Sir Peter Scott (British, 1909-1989) Caspian Dawn, Lesser Whitefronted Geese

Sir Peter Scott (British, 1909-1989) Caspian Dawn, Lesser Whitefronted Geese signed and dated 'Peter Scott 1944' (lower left) oil on canvas 51 x 76.5cm (20 1/16 x 30 1/8in). Footnotes: Pr

Peter Markham Scott (1909-1989) Mallards Leaving at Dawn, 1945 signed "Peter Scott" lower right oil on board, 7 by 10 in. titled on Rowland Ward, London label and 1945 exhibition label on back Sir Pet

Details: SCOTT, After Sir Peter Markham (1909-1989). [Widgeon (Anas penelope) and Pinkfooted geese (Anser brachyrhynchus)]. London: The Curwen Press for Arthur Ackermann, June 1982. Coloured offset-l

After Peter Markham Scott (English, 1909 - 1989):Only Sixteen Geese Left the Shore that Morning. Lithograph, signed and titled in pencil below. Unframed. Published 1941 by Arthur Ackermann and Son Ltd

Details: SCOTT, after Sir Peter Markham (1909-1989). [Teal (Anas crecca)]. London: The Curwen Press for Arthur Ackermann, December 1981. Coloured offset-lithograph by the Curwen Press, signed in penc

Studio of Sir Peter Lely, R.A. (British, 1618-1680) "Portrait of a Gentleman in Armour and Lace Cravat, Landscape in Background, Probably Sir Thomas Myddelton, 2nd Bt. (1651-1684)" oil on canvas unsig

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Seated Lady in an Exterior Oil on canvas49 3/4 x 40 1/4 in. (126.4 x 102.2cm) Provenance Private Collection, Virginia.

SIR PETER LELY (BRITISH, 1618-1680), OIL ON CANVAS, H 48.5", W 39", FRANCIS CONTELS OF DORSETT WIFE OF RICHARD EARL OF DORSETT MOTHER OF MARY COUNTELS OF ORRERY AN. 1646 Depicted in a forest landscape

Follower of Sir Peter Lely (British 1618-1680) Portrait of a Lady, Said to be the Duchess of Marlborough, Half-Length Oil on canvas 27 1/4 x 23 1/4 in. (69.2 x 59.1cm) PROVENANCE: Private Collection,

Manner of Sir Peter Lely (British, 1618-1680), "Portrait of a Lady in Green Silk Robes", oil on canvas, unsigned, 49 1/2 in. x 40 in., framed with artist plaque

Manner of Sir Peter Lely (British, 1618–1680) Portrait of a Man, Bust-Length, Said to be Sir Richard Newdigate Oil on canvas 30 x 25 in. (76.2 x 63.5cm) PROVENANCE: Private Collection, Virginia.

After Sir Peter Lely (British, 1618-1680) 18th Century Portrait of a Lady oil on canvas 29 1/4 x 24 1/4 inches. Property from a Private Collector, Chicago, Illinois

After Sir Peter Lely (British, 1618-1680) "Portrait of the Duke of York, Later King James" oil on canvas unsigned, feigned oval, expository inscription en verso, after the ca. 1665/70 unfinished portr

After Sir Peter Lely (British, 1618-1680) "Portrait of King Charles II" oil on canvas unsigned, feigned oval, after the 1675 portrait in the National Portrait Gallery, London. Framed. 29-1/2" x 24-3/4

William Scott (British, 1913-1989). Signed "W Scott" on verso. Oil on canvas painting, 19 3/8" x 27 7/8", framed. Exhibition: Exhibited at Gimpel Fils, London, 1985, catalogue checklist no. 6; 1986 ex

William Scott (British, 1913-1989) Signed and dated "W Scott 73" on verso Grey Theme I, 1973. Oil on canvas, 25" x 25", framed. Exhibited at Gimpel & Hanover Galerie, Zurich and London, 1974. Provenan

Four Prints from A Poem for AlexanderWilliam Scott (British, 1913–1989)Brown Field Defined1972, pencil signed and dated, numbered 40/72, the full sheet, Leslie Waddington Prints, London, publisher.

William Scott (British, 1913-1989). Color lithograph on paper titled "Odeon III," depicting soft abstract shapes in orange and brown against a textured tan ground. Pencil signed and dated 19

WILLIAM SCOTT (British 1913-1989) A PRINT, "Second Triangles," FROM "A Poem for Alexander," 1972, screenprint in color on deckle edge paper, signed and dated in pencil L/R, "W. Scott 72," edition 18/7

WILLIAM SCOTT (British 1913-1989) A PRINT, "White Predominates," FROM "A Poem for Alexander," 1972, screenprint in color on deckle edge paper, signed and dated in pencil L/R, "W. Scott 72," edition 60

Lely, Attributed to Sir Peter (Dutch/British, 1618-1680), Young Woman with Her Dog, oil on canvas, 17th century, 22.75 x 19.5 inches, in a painted wood frame 30 x 27 inches, flowers, building and foun

WILLIAM SCOTT (British 1913-1989) A PRINT, "Yellow Square Plus Quarter Blue," FROM "A Poem for Alexander," 1972, screenprint in color on deckle edge paper, signed and dated in pencil L/R, "W. Scott 72

WILLIAM SCOTT (British 1913-1989) A PRINT, "Angles Equal," FROM "A Poem for Alexander," 1972, screenprint?in colors on deckled edge paper, signed and dated L/R, "W. Scott 72," edition 51/72, verso ins

William Scott (British, 1913-1989) Angles Equal and Brown Field Defined (two prints from A Poem for Alexander), 1972 screenprints each signed, dated, and numbered out of 72 in pencil Largest: 22 7/8 x