presented in a later frame. Stretcher size 23 1/4 x 33 1/4 in.; Frame dimensions 28 1/4 x 38 1/2

Rotterdam: Abraham Migoen, 1610. Small 4to, second edition, many woodcut illustrations (no volvelles are called for in the second edition), 17th century vellum, early ownership inscription (dated 1676