5 Colour Prints Mounted on Board Signed H. Siebner '61, 26" x 10", Titled Variously, 63/100

5 Colour Prints Mounted on Board Signed H. Siebner '61, 26" x 10", Titled Variously, 63/100

Edward Burtynsky Shipbreaking #10 Chittagong, Bangladesh Canada, 2001 c-print mounted to board 17.5 h x 21.75 w inches Signed, titled, dated and numbered to applied label on verso 'Edward Burtynsky 20

Andy Warhol (American, 1928-1987). Ed. of 250. Screenprint mounted on foam core board. Ballpoint pen signed and dated upper left edge of print border. 28 in. H x 28.5 in. W overall on board, 26.75 x 2

"Up Comes Yesterday Most Green and Young," screenprint in colors, signed indistinctly lower right, titled center left, edition 4/10, overall (with frame/no glass): 40.25"h x 26.5"w

Limited edition intaglio etching print numbered 33/75. Titled "Blue Band" Signed lower right. Produced in 1965. Float mounted paper in a whitewashed box frame. Dimensions: (Frame): H 34" x W 26.5" x D

Color block print. Signed, editioned 10/17, dated 1991 and titled "Sunflowers in Snow" in lower margin. Float mounted, burl wood frame molding. Dimensions: (Frame) H 29.5" x W 35" x D 1.25" (Sight) H

RAG, 1971, gelatin silver print, mounted to museum board, signed in pencil lower right on museum board, signed and titled on verso, image 13 x 10 ”, in good condition.

Art Deco Style Colour Print Couple Embracing, Signed and Numbered. Paper measures 13.25 H x 10 inches W within matting. Frame measures 19.5 x 15.75 inches.

(American, b. 1915) titled verso "Market Scene Brussels, Outside St. Catherine", oil on canvas mounted on board, signed and dated lower left. Overall: 20"h x 26-1/2"w Sight: 14"h x 21"w

Brett Weston (American, 1911-1993), "Rocks, California," 1974, gelatin silver print mounted on board, pencil signed and dated lower right, image: 7.75"h x 8.25"w, overall (with mat): 15.5"h x 15.75"w

oil on canvas mounted on board, signed P. Meehan lower right, 17.5” h x 23.5”w (sight) 21”h x 26.5”w (frame)

(lot of 2) George Demont Otis (American, 1879-1962), "Yacht Harbor - Marina," 1932 and "Still Life," oils on board, both titled verso, one signed verso, boards (unframed): 5"h x 7"w/10.75"h x 15.75"w

collage on canvas mounted on board, signed Maklein lower left, label verso, 23.5”H x 17.5”w (sight) 32”h x 26”w (frame)

oil on canvas mounted on board, signed P. G. Emmert lower right, 14.5”h x 19”w (sight) 22”h x 26”w (frame)

Helen Hyde (American, 1868-1919), "Blossom Time in Tokyo," 1914 15.5"h x 10"woodcut print pencil signed lower right, titled lower left margin, dated in plate upper right edition number 132 overall (wi

Yasuo Kuniyoshi, 1941; Gelatin silver print mounted to board; Signed, dated and titled; 7 5/8" x 9 3/4" (image); 17" x 14" (backing board size); Provenance: Private Collection, New Jersey

Peter Stackpole (American, 1913-1997), Fighter Plane Landing, 1941, gelatin silver print (dry mounted), signed and dated in pencil (on mat), image/sheet: 10.5"h x 14"woverall (w/mat) 16"h x 20"w

Frederick M. Spiegle. Print with possible W/C enhancement. Sheet mounted to backing board. Signed LR. With imprinted "copyright by F.M. Spiegle 1902. Dimensions: sight 16"H x 32 framed 26 x 42 (MFEL11

Lithograph with Colour Signed H. Siebner, "Osisee Boote" #10/24, 7 1/4" x 11 5/8".

"Early Summer - Sierras" Oil on board Signed lower right: Edgar Payne, titled verso 10.5" H x 14.5" W Provenance: Goldfield Galleries, Los Angeles, CA. Notes: An authentication label signed by Edward

Alfred Mitchell (American, 1888-1972), "Looking East from Deep Hearth at Sunset Time," oil on board, signed lower right, titled verso, board: 8"h x 10"w, overall (with frame): 11.5"h x 13.5"w

Kevin Courter (American, b. 1964), "Dripwater Bridge," 2010, oil on board, signed lower right, signed, dated and titled verso, board: 10"h x 12"w, overall (with frame): 16.5"h x 19.5"w

Watercolor on paper mounted on masonite board, signed lower left. GASLAN DE LPARG. Dimensions: (Frame) H 20.25" x W 16.5", (Board) H 13.5" x W 10" Condition: Paper has darkened.

Chromogenic print, printed later, flush mounted to board, signed, titled, dated and editioned 4/25 in black ink verso, 68 x 97cm (26 3/4 x 38 1/8in) My work was all about homage, because I thought the