Scarce Aesthetic Movement Marble Top Center Table

American, circa 1880. A scarce Aesthetic Movement simulated rosewood center or parlor table in the Japanesque style having a rectangular top with canted corners inset with conforming red marble over a

Aesthetic Movement marble top center table, late 19th or early 20th century, of rectangular form with a rouge marble top surmounting a wide foliate apron with drop pendants, rising on a pierced standa

An Aesthetic Movement Parcel Ebonized Burl Walnut Marble-Top Center Table Probably New York, 19th Century Height 29 x diameter of top 39 1/4 inches. Property from a Private Chicago Collection

Ebonized aesthetic marble top center table with gold incising and gray marble. 35" wide, 31" tall, 24" deep.

Worthy candidate for restoration, one of the most ornate tables we've ever owned. Damage and crude repair to the top, missing 1 caster wheel and 5 pressed wood floral medallions. Would make for an eas

Aesthetic Movement marble top parlor table. Late 19th century. Mahogany, carved feet and pedestal form support and apron. Dark gray marble top. Losses to veneer along feet and base. White marks and sc

New York, Third quarter 19th C. 6`4"h x 38"w x 20"d By descent from the Estate of Robert Weeks DeForest and Emily Johnson DeForest.

Antique Figural Aesthertic Movement side table features round marble top over gilt cast base having column with three heron crane form legs, c1870.

Antique Aesthetic Movement Carved Marble Top Side Table. Key form carved base and one drawer table top with 1 inch thick marble top. 32 inches x 16 inches x 12 inches

American, 19th century Carved Aesthetic movement pier mirror with marble top center shelf Approx height 90", width 27.5", depth 9"

Antique Victorian Marble Top Coffee Table. With Eastlake / Aesthetic Movement style carvings. Measures 18.5 x 43.5 x 26 inches From a custom built and designer decorated New Canaan, Connecticut estate

Antique 19th C Marble Top Victorian End Table. Aesthetic Movement / East Lake style American Victorian end table. Measures 28 x 25 x 18 inches.

Marble top; originally a dressing table but lacking rear glass and frame. Two drawers over a turned stretcher base.

AN AESTHETIC MOVEMENT EXOTIC WOODS INLAID MARQUETRY AND EBONIZED WOOD CENTER TABLE, PROBABLY POTTIER & STYMUS, NEW YORK, 1860s-1870s, the recessed floriform top with inset dark chestnut medallion cent

probably New York, circa 1880, cartouche form top set with walnut marquetry inlays, burlwood veneers, carved base with eagles heads motifs, porcelain casters, 29-1/2 x 43 x 27 in.

New York, possibly Pottier & Stymus, circa 1870, circular top with inset marquetry panel depicting a musical trophy with burlwood and marquetry inlaid surround, skirt with inset bronze medallions, car

An unusual ebonized Victorian Aesthetic movement center table circa 1880. The four legs having floral pierced carving and the top having a carved edge.Dimensions: Ht: 31" Width: 39" Depth: 27"

American aesthetic movement ebonized table in the manner of Herter Bros., with a white marble top over the base with incised gilt accented Egyptian Revival motifs, with labels to underside. [30" H x 2

An antique Aesthetic Movement console table in the manner of Oscar Bach offers clip corner marble top surmounting polychromed wrought iron base with pieced skirt having central shield with flanking fo

AESTHETIC MOVEMENT CENTER TABLEEngland, 19th CenturyIn walnut. Round top with molded edge. Four turned legs joined with a cross stretcher and end in flared feet.Height 29”. Diameter 51”.

Circa 1870. Having an oval top mixed in walnut and maple with intricately inlaid center above ebonized and carved base resting on four legs. H30" W24" D20 1/4" Sold from the collection of a private Pe

American Gothic Revival Rosewood and Marble-Top Center Table ca. 1845, after a design by Alexander Jackson Davis, and probably executed by Alexander Roux, New York, the period hexagonal marble top wit

Fine French Bronze and Patinated Bronze-Mounted Burr Amboyna Wood and Marble-Top Center Table ca. 1900, possibly by Theodore Millet or Zwiener Jansen Successeur, after a design by Adam Weisweiler and

Rosewood. Marble top. Carved. Possibly by Alexander Roux. 31 1/4" h x 40 3/4" w x 40 3/4" d.