CUT OVERLAY BANQUET LAMP

CUT OVERLAY THUMBPRINT BANQUET LAMP, cobalt blue to colorless urn-form font, four rows of thumbprint cuts to the font and eight large panel cuts to the flat shoulder, period No. 3 collar, raised on a

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

American. 1860-1880. These types of lamps were made by Boston & Sandwich Glass Co., Sandwich, Massachusetts and other manufacturers. The maker of this lamp is unknown. Glass, brass, marble. Ruby cut t

CONTINENTAL CUT-OVERLAY AVENTURINE DECORATED BANQUET LAMP, orange/amber to colorless, compressed ovoid font with paneled diamonds motif, knop connector with a slightly tapering stem, cut-scalloped tra

CUT OVERLAY PANEL AND PUNTY KEROSENE BANQUET STAND LAMP, green to colorless pyriform font, raised on a matching cut punty, elongated panels, and vesica stem, and double-step alabaster base with gold-p

CUT OVERLAY PUNTY AND OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching punty-cut stem and double-step marble base with gilt-brass ornamentation, brass co

A pair of 20th century cased glass banquet lamps. White overlay with cut to clear decoration and Gilded accents with matching globe shades on a stepped Marble base with cast Brass fittings. Some wear

CUT OVERLAY QUATREFOIL AND SPIKED OVALS KEROSENE BANQUET STAND LAMP, cobalt blue to colorless pyriform font, raised on a matching spiked quatrefoil with elongated cuts stem, and double-step marble bas

29" ELECTRIFIED FIGURAL BANQUET LAMP ACID CUT GREEN ART GLASS SHADE WITH CRANBERRY POPPY CAMEO CUT OVERLAY - CLEAR CANE AND SWIRL GLASS FONT - GILT METAL POPPY BLOSSOM BASE - ATTRIBUTED TO BACARRAT

19TH C. FRENCH CHAMPLEVE BANQUET LAMP. A late 19th century French Champleve and Onyx banquet lamp. An amber overlay glass font with cut ovals about, raised on a Corinthian columnar standard with ename

A late 19th century French Champleve and Onyx banquet lamp. An amber overlay glass font with cut ovals about, raised on a Corinthian columnar standard with enamel decoration, raised on an onyx base, a

BLUE CUT TO WHITE TO CLEAR OVERLAY LAMP, AMERICAN CA. 1865. MEASURES 24 1/4" TOTAL HEIGHT. Please Read Carefully before Bidding. Hartzell’s Auction Gallery Inc. will Conduct an ON-SITE and also

Large 19th century Sandwich emerald green cut to clear banquet oil lamp with bronze and marble base. Size: 18 in tall, base 6 in square with 1.75 in diam. collar.

SANDWICH GLASS TRIPLE CUT OVERLAY LAMPMid-19th CenturySalmon cut to white cut to clear. Original brass collar. Fluted brass stem. Double stepped marble base.Height 11.5".

Beautiful cranberry cut overlay lamp complete with marble base. Gorgeous lamp. Measures 26" tall.

ENGLISH CUT OVERLAY MINIATURE LAMP, cranberry cut to amber, ball-form font with finely detailed cross-hatching pattern under multi-rayed sunburst and swag, scalloped foot, underside with rayed cutting

ENGLISH CUT OVERLAY MINIATURE LAMP, cranberry cut to amber, ball-form font with finely detailed cross-hatching pattern under multi-rayed sunburst and swag, scalloped foot, underside with rayed cutting

Massachusetts, mid 19th century. Cranberry cut to clear font in the "Washington" pattern. Brass tooled column and white marble base. Base has edge flakes. 7.75"h. From the collection of the late Chris

Cut glass banquet lamp, 29 in. T, 9 in. Dia.

Large cut glass banquet lamp, 20th c., daisy and button pattern, having an orb shade over the woven wick and font, above baluster form standard, rising on circular foot, irregularities to pattern, 30.

CAST BRASS AND CUT GLASS BANQUET LAMP, colorless font with cut honeycomb-type pattern between punties, peg with brass covering, fitted in a large cast brass base, basket-form font holder with heavy fo

American. A cut and etched glass banquet lamp with shade and prisms; oah. 25 in. Provenance: Property from the Collection of Dr. M. Donald Hayes. To Be Sold Without Reserve.

Late 19th Century. Cut glass fonts atop neoclassical columns on stepped bases. Electrified. One marked Hink and Sons, other Evered and Co. Tarnishing to both, light corrosion, font on Evered lamp with

Very nice lamp folks. Bohemian in origin, this is a later piece from the 20th century. Not exceptionally old but beautiful and well made none the less. Measures 18" tall complete.