Rembrandt van Rijn - Jesus Au Jardin Des Oliviers

Artist: Rembrandt van Rijn (after) Title: Jesus Christ Preaching Year: 1888 Dimensions: 14.6in. by 11.5in. Edition: From the rare limited edition Suite: Rembran

Rembrandt Harmenszoon van Rijn "Jesus and his Disciples". Beautiful Heliogravure Phototype by the dutch master Rembrandt. Limited edition, hand numbered on lower left margin. Published by Birkhauser K

REMBRANDT HARMENSZ VAN RIJN (NACHFOLGER DES 18. JH.) 1606 Leiden - 1669 Amsterdam PORTRÄT EINES BÄRTIGEN ORIENTALEN Öl auf Eichenholztafel. 37,5 cm x 28,5 cm. Verso: Altes Etikett des Kunstauktions

Teller Delft. 20.Jh. Keramik. Im Spiegel Selbstporträt des Künstlers Rembrandt van Rijn in naturalistischer Sepiamalerei. Floraldekor am Rande des Teller. D 40 cm.

REMBRANDT HARMENSZOON VAN RIJN (NACH) 1606 Leiden - 1669 Amsterdam DER ENGEL VOR DER FAMILIE DES TOBIAS VERSCHWINDEND Radierung auf Papier; Abzug von Basan, Paris (Ende 18./Anfang 19. Jh.). BM 14 x 18

Attrib. to Rembrandt van Rijn, etching, Attrib. to Rembrandt van Rijn (Dutch, 1606-1669), Old man writing, etching, inscribed "Chez Naudet au Louvre 1826" verso, 5.5"h x 4.5"w (sheet), unframed

REMBRANDT HARMENSZOON VAN RIJN (Dutch 1606-1669) A PORTFOLIO OF PRINTS, "Rembrandt Radierungen: Eine Auswahl Von Hundert Der Wertvollsten Radierungen Des Meister," the title translates to "Rembrandt E

Rembrandt Harmenszoon van Rijn1606 Leiden - 1669 Amsterdam - 'Die Enthauptung Johannes des Täufers' - Radierung. 12,9 x 10,3 cm. 13,7 x 11,1 cm. In der Platte bez. und dat.: Rembrandt f. 1640. Unter

HARMENSZOON VAN RIJN REMBRANDT 1606 Leiden - 1669 Amsterdam (Nachfolger des 19. Jh) Hauptmann mit Lanze Öl auf Leinwand. 113 cm x 92 cm. Rahmen.

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Self-Portrait in a Flat Cap and Embroidered DressEtching, circa 1642, an excellent early impression of New Hollstein's final state (of three), with minor signs of wear, o