Charles Percier (1764-1838): Architectural Fragments; and A Crypt

Charles Percier (French, 1764-1838) Charles Percier (French, 1764-1838) 'Eléments d'architecture avec le sanglier Borghèse' watercolour 17.5 x 19.5cm; together with a hand-coloured print, 'P

Charles THÉVENIN (1764-1838) Ensemble de trente-six gravures à l'eau forte dans leur coffret 16,5 x 11 cm (chacune)

Includes a large polished marble square column pedestal - 25" w x 25" d x 36" h; a smaller marble square pedestal - 20" w x 20" d x 35" h; a tall red marble column on base, polished - 20" diameter x 4

Two Chinese Carved Stone Architectural Fragments , carved with the faces of horned dragons, l. 35 in. and 36 in

A Pair Of Islamic architectural Fragments c.13th century AD. Size 17 - 17 1/4 inches length, 15-13 inches high. A large matching pair of architectural fragments with floral design. Ex Silk Road NYC.

Sevres Style Bisque Porcelain Mantle Clock, After a Design by Charles Percier Spurious iron red printed mark. 23 1/4 x 13 x 8 in. Literature: For a similar example see Garric, Jean-Philippe ed., Charl

Pair of Italian Baroque Columnar Architectural Fragments fourth quarter 17th century and later, painted and parcel-gilt, the spiral-molded columns with gilt composite capitals, on bases decorated with

Continental, likely Italian, and Chinese, 19th century. A carved Venetian Baroque style shadowbox, with an elaborate carved wood and giltwood frame, having a foliated and scrolled broken pediment inse

Pair of Corinthian Column-Form Architectural Fragments 20th century, now mounted as floor lamps, the gray-painted fluted columns resting on square bases, mounted with shades. h. 66-1/2", dia. 18-3/4"

Collection (12) antique architectural fragments, c. 17th/18th c., Continental, carved wood with trace white pigment, Neoclassical forms, two with iron pricket spikes, each mounted on black metal stand

Pair of Continental Carved Architectural Fragments 18th century and later, now mounted as lamps, the arabesque-carved pine panels mounted with neoclassical wooden trim, on acrylic bases. h. 28", w. 9"

Pair of Carved Deal Architectural Fragments 19th century, now mounted as lamps, the pilasters carved with bas-relief scrollwork and covered cups in the baroque taste, mounted on acrylic stands. h. 27-

Pair of Neoclassical-Style Carved Oak Architectural Fragments 18th century, now mounted as lamps, the pierced urn-form fragments carved with lotus leaves, the fluted bases trimmed with molding decorat

Pair of Carved, Pierced and Gilded Architectural Fragments 19th century and later, now mounted as lamps, carved with scrollwork and grapes, trimmed with ribbon-bound laurel leaves, on acrylic bases. h

Grouping of 3 Grand Tour items. 1st item: Alabaster Standing Hercules Figure modeled from the Ancient Roman/Greek Farnese Hercules marble statue in the Naples National Archaeological Museum. (The Farn

Bellamy quality, intricately carved, tapered boards with traces of colored paint to recessed portions. Later white paint. 17 1/2 x 90 inches, each. Condition: Wear to paint. Some losses, to edges, exp

A Shiwan porcelain architectural fragment with colorful glazed figures, depicting Cantonese opera stage at the front, peonies at the back, comes with a wood stand, with stand W:67cm, H:113cm, D:26cm 1

Interior of the Royal Chambers , three rooms each with many figures interacting many of high born station, An extensively carved and gilded architectural fragment possibly from a marriage bed or crown

Egyptian Architectural fragment, 26th Dynasty 664-525 B.C.limestone relief 19.5 h x 21 w x 1.625 d in (50 x 53 x 4 cm) base: 17.5 h x 20.5 w x 4.5 d in (44 x 52 x 11 cm) Provenance:

ANCIENT CHINESE ARCHITECTURAL FRAGMENT - Portrait of the Buddha, Sui Dynasty/early Tang Dynasty (600-800 AD), part of a larger effigy statue, in high relief black stone, on a black museum mount. Rough

Presumably from a theater. Height - 35" Length - 64 1/2"

Italian, 18th century. A late Baroque period giltwood architectural fragment, hand carved with four putti amidst sweeping acanthine scrolls underneath a pedimental top with dot and dash molding. Unmar

Italian Baroque Parcel-Gilt and Painted Architectural Fragment, ca. 1700, possibly part of an altar, now mounted as a mirror with gilt and blue faux-marbre-painted pilasters framing the mirror plate,

Chinese gilt wood architectural fragment, c1950 Dimensions::Height: 35" x Width: 7.5" x Depth: 3.5"