Classical Figured Rosewood Banquet End

Circa 1850. Having excellent grain over figured base atop four scrolling feet on casters. H29" W46" D22 3/4" Sold from the collection of a Forest Acres lady.

Circa 1830. Mahogany, having handsomely figured top and leg which swings around to make a fine square breakfast table over a very nicely carved urn and acanthus base emitting four carved paw feet. H28

Briggs Patent American Classical Rosewood Banquet Table ca. 1845, Boston, the circular top opening by way of a patented accordion mechanism to accommodate four leaves, supported by a split cluster-col

Circa 1820. The table having a very well figured top with banquet ends at each side centered by a drop leaf table at the middle having swing out legs to support the top. The secondary and primary wood

A REGENCY BRASS MOUNTED FIGURED ROSEWOOD SOFA TABLE with fold-down ends enclosing two frieze drawers applied with acanthus leave mounts; on splayed end supports joined by a ring turned pole stretcher;

British, mid 19th century, highly figured rosewood throughout, single dovetailed drawer and three false drawers, trestle base and scrolled feet, 29-1/4 x 24 x 20 in.  ?This lot contains animal or pla

Pair of East Tennessee banquet end tables which join to form a dining table. Figured walnut and cherry primary, poplar secondary. Tables with semicircular design and drop leaf, figured curved aprons a

Circa 1810, likely Kentucky. the piece having a butternut top with figured tiger maple case atop four handsomely turned butternut legs. Sold from the collection of an Atlanta lady and gentleman. H28 1

Circa 1830. Having a nicely figured rosewood top with swivel action to open for gaming and interior to house game pieces above a carved freeze at center and octagonal shaft supported by circular base

Circa 1800, Britain. Having a three leg demilune form with nicely figured wood and shaped square legs. H28 1/4" W54 1/4" D20" Sold from the collection of Mr. and Mrs. CC Canada Camden, South Carolina.

Walnut and rosewood Victorian Renaissance Revival side cabinet, the top, end panels, and door panel with figured rosewood veneer, gilt incised and ebonized decoration throughout, a single drawer over

Circa 1820, Alabama. Having a nicely figured top with fold out leaves to connected to banquet ends all resting on a handsomely turned leg. The secondary wood is hard yellow pine throughout. L100" when

Circa 1830, likely Baltimore, Maryland. Having an elegantly shaped frame with barrel arms atop figured ends leading to a bold carved foot atop casters. H35 1/2" W88" D25" Sold from the collection of t

Circa 1880. The piece having serpentine ends with nicely figured wood throughout, resting atop reeded and tapered legs terminating in cup casters. H31" W48" L163" Sold from the collection of a late Ed

Circa 1840. Having acanthus carved ends to the backrest with figured wood above upholstered back and seat and with very nicely carved arms leading down to inlaid freeze below seat and all resting on h

ENGLISH DROP-LEAF TABLEEarly 19th CenturyIn figured light wood veneer with rosewood banding. Single drawer at one end. Tapered legs fitted with brass casters.Height 28.5". Width 26.25" plus two 12.75"

Manner of Anthony Gabriel Quervelle (French/American, Philadelphia, 1789-1856), second quarter 19th century. Classical mahogany console table, previously the end to a banquet table, having a "D" form

 Continental, possibly Austrian, 19th century, rosewood and mahogany octagonal figured top with open interior and mirror inset frieze, leaf carved pedestal base set on fine gilt brass winged paw

American Classical Stenciled and Polychromed Faux-Rosewood Grecian Couch, first quarter 19th century, Philadelphia, the recamier with a scroll end mounted with a splat modeled as a roundel joined to h

Finished in highly figured burlwood veneer - possibly olivewood - with banded rosewood trim. One table bears an old "Made in Italy" label underneath. Early 20th Century. Dimensions: H 27" x W 13" x D

attributed to the workshop of Duncan Phyfe, circa 1815-20, the top with figured veneer and canted corners, applied bronze beaded detail throughout, the conforming two drawer base with original neoclas

American Classical Mahogany and Gilt-Stenciled Double-Pedestal Dining Table, ca. 1825, New York, each D-end section with a single-board top and deep drop leaf, over a figured frieze edged in original

American Classical Mahogany Tilt-Top Center Table ca. 1825, Philadelphia, school of Quervelle, the top with figured sunburst mahogany veneers, extending to purpleheart lunettes and a rosewood band, ra

Regency Inlaid Rosewood Drop-leaf Table, England, early 19th century. Hinged leaves at ends open to form oblong overhanging top with figured veneer panel surrounded by cross-banding, above case with t