Rembrandt -Crucifixion

After REMBRANDT Crucifixion Etching. 18 x 15 1/4 in. (plate)

Etching printed on laid paper, with margins, a late impression with signature. barely visible and several black spots around and to the right of Christ's head still visible, in good condition. Image 3

Rembrandt van Rijn (1606-1669), "The Crucifixion: Small Plate", etching on laid paper, plate from c.1635, print by Michel Bernard after 1846 from his "Recueil de Quatre-Vingt-Cinq Estampes Originales"

Gian Lorenzo Bernini (Naples, 1598 - Rome, 1680) , ext. 25,5x31,2 in., int. 20,2x25,9 in. This canvas, signed and dating back 1636, is a rare example of painting by Gian Lorenzo Bernini, who was spurr

Edgar Tolson. The Crucifixion. c. 1973. Not signed. Carved and assembled wood with graphite. Excellent condition. 17" w x 14.5" h x 6" d. Provenance: Edgar Tolson 1971, Ann and Ellsworth Taylor. Publi

Impressive Antique Old Master portrait painting. Oil on canvas. Measuring 38L x 54.5H. No signature found. Please see all images for condition and size. BLACKLIGHT AND DETAILS: https://www.dropbox.com

scultura in bronzo, cm 16x23x36. Firma e data 1901 incisi alla base

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

(late 16th century) Christ Crucified, a Roman soldier piercing His side, the cross with the Titulus Crucis and flanked by the thieves, Mary Magdalene grasping the base of the cross, soldiers crowding

Rembrandt Harmensz Van Rijn (Holland, 1606-1669)Christ before Pilateetching with drypoint and engraving on laid paperLarge Plate (B., Holl. 77; H. 143) Etching with drypoint and engraving, 1635-36, wa

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Flemish School, 17th Century The Crucifixion oil on canvas 105 x 72.5cm (41 5/16 x 28 9/16in). Footnotes: Provenance Possibly, the Collection of the Earls of Breadalbane and Holland, Taymo

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Estate / Collection: An Important Private Collection from a Prominent Southern Family SERRANO, ANDRES (b. 1950) Crucifixion, 1987. Cibachrome print face-mounted to Plexiglas,

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

China, Qianlong period, very rare plate decorated in famille rose enamels and gold representing the Crucifixion of Christ, rim with cartouches and floral scrolls. See HERVOUËT, 'La porcelaine des Com

After Rembrandt, framed etching of a landscape with buildings and a windmill. Possibly British Museum sanctioned print of "View of Amsterdam from the Northwest" (Kadjik). [Art: 3 1/2" x 5"; Frame: 12"

Dilmus Hall. The Crucifixion Of Christ. Signed. Mixed media construction on wood with black and red paint, plastic eyes on figures. Excellent condition. 21" x 21" x 8". A Slotin Auction Favorite! Prov

Rembrandt Harmenszoon Van Rijn (Netherlands, 1606 - 1669) After: Self Portrait. Oil on canvas, unframed, sticker with numbers verso. Rembrandt is revered not only as a painter, but also as a supreme m

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

18th Century oil on copper in a period carved Italian frame depicting the Gospels Provenance: Estate of Paul & Carole Cramer, Bel Air 15 inches high x 19 inches wide; the frame measures 30 inches high

* Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ Driving the Money Changers from the Temple, 1635 etching 5 1/4 x 6 1/2 inches. Estimate $7,000-9,000 Property from the Estate of Richardson a