RANZAN (ACTIVE LATE 19TH CENTURY) A Pair of Satsuma Vases Meiji era (1868-1912), late 19th century

A PAIR OF SATSUMA BALUSTER VASES By Hododa, Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and predominantly gilt with a full repertoire of rakan and their attributes; some o

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

A PAIR OF INLAID-IRON VASES Meiji era (1868-1912), late 19th century Each globular body decorated with shaped panels of birds and flowers, a cottage with a thatched roof, or a sailing vessel, all inla

A PAIR OF CLOISONNÉ-ENAMEL VASES Meiji era (1868-1912), late 19th century Each worked in polychrome enamels, standard, and sculpted silver wires with a variety of butterflies on a midnight-blue g

DOZAN OF KYOTO A Satsuma-Ware Baluster Vase Meiji era (1868-1912), late 19th/early 20th century Decorated in enamels and gilt, the body with two large lobed panels, one enclosing a probable Chinese le

FOUR CLOISONNÉ-ENAMEL VASES Meiji era (1868-1912), late 19th/early 20th century Each worked in silver wire of varying gauge, comprising one octagonal pair decorated with a dragon coiled around th

KAIZAN (ACTIVE LATE 19TH CENTURY) A Satsuma Dish Meiji era (1868-1912), late 19th century Painted in polychrome enamels and gilt with sight-seers before a pagoda, the scene bordered by brocade swaths,

ROKUZAN (ACTIVE LATE 19TH CENTURY) A Large Satsuma Jardinière Meiji era (1868-1912), late 19th century The jardinière and matching stand of earthenware molded on the surface with koi fish in

A HEXAGONAL JAPANESE SATSUMA BOWL By Gyokuzan Meiji era (1868-1912), late 19th century The deep bowl rising up to six vertical sides and decorated in polychrome enamels and gilt over a clear, crackled

A PAIR OF JAPANESE CLOISONN VASES, MEIJI PERIOD (1868-1912), LATE 19TH CENTURY, of baluster form, each worked in copper wire and colored enamels with birds perched among the branches of cherry blossom

AN INLAID-BRONZE VASE Meiji era (1868-1912), late 19th century Of elongated baluster form with a tall slightly flaring neck, set on bracket feet and applied with stylized bird-head handles, decorated

AN INLAID-SILVER VASE Meiji era (1868-1912), late 19th century Modeled as a flower basket with bamboo-form rim and loop handles, two sides of the body applied with silver strands simulating woven bamb

Satsuma Vase And Cover Japanese, Meiji Period (1868-1912) late 19th Century A sculpted Satsuma covered jar in the form of a Sake jar symbol of good health and abundance, decorated in colourful enamels

A SATSUMA MODEL OF HOTEI Meiji era (1868-1912), late 19th century Painted in polychrome enamels and gilt, the deity shown dressed in a loose flowing robe decorated with the accouterments of the Seven

AN IMPRESSIVE PAIR OF BRONZE VASES INLAD WITH MANY FINE MENUKI Japan, late 19th century, Meiji period (1868-1912)Each of stylized Chinese gu-shape with a globular body, the bronze patinated black, the

THREE SMALL MIXED-METAL BOXES. Meiji era (1868-1912), late 19th century. Largest example diameter: 1 3/4 inches.

THREE SMALL MIXED-METAL BOXES Meiji era (1868-1912), late 19th century Largest example diameter: 1 3/4 inches

Two gold ojime One by Katsuhira and one by Kiyotoshi, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuhira, 1.7cm (11/16in) high; t

A gold ojime of a Karako (Chinese boy) By Masatoshi, Meiji era (1868-1912), late 19th/early 20th century The karako standing with a serene expression, holding a minogame (bushy-tailed turtle); signed

Two gold ojime One by Katsuo and one by Shuraku, Meiji era (1868-1912), late 19th/early 20th century The first Daikoku, standing, brandishing his mallet, signed Katsuo, 2.2cm (7/8in) high; the second

TWO CLOISONNÉ-ENAMEL CIRCULAR LARGE PLATES Meiji era (1868-1912), late 19th/early 20th century Conceived in the manner of Namikawa Sosuke, worked in copper wire with a cockerel and hen on one pla

A GROUP OF SEVEN JAPANESE IMARI WARES Meiji Era (1868-1912), Late 19th/Early 20th Century Comprising an ogee-form barber's bowl painted with a basket of flowers; a kendi with a lobed globular body sup

An embroidered silk panel. Probably produced by the Iida Shinshichi company, Meiji era (1868-1912), late 19th /early 20th century Worked in silk and cotton threads, inventively deploying long and shor

YŪI WORKSHOP (ACTIVE LATE 19TH CENTURY) A Large Inlaid-Bronze Vase Meiji era (1868-1912), late 19th century The tapering ovoid body worked in iro-e takazōgan and hirazōgan with a rooste