Rembrandt VAN RIJN (1606 - 1669) Copy after. "St Thomas the Apostle (The Architect)".

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wi

REMBRANDT VAN RIJN (Dutch, 1606 - 1669). The Stoning of St. Stephen,1635The Stoning of St. Stephen, 1635, Etching and mezzotint with touches of engraving plate signed and dated. First state of two, wi

After Rembrandt, portrait painting, After Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Herman Doomer, 1933, oil on canvas, unsigned, stamped verso "Copy, From the Original, The Metropolitan Muse

After Rembrandt van Rijn (Dutch, 1606-1669) 'The Philosopher Reading' Oil on Canvas (2) total items including a 19th century copy of a Rembrandt 1631 painting in a gold-tone gesso on carved wood frame

Oil on board painting, a copy of the 1635 Self Portrait of Rembrandt van Rijn, 1606 to 1669, a Dutch Golden Age artist. The original artwork is now in the collection of Mauritshuis, The Hague, Netherl

After Rembrandt, portrait painting, After Rembrandt van Rijn (Dutch, 1606-1669), Portrait of Herman Doomer, 1933, oil on canvas, unsigned, stamped verso "Copy, From the Original, The Metropolitan Muse

Rembrandt Van Rijn,After (Dutch, 1606-1669) The Death of the Vergin, 1639. Original Etching, reverse copy by Denon, signed lower right corner: D 1783. (Dominique Vivant Denon,French, 1747-1825). The u

Rembrandt, Van Rijn Original Etching, 1635, St. Jerome Kneeling in Prayer, Looking Down. (Dutch 1606-1669). Small margins, with the entire signature printing, albeit lighter at the end. A good impress

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

etching and drypoint; signed in plate; Condition: slight mat burn; not examined out of frame; 6 x 4 1/4 inches image

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Etching on laid paper with wiremarks. “The Card Player” 1641, (Bartch 136). 95 x 83 mm. Unknown state.

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

Beautiful Rembrandt Harmenszoon Van Rijn etching, "Autoritratto col berrero spesso". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was born i

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)

Nice Rembrandt Harmenszoon Van Rijn 1606 - 1669 etching, "Rembrandt in a cap and feather", "Rembrandt avec trois crocs". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biograph

Rembrandt van Rijn ( 1606 - 1669 ) Original Etching, Measures (8 x 5.5 inches) w/frame (14 x 12 inches)

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai