Werner Bischof (1916-1954); In the Court of the Meiji Temple, Tokyo, Japan;

Werner Bischof (1916-1954) was a Swiss photographer who made significant contributions to the field of documentary photography during the mid-20th century. His work often focused on capturing the huma

Werner Bischof (1916-1954) was a Swiss photographer known for his significant contributions to the field of documentary and photojournalistic photography. He was a member of the renowned Magnum Photos

WERNER BISCHOF (1916–1954) | Koje Do Island camp, South Korea 1952 | Vintage silver print, single-weight glossy paper, in very good condition 21,2 x 25,6 cm Photographer’s agency stamp, an

Werner Bischof (1916-1954) St Moritz Olympische Winterspelen 1940 (girl in Sleigh) original colour photographic poster printed by Conzett & Huber October 1938 - 64 x 101 cm This poster was initially i

Werner Bischof (1916-1954) was a Swiss photographer renowned for his humanistic approach to documentary photography and his pioneering contributions to photojournalism during the mid-20th century. Bor

Artist: Werner Bischof Title: Shinto Priests, Tokyo, Japan, 1951 Medium: Photo Litho, 1990, Switzerland Dimensions: 7.05x4.8" Description: Heat Wax Mounted on 8.5x11" Conservation Board Artist Bio: We

Artist: Werner Bischof Title: Victim of War, Tokyo, Japan, 1951 Medium: Photo Litho, 1990, Switzerland Dimensions: 7.55x11.8" Description: Heat Wax Mounted on 12x16" Conservation Board Artist Bio: Wer

Artist: Werner Bischof Title: Shinto Priests in Temple Garden, Tokyo, 1952 Medium: 1968 Sheet Fed Gravure, Holland Dimensions: 7.35x6" Wax Tissue Heat Mount on 11x14" conservation board With COA Pleas

Satsuma vase. Japan. Meiji period (1868-1912). Court scenes on a gilt teal ground. Globular form. Signed Kinkozan. 3.5 D x 3in H.

dated first year of meiji period, given as gift to one of the temple in japan accoriding to the collector and with paper lable, orginal wood presentation box, in mint condition, name as " three friend

KAWASE HASUIJapan, 1883-1957“Japanese Dolls: Gosho-Ningyo” portfolio of 20 woodblock prints (numbers 18-24 are missing). Published by Meiji-Shobo, Tokyo, 1935 in celebration of Childrenâ�

Makuzu Kozan (1842-1916) porcelain blue and white baluster form vase with bamboo decoration Japan, Meiji period high glazed ceramic underglazed signature, old paper label 5 5/8"dia x 13 1/4"h

FUDO TEMPLE IN MEGURO, TOKYO, 1931, color woodcut print, chop mark and character stamps, sheet 15 x 10 ½”.

,Japan,Late 19th- Early 20th Century Depicts a gentleman smiling at a monkey perched on his shoulder on an organically formed base. Bronze, wood, Approx. 18 3/4" t x 12 1/2" w x 7 1/2" d. From the col

Japan Yen, (Y.28a.5), Meiji Year 29 (1896), Tokyo Mint, Gin counterstamp (1897), NGC MS61. Rainbow toned, scarcer Tokyo counterstamp. For use in Korea.

Includes (1) Hasui Kawase (Japan, 1883-1957) "Cherry Blossoms at Kiyomizu Temple in Uyeno Park, Tokyo" woodblock print - toning, small tears, edge loss, pinholes; (1) Hasui Kawase "Ocha

Japanese Woodblock Print, Hasui Kawase (japan, 1883-1957), "shiba Zojoji Temple In Snow", From Series Twenty Views Of Tokyo. Measures 14 X 9.5 Inches Within Matting.

Kawase Hasui(Japan, 1883-1957)Koji Zen Temple, pleasure in the sun on Lake Chuzenjiwoodblock print in colors on laid paperpublished ca. 1950 by L. Tanahashi. Tokyo15 1/4 x 10 1/2 in. (39 x 27 cm.)

This exceptional Kutani Maneki Neko (Beckoning Cat) evokes imagery of the legend's beginning.In a very poor 16th Century temple lived a priest with his cat. Despite little to eat, the priest always sh

Hasui Kawase (Japan 1883-1957) "Honmon temple, Ikegami" wodblock print, from the "20 Views of Tokyo" series 1925, published by Watanabe, signed. Image: 14.75" H x 10" W; frame: 19.75" H x 15" W x 0.75

Extremely fine and exceptionally beautiful and lifelike rooster and hen bronze with artist mark. Roosters are considered sacred symbols in Japan and are permitted to run free amongst Shinto temples. G

Impressive okimono in brown patinated bronze. Japan. Meiji period, 1880-1912. Depicting Gama Sennin, seated on a rock, holding a copper temple bell (separate item, missing); a child is watching. Marke

A PAIR OF KOZAN STYLE RELIEF-MOULDED SATSUMA CERAMIC VASES, MEIJI Japan, 1868-1912. Made in the style of the Makuzu (Miyagawa) Kozan workshop. Each baluster vase is decorated with a pigeon perched on

Silkscreen Print 2004 24x28.5cm (9.4x11in) Signed lower: edited 63/80, A PUMPKIN GB-D 2004 Yayoi Kusama Edition of 80 Literature: ABE Publishing Ltd., KUSAMA Yayoi PRINTS 1979-2011, Tokyo, Japan, 2011