BARRY MCGEE b. 1966 Untitled (Twist), ca. 1990

Barry McGee American, b. 1966 Untitled Acrylic and mixed media on found paperboard 10 x 7 7/8 inches (25.4 x 19.8 cm) Unframed Provenance: Acquired directly from the artist by the current owner C

Barry McGee (American, b. 1966) Untitled Medium: Acrylic Measures 11X11 inches Exhibition 2012-2013 The Institute of Contemporary Art, Boston

Barry (Twist) McGee (American, b. 1966), "If Only the Jukebox Took Tears" 1991, oil and wax on canvas, signed and dated verso, overall (canvas/unframed): 72"h x 42.25"w. Exhibition History: Southern E

UNTITLED, lithograph, signed in pencil, numbered 10/60, sheet 30 x 22”, Editions Copenhagen, a few soft handling creases visible at certain angles in raking light, otherwise in good condition.

GEOMETRIC PATTERN ORANGE GREEN BLACK, 2011, die-cut vinyl multiple on Foamcore, published by Bodega, 37 ¼ x 19 ½”, frame 43 ¼ x 25 ½”. Provenance: MOCA ART IN THE STREE

GEOMETRIC PATTERN RED GREEN BLACK 2011, die-cut vinyl multiple on Foamcore, published by Bodega, 39 x 21”, frame 45 ¼ x 27 ¼”. Provenance: MOCA ART IN THE STREETS 2011.

Print, "Fong" 9/30 Signed lower left. 10in. x 17in. (25cm. x 43cm) together with a bound catalog of his 2004 Exhibition at Rose Art Gallery, Brandeis University

PROJECT TOOM BY LIFE, 2003, color poster, 22 ¾ x 17”, with folds as issued.

ATTRIBUTED TO BARRY MCGEE (B. 1966) Acrylic on wood 24" x 22" Unsigned Private collection; Avery Gallery, New York, together with gallery letter to current owner

Barry McGee (Born 1966) Untitled (Graffiti Wall), 1991 6 wood panels with spray paint Commissioned for the Yerba Buena Museum of Art, San Francisco Image: 96 x 252 inches installed

Barry McGee (born 1966) Untitled, c. 1990 Spray paint on wood panel Unsigned 97 x 48 inches

Original acrylic painting of face on glass bottle. Provenance: The Collection of Jonas Meyer Karp, Cincinnati, OH. 2 7/8w x 1 1/4d x 6 7/8h.

William Acheff(b. 1947)Untitled (Black Pot with Red Chiles), ca. 1990pastel on papersigned lower right: Wm Acheffinscribed lower center: Gilcrease RendezvousCreated during a live drawing competi

(American, b. 1940). Acrylic on canvas on wood, 1990, signed, titled and dated on verso, 30 x 54 in., unframed. Private collection, Baltimore, MD. Goldeen Gallery, Santa Monica, CA, gallery label on v

TOM SACHS (b. 1966) Untitled (HK MP5) 1998 ink, glue, card and foamboard 25.4 by 49 by 6 cm. 10 by 19 5/16 by 2 3/8 in. This work was executed in 1998. Footnotes: Provenance M

Barry McGee Untitled (Ornament) c. 1998found metal can lid, acrylic 5.5 dia in (14 cm) Provenance: Highways Performance Space, Santa Monica | Acquired from the previous c. 199

Irish, b. 1966 Untitled (Standing Woman), 1995 Signed and dated LB 1995 near the bottom Bronze with greenish brown patina Height 70 inches (177.8 cm)

Eric Zener (American, b. 1966), Untitled (Two Gourds and a Green Valley), oil on canvas, signed lower right, canvas unframed): 84"h x 20"w

Lot 42 Frankie Odom American (1941-2019) Untitled (ca.1990) watercolor on paper signed lower left image: 5 3/4 x 8 1/2 inches Provenance: From a Private New York Collection Acquired from the artis

Bertil Vallien (Swedish, b. 1938) Untitled, circa 1990, Kosta Boda Sandcast glass with enamel and foil inclusions 13 inches (33.0 cm) Signed to verso: B. Vallien / KOSTA BODA 8BVALLN 959004 UNIQUE PRO

Richard "Dick" Hay Indiana (1942-2020) Untitled Vessel Series, Ca.1990-2005 slips, engobes and glazes on earthenware All proceeds benefit the Dick Hay Memorial Fund and the Art and Ceramics program at

Richard "Dick" Hay Indiana (1942-2020) Untitled Vessel Series, Ca.1990-2005 slips, engobes and glazes on earthenware All proceeds benefit the Dick Hay Memorial Fund and the Art and Ceramics program at

Framed oil on canvas painting, "Late Summer Blooms," signed lower left Legind (Thomas Legind, California, Texas, b.1966), dated 1990, sight: 27.25"h, 37.25"w, overall: 44"h, 54"w, 29lbs **Note: Legind

JOHN ALEXANDER (American/Texas b. 1945) FOUR PRINTS, Untitled, 1990, etchings with aquatint and hand-coloring on paper, the complete suite of four, each signed in pencil L/R, "John Alexander," and eac