REMBRANDT Van Rijn (1606 - 1669) "The Windmill" etching/laid paper B233

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Rembrandt Harmenszoon Van Rijn (1606-1669), Windmill, etching. 7 3/4" x 10".

17 Century Dutch Oil Painting Circle of Rembrandt van Rijn Oil Painting Circle of Rembrandt van Rijn (Dutch, 1606-1669) Oil on paper pasted on panel Extremely high quality. The frame is hand carved oa

DESCRIPTION: "Raising Of Lazarus". (Rembrandt Van Rijn 1606-1669). Etching on Arches laid paper. Signed in the plate. The tenth state (Bjorkland and Nowell-Eusticke). From Millennium limited edition.

After Rembrandt van Rijn (Dutch, 1606-1669), etching on laid paper titled 'Christ Driving the Money Changers from the Temple,' 5.5"h x 6.5"w, overall dimensions including frame 14.25"h x 15.25"w x 1"d

[REMBRANDT VAN RIJN (1606-1669)] TWO ETCHINGS BY REMBRANDT AND TWO NATURE PAINTINGS comprising: 1) REMBRANDT VAN RIJN [1606-1669], The Omval, etching on paper, signed in plate and dated 1645 lower rig

After Rembrandt van Rijn (Netherlands, 1606-1669) etching on laid paper, "Man in a Coat and Fur Cap Leaning against a Bank," [Bartsch-Hollstein 151; Hind 14], 1630. Plate measures 4-1/2" x 3-1/8". In

After Rembrandt Harmenszoon Van Rijn (Dutch, 1606-1669). Etching on paper titled "Bust of Man Wearing a High Cap," depicting a seated man looking off to the right. Initialed and dated 1630 i

After Rembrandt van Rijn (Dutch, 1606-1669), etching on laid paper titled 'The Bathers,' 4.5"h x 5.75"w sight of sheet, overall dimensions including frame 13.5"h x 15"w x 1"d.

Rembrandt van Rijn (Dutch, 1606-1669). "RL 1631" on plate. Paper label verso "Artist's Mother with her Etching". In wide gold frame with shadowbox matting. unframed ( height: 6 inch, width: 4 inch) fr

Rembrandt van Rijn, etching, Rembrandt van Rijn (Dutch, 1606-1669), "The Bathers", etching on laid paper, signed in the plate lower left, possibly c. 1651 (marked B195, 1651 on frame verso), hinged in

Rembrandt van Rijn, Dutch, 1606-1669. Etching with drypoint on laid paper, titled "The Raising of Lazarus" (Small Plate). Chain lines with Crown and Shield watermark having "AM" initials mid image, be

After Rembrandt Van Rijn (1606-1669): The Waif Etching in black on laid paper. 9 1/2 x 13 in. (sheet), 12 1/2 x 16 1/2 in. (frame). Property from the Estate of Nancy Moreland Bomonti

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

Etching on laid paper with wiremarks. “The Card Player” 1641, (Bartch 136). 95 x 83 mm. Unknown state.

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

Rembrandt van Rijn (1606-1669)Christ and the Woman of Samaria among RuinsEtching, circa 1634, a heavily inked black impression of New Hollstein's third state (of five), on laid paper without watermark

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

REMBRANDT VAN RIJN (1606-1669) Abraham, speaking with Isaac Etching with drypoint on handmade paper. (1645). - Sizes: Hors cadre H =151mm L =127mm - Weight (K): 0,36kg - Condition: at first glance - g

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1