REMBRANDT Van Rijn (1606 - 1669) The Card Player B136

Etching on laid paper with wiremarks. “The Card Player” 1641, (Bartch 136). 95 x 83 mm. Unknown state.

Rembrandt van Rijn (1606-1669)The Card PlayerEtching, 1641, a good but a later impression of New Hollstein's fifth state (of five), on cream wove paper without watermark, platemark 91 x 83 mm (3 5/8 x

Rembrandt Van Rijn (1606-1669) etching of The Card Player. Overall size: 22 x 21 1/2 in. Sight size: 3 1/2 x 3 in. Please contact Nic at Info@premiershipment.com for an estimated shipping quote prior

VAN RIJN, Rembrandt, (Dutch, 1606-1669): “The Card Player”, Etching, sight size 6.25” x 6” with margins, framed, 27” x 26”.

After Rembrandt Van Rijn (Dutch, 1606-1669), Lot of Six EtchingsThe Card Player; Bust of a Man Wearing a High Cap; The Golf Player; Self Portrait Drawing at a Window; Landscape with a Cow Drinking; an

Rembrandt van Rijn (1606-1669)The Ringball Player ('The Golf Player')Etching, 1654, but a later impression of the the second state (of two), printing with plate tone on cream laid paper without waterm

Rembrandt van Rijn (Dutch, 1606-1669) The Golf Player. Etching, 1654, a 20th century impression. Ref: Hind 272. Provenance: Park West Gallery, Dover, Delaware 3.75" x 5.5" Frame: 25" x 27"

A limited edition etching on Arches paper. Titled "The Golf Player," after the original 1654 Old Master work by Rembrandt van Rijn (1606-1669). A figural interior scene, depicting 17th Century male fi

Rembrandt Van Rijn (1606 - 1669) Clement de Jonghe, printseller, 5th or 6th state etching signed in etching Rembrandt sheet size: 8 3/8" x 6 1/2" Provenance: The Gordon Galleries label on back, Estate

Rembrandt Van Rijn (1606 - 1669 Netherlands) 'Jan Lutma, Goldsmith' 17th Century Etching. Plate signed 'Rembrandt F, 1656' in upper right window. Trimmed to image with paper measuring 7.75x5.75'', fra

etching and drypoint; signed in plate; Condition: slight mat burn; not examined out of frame; 6 x 4 1/4 inches image

A 19th c. printing "Self-Portrait in a Flat Cap and Embroidered Dress" with '"Rembrandt" on upper left. Bartsch 26. plate measures 9.3 x 6.1 cm (3.75 x 2.5 in.). Etching, from the plate. Published in

Etching on laid paper, 19th c. printing from original plate. "Jean Lutma, Goldsmith" (Bartsch 276) Measures: 19.5 x 14.6 cm plate. Provenance: Alfred and Maria Tarski, Berkeley, California; then by fa

Beautiful Rembrandt Harmenszoon Van Rijn etching, "Autoritratto col berrero spesso". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biography: 1606 - 1669. Rembrandt was born i

Rembrandt Harmenszoon Van Rijn (1606 - 1669). "Man at a Desk Wearing a Cross and Chain", etching. Sight Size: 6 x 4 inches.

etching on laid paper; unsigned Plate: 2 5/8 x 2 1/4 in. (6.7 x 5.7 cm.), Sheet: 9 3/4 x 5 3/4 in. (24.8 x 14.6 cm.)

Nice Rembrandt Harmenszoon Van Rijn 1606 - 1669 etching, "Rembrandt in a cap and feather", "Rembrandt avec trois crocs". Frame: 18 x 13 inches, art: 3 x 2.5 inches. Provenance: private owner. Biograph

Rembrandt van Rijn ( 1606 - 1669 ) Original Etching, Measures (8 x 5.5 inches) w/frame (14 x 12 inches)

A later printing by Theo Beerendonk (1905 - 1979) after Rembrandt's etching, on laid paper. Signed and dated in the plate lower right Rembrandt f. 1641.15.1 x 21 cm. Bartsch 313.

Gravure on laid paper. B182 Measures: Plate 9.1 x 7.3 cm

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an